{"id":8610,"date":"2015-11-10T08:29:36","date_gmt":"2015-11-10T07:29:36","guid":{"rendered":"http:\/\/blogs.nmz.de\/wm2014\/?p=1925"},"modified":"2015-11-10T08:29:36","modified_gmt":"2015-11-10T07:29:36","slug":"musik-als-hautpfach-die-flogen-aeh-folgen-tlei-i","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/musik-als-hautpfach-die-flogen-aeh-folgen-tlei-i\/","title":{"rendered":"Musik als Hautpfach: Die Flogen, \u00e4h, Folgen, Tlei I"},"content":{"rendered":"<ol>\n<li>Leider musste der Deutschunterricht ausfallen.<\/li>\n<\/ol>\n<div class=\"oceanwp-oembed-wrap clr\">\n<div class=\"embed-twitter\">\n<blockquote class=\"twitter-tweet\" data-width=\"550\" data-dnt=\"true\">\n<p lang=\"de\" dir=\"ltr\">Selbst in der Schreibweise noch nicht fertig geworden&#8230;<a href=\"https:\/\/twitter.com\/hashtag\/Elbphilharmonie?src=hash&amp;ref_src=twsrc%5Etfw\" target=\"_blank\" rel=\"noopener\">#Elbphilharmonie<\/a> <a href=\"https:\/\/twitter.com\/hashtag\/Hamburg?src=hash&amp;ref_src=twsrc%5Etfw\" target=\"_blank\" rel=\"noopener\">#Hamburg<\/a> <a href=\"https:\/\/t.co\/Y7mCOtgnbp\">pic.twitter.com\/Y7mCOtgnbp<\/a><\/p>\n<p>&mdash; Clemens Seemann (@ClemensSeemann) <a href=\"https:\/\/twitter.com\/ClemensSeemann\/status\/663753299171155968?ref_src=twsrc%5Etfw\" target=\"_blank\" rel=\"noopener\">November 9, 2015<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/div>\n<\/div>\n<ol>\n<li>Kunst- und Mathematikunterricht mussten auch ausfallen. Sesamstra\u00dfe musste ausfallen.<\/li>\n<\/ol>\n<div class=\"oceanwp-oembed-wrap clr\">\n<div class=\"embed-twitter\">\n<blockquote class=\"twitter-tweet\" data-width=\"550\" data-dnt=\"true\">\n<p lang=\"de\" dir=\"ltr\">Trompeterin mit Verpflichtung zur Posaune. <a href=\"https:\/\/twitter.com\/hashtag\/dasorchester?src=hash&amp;ref_src=twsrc%5Etfw\" target=\"_blank\" rel=\"noopener\">#dasorchester<\/a> <a href=\"https:\/\/twitter.com\/hashtag\/wurstblatt?src=hash&amp;ref_src=twsrc%5Etfw\" target=\"_blank\" rel=\"noopener\">#wurstblatt<\/a> <a href=\"https:\/\/t.co\/iuALpYOMqG\">pic.twitter.com\/iuALpYOMqG<\/a><\/p>\n<p>&mdash; Hans-Peter Fieber | doppelhorn.de (@doppelhorn) <a href=\"https:\/\/twitter.com\/doppelhorn\/status\/663716785674407936?ref_src=twsrc%5Etfw\" target=\"_blank\" rel=\"noopener\">November 9, 2015<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/div>\n<\/div>\n<ol>\n<li>Ich fordere betreutes Wohnen f\u00fcr die Hanseln von &#8220;<a href=\"https:\/\/twitter.com\/mmauvs\" target=\"_blank\" rel=\"noopener\">Musik mit allem und viel scharf<\/a>&#8221; und einen Waschlappen.<\/li>\n<\/ol>\n<div class=\"oceanwp-oembed-wrap clr\">\n<div class=\"embed-twitter\">\n<blockquote class=\"twitter-tweet\" data-width=\"550\" data-dnt=\"true\">\n<p lang=\"de\" dir=\"ltr\">Jede Woche bereut ein anderer Autor unseren <a href=\"https:\/\/twitter.com\/Snapchat?ref_src=twsrc%5Etfw\" target=\"_blank\" rel=\"noopener\">@Snapchat<\/a> Account:<br \/>Diese Woche: &quot;<a href=\"https:\/\/twitter.com\/bambibleu?ref_src=twsrc%5Etfw\" target=\"_blank\" rel=\"noopener\">@bambibleu<\/a> 2&quot; Die R\u00fcckkehr der Blonden <a href=\"https:\/\/t.co\/OmmixfCaKb\">pic.twitter.com\/OmmixfCaKb<\/a><\/p>\n<p>&mdash; Musik &#8211; mit allem und viel scharf (@mmauvs) <a href=\"https:\/\/twitter.com\/mmauvs\/status\/663679229230493697?ref_src=twsrc%5Etfw\" target=\"_blank\" rel=\"noopener\">November 9, 2015<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/div>\n<\/div>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Musik%20als%20Hautpfach%3A%20Die%20Flogen%2C%20%C3%A4h%2C%20Folgen%2C%20Tlei%20I https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fmusik-als-hautpfach-die-flogen-aeh-folgen-tlei-i%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Selbst in der Schreibweise noch nicht fertig geworden&#8230;#Elbphilharmonie #Hamburg pic.twitter.com\/Y7mCOtgnbp &mdash; Clemens Seemann (@ClemensSeemann) November 9, 2015 Kunst- und Mathematikunterricht mussten auch ausfallen. Sesamstra\u00dfe musste ausfallen. Trompeterin mit Verpflichtung zur Posaune. #dasorchester #wurstblatt pic.twitter.com\/iuALpYOMqG &mdash; Hans-Peter Fieber | doppelhorn.de (@doppelhorn) November 9, 2015 Ich fordere betreutes Wohnen f\u00fcr die Hanseln [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Musik%20als%20Hautpfach%3A%20Die%20Flogen%2C%20%C3%A4h%2C%20Folgen%2C%20Tlei%20I https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fmusik-als-hautpfach-die-flogen-aeh-folgen-tlei-i%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" 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die Bayreuther Festspiele twittern w\u00fcrden \u2013 \u00dcber wahre F\u00e4lschungen","author":"der huflaikhan","date":"19. August 2015","format":false,"excerpt":"Nichts ist das, was es ist. Alles ist anders. Das Internet vergisst nichts, aber es merkt (sich?) auch nichts. Manchmal ist es besser als es scheint. Auch wenn es nur scheint und nicht ist. https:\/\/twitter.com\/mmauvs\/status\/633676935223230464 Die Bayreuther Festspiele, Sie wissen was das ist, hatten dieses Jahr ihre Social-Media-Initiative gestartet. Die,\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"Das einzige Telefon in Bayreuth. Screenshot","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2015\/08\/screenshot-www-bayreuther-festspiele-de-2015-08-18-23-21-56.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2015\/08\/screenshot-www-bayreuther-festspiele-de-2015-08-18-23-21-56.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2015\/08\/screenshot-www-bayreuther-festspiele-de-2015-08-18-23-21-56.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2015\/08\/screenshot-www-bayreuther-festspiele-de-2015-08-18-23-21-56.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":8658,"url":"https:\/\/www.kritische-masse.de\/logbuch\/aufgelesen-auserlesen-das-netz-spuckt-und-spukt\/","url_meta":{"origin":8610,"position":1},"title":"Aufgelesen \u2013 Auserlesen: Das Netz spuckt und spukt","author":"der huflaikhan","date":"29. April 2016","format":false,"excerpt":"Die letzte Woche kam man gar nicht hinterher, so viel war da los. Nat\u00fcrlich auch die nmz wurde f\u00fcr den Druck frisch angerichtet. Das soziale Netz verbreitert sich st\u00fcndlich, sek\u00fcndlich. Wenn man nur nachzusehen wollte, was man alles verpasst hat, hat man schon wieder alles m\u00f6gliche verpasst. Es war das\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8664,"url":"https:\/\/www.kritische-masse.de\/logbuch\/sigmar-gabriel-und-die-musik-der-spd\/","url_meta":{"origin":8610,"position":2},"title":"Sigmar Gabriel und die Musik: Die klavierspielende Tante","author":"der huflaikhan","date":"8. Juni 2016","format":false,"excerpt":"In der Politik darf man sagen, was man will. Dadurch wird es aber auch nicht besser, was man sagt. Ein Exkurs \u00fcber die Lebensgeschichte eines bundesdeutschen Wirtschaftsministers und sein Verh\u00e4ltnis zu Tanten und Onkels, zu Pop und Kraut, zu Tasten und zum Fasten. Ein Gru\u00df an die Blockschalmeien in allen\u2026","rel":"","context":"In &quot;die Politik&quot;","block_context":{"text":"die Politik","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-politik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8676,"url":"https:\/\/www.kritische-masse.de\/logbuch\/arbeitsplaetze-in-der-musikwelt-twittern-bei-der-gema\/","url_meta":{"origin":8610,"position":3},"title":"Berufe in der Musikwelt: Twitteraccountmanagerin bei der GEMA","author":"der huflaikhan","date":"14. Juli 2016","format":false,"excerpt":"Man k\u00f6nnte einfach den Gemeinplatz wiederholen \"Das Internet vergisst nicht(s)\" \u2013 der so wahr ist wie die inexistenten 404-Fehlerseiten. Richtiger ist vielmehr: \"Das Internet merkt (sich) nichts.\" Das ist die sogenannte Schwarmdemenz im Internet. Den Eindruck muss man jedenfalls bekommen, wenn man dem Twitteraccount der GEMA unter @gemadialog folgt und\u2026","rel":"","context":"In &quot;das Netz&quot;","block_context":{"text":"das Netz","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/dasnetz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8642,"url":"https:\/\/www.kritische-masse.de\/logbuch\/die-reform-die-es-nie-gab-funkhaus-europa\/","url_meta":{"origin":8610,"position":4},"title":"Die Reform, die es nie gab \u2013 Funkhaus Europa","author":"der huflaikhan","date":"11. M\u00e4rz 2016","format":false,"excerpt":"Vor einigen Tagen schreckten Meldungen und Artikel bei Spiegel-Online auf. Funkhaus Europa soll umgemodelt werden zu einem Dudelfunk. Die Quoten seien im Keller und die leichten Ver\u00e4nderungen, die man unternommen habe, zeigten keine Wirkung. Man braucht eine Reform:\u00a0 Reform von \"Funkhaus Europa\": Hitradio Dudelfunk. Von Christoph Twickel Darin f\u00fchrt der\u2026","rel":"","context":"In &quot;den Rundfunk&quot;","block_context":{"text":"den Rundfunk","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/denrundfunk\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8670,"url":"https:\/\/www.kritische-masse.de\/logbuch\/mehr-vielfalt-im-radio-wuenscht-sich-der-vut-und-wer-noch\/","url_meta":{"origin":8610,"position":5},"title":"Mehr Vielfalt im Radio w\u00fcnscht sich der VUT \u2013 Und wer noch?","author":"der huflaikhan","date":"17. Juni 2016","format":false,"excerpt":"Vor knapp einer Woche hat der Verband unabh\u00e4ngiger Musikunternehmen e.V. (kurz VUM, quatsch VUT, der Name \u00e4nderte sich, das K\u00fcrzel blieb) mit einer Kampagne auf Twitter f\u00fcr mehr Vielfalt im Radio geworben. Ansprechen wollte man vor allem die \u00f6ffentlich-rechtlichen Rundfunkanstalten. 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