{"id":8612,"date":"2015-11-20T11:36:16","date_gmt":"2015-11-20T10:36:16","guid":{"rendered":"http:\/\/blogs.nmz.de\/wm2014\/?p=1943"},"modified":"2015-11-20T11:36:16","modified_gmt":"2015-11-20T10:36:16","slug":"auf-jeden-topf-musiker-in-der-werbung","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/auf-jeden-topf-musiker-in-der-werbung\/","title":{"rendered":"Auf jeden Topf \u2026 (Musiker in der Werbung)"},"content":{"rendered":"<p>Musiker und Werbung, eine Geschichte voller Missverst\u00e4ndnisse. Ihr ramponiertes kulturelles Image will die Frankfurter Allgemeine Zeitung (kurz: F.A.Z oder FAZ, ausgesprochen Fatz) auf Vordermann bringen. Dazu ist ihr jedes Mittel recht, sogar ein armer Musiker, der morgens gerne zur FAZ f\u00fcr ein ein kleines Et\u00fcdchen greift.Bild Dir eine Musik, \u00f6h\u00f6m. Was liest der da?<\/p>\n<div class=\"oceanwp-oembed-wrap clr\">\n<div class=\"embed-twitter\">\n<blockquote class=\"twitter-tweet\" data-width=\"550\" data-dnt=\"true\">\n<p lang=\"de\" dir=\"ltr\">Diese Partitur hat noch keiner zum Klingen gebracht: Als \u201eKluger Kopf\u201c liest Lang Lang die F.A.Z. nicht nur. <a href=\"https:\/\/t.co\/IWqmyG6FFy\">https:\/\/t.co\/IWqmyG6FFy<\/a><\/p>\n<p>&mdash; FAZ Feuilleton (@FAZ_Feuilleton) <a href=\"https:\/\/twitter.com\/FAZ_Feuilleton\/status\/667431841067048960?ref_src=twsrc%5Etfw\" target=\"_blank\" rel=\"noopener\">November 19, 2015<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/div>\n<\/div>\n<p>Liebe FAZ! Warum in Anf\u00fchrungszeichen? Demn\u00e4chst gibt es dann die FAZ im Abo samt Fl\u00fcgel, oder? Neien, so geht das nicht. Es ist ja nicht einmal sicher, ob es sich bei der Person auf dem Foto um Lang Lang handelt. Wir wissen doch, dass er f\u00fcr besonders schwierige Musikstunts immer gerne ein K\u00f6rperdouble einsetzt. Wahrscheinlich also auch hier.<\/p>\n<p>Jan Marc Reichow fragt:<\/p>\n<p>https:\/\/twitter.com\/jmarcreichow\/status\/667624059539210240<\/p>\n<p>Oder Lang Lang? Oder beide. Oder ein fehlendes [Image]? Oder ein falsches [Image]?<\/p>\n<p>Aber auch die Kombination von Musik &amp; Zeit diente immer schon als Gegenstand zahlreicher Forschung \u2013 und jetzt auch Werbung.<\/p>\n<figure id=\"attachment_1944\" aria-describedby=\"caption-attachment-1944\" style=\"width: 676px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2015\/11\/jordan_philippe.png?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-1944\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2015\/11\/jordan_philippe-1024x768.png?resize=676%2C507&#038;ssl=1\" alt=\"Philippe Jordan l\u00e4uft die Zeit davon. Werbung.\" width=\"676\" height=\"507\" \/><\/a><figcaption id=\"caption-attachment-1944\" class=\"wp-caption-text\">Philippe Jordan l\u00e4uft die Zeit davon. Werbung.<\/figcaption><\/figure>\n<p>Fehlt jetzt nur noch Christian Thielemann, der Werbung macht f\u00fcr \u2026 ach, lassen wir das. Zur\u00fcck zu Lang Lang.<\/p>\n<p>Beziehungsweise zur nmz. Ein bisschen f\u00fchlen wir uns schon verkohlt. Vor \u00fcber 7 Jahren hatten wir das ganze mal frei Haus, bei <a href=\"http:\/\/www.nmz.de\/taktlos\/archiv\/04\/04\/110-renaissance-68\/\" target=\"_blank\" rel=\"noopener noreferrer\">taktlos 110<\/a>. Also vor allem einen klugen Kopf hinter dem Tastenger\u00e4t.<\/p>\n<figure id=\"attachment_1945\" aria-describedby=\"caption-attachment-1945\" style=\"width: 676px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2015\/11\/kluger_kopf_hamel.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-1945\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2015\/11\/kluger_kopf_hamel-1024x683.jpg?resize=676%2C451&#038;ssl=1\" alt=\"Ein kluger Kopf. Foto: Hufner\" width=\"676\" height=\"451\" \/><\/a><figcaption id=\"caption-attachment-1945\" class=\"wp-caption-text\">Ein kluger Kopf. Foto: Hufner<\/figcaption><\/figure>\n<p>Und der hat dann statt direkt aus einem Papiersalat zu musizieren, seine eigene Fassung hingelegt.<\/p>\n<figure id=\"attachment_1946\" aria-describedby=\"caption-attachment-1946\" style=\"width: 676px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2015\/11\/vernetzung_hamel.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1946\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/apropos-wenn-kinder-killer-werden\/attachment-goya-folge-der-desastres-de-la-guerra-blatt-36-ebensowenig-1814%c2%961820\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/11\/2006-11-guerra1.jpg?fit=500%2C376&amp;ssl=1\" data-orig-size=\"500,376\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Goya: Folge der \u00bbDesastres de la Guerra\u00ab, Blatt 36: Ebensowenig, 1814\u00961820\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/11\/2006-11-guerra1.jpg?fit=500%2C376&amp;ssl=1\" class=\"size-large wp-image-1946\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2015\/11\/vernetzung_hamel-1024x486.jpg?resize=676%2C321&#038;ssl=1\" alt=\"Kompositionsmittel. Foto: Hufner\" width=\"676\" height=\"321\" \/><\/a><figcaption id=\"caption-attachment-1946\" class=\"wp-caption-text\">Kompositionsmittel. Foto: Hufner<\/figcaption><\/figure>\n<p>Und das klang dann so (dabei hat er dann tats\u00e4chlich aus der nmz mitrezitiert, kritisch-chaotisch):<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-8612-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/media.blubrry.com\/taktlos\/p\/www.nmz.de\/taktlos\/2007\/110\/110musik2.mp3?_=1\" \/><a href=\"http:\/\/media.blubrry.com\/taktlos\/p\/www.nmz.de\/taktlos\/2007\/110\/110musik2.mp3\" target=\"_blank\" rel=\"noopener\">http:\/\/media.blubrry.com\/taktlos\/p\/www.nmz.de\/taktlos\/2007\/110\/110musik2.mp3<\/a><\/audio>\n<p>So muss dat!<\/p>\n<div class=\"tiled-gallery type-rectangular tiled-gallery-unresized\" data-original-width=\"1200\" data-carousel-extra='{&quot;blog_id&quot;:1,&quot;permalink&quot;:&quot;https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/auf-jeden-topf-musiker-in-der-werbung\\\/&quot;,&quot;likes_blog_id&quot;:227413048}' itemscope itemtype=\"http:\/\/schema.org\/ImageGallery\" > <div class=\"gallery-row\" style=\"width: 1200px; height: 894px;\" data-original-width=\"1200\" data-original-height=\"894\" > <div class=\"gallery-group images-1\" style=\"width: 1200px; height: 894px;\" data-original-width=\"1200\" data-original-height=\"894\" > <div class=\"tiled-gallery-item tiled-gallery-item-large\" itemprop=\"associatedMedia\" itemscope itemtype=\"http:\/\/schema.org\/ImageObject\"> <a href=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/11\/2006-11-guerra2.jpg?ssl=1\" border=\"0\" itemprop=\"url\"> <meta itemprop=\"width\" content=\"1196\"> <meta itemprop=\"height\" content=\"890\"> <img decoding=\"async\" class=\"\" data-attachment-id=\"1947\" data-orig-file=\"https:\/\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/11\/2006-11-guerra2.jpg\" data-orig-size=\"500,372\" data-comments-opened=\"\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Goya: Folge der \u00bbDesastres de la Guerra\u00ab, Blatt 38: Barbaren!, 1814\u00961820\" data-image-description=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/11\/2006-11-guerra2.jpg?fit=300%2C223&#038;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/11\/2006-11-guerra2.jpg?fit=500%2C372&#038;ssl=1\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/11\/2006-11-guerra2.jpg?w=1196&#038;h=890&#038;ssl=1\" srcset=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/11\/2006-11-guerra2.jpg?w=500&amp;ssl=1 500w, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/11\/2006-11-guerra2.jpg?resize=300%2C223&amp;ssl=1 300w\" width=\"1196\" height=\"890\" loading=\"lazy\" data-original-width=\"1196\" data-original-height=\"890\" itemprop=\"http:\/\/schema.org\/image\" title=\"Goya: Folge der \u00bbDesastres de la Guerra\u00ab, Blatt 38: Barbaren!, 1814\u00961820\" alt=\"Goya: Folge der \u00bbDesastres de la Guerra\u00ab, Blatt 38: Barbaren!, 1814\u00961820\" style=\"width: 1196px; height: 890px;\" \/> <\/a> <\/div> <\/div> <!-- close group --> <\/div> <!-- close row --> <\/div>\n<p>Zur\u00fcck zur Zeitung &#8211; daraus Musik zu machen, ist jetzt echt nix neues, aber kann sehr sch\u00f6n sein (vom Gerhard R\u00fchm finde ich jetzt nix):<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/GztyAf8arHA?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Mal sehen, was da Lang Lang und der Fatz zu einf\u00e4llt. Die AG Neue Musik des Gymnasiums Gr\u00fcnstadt hat da eine eigene Vorstellung vom <a href=\"http:\/\/www.nmz.de\/taktlos\/archiv\/04\/06\/121-hauptfach-neue-musik\/\" target=\"_blank\" rel=\"noopener noreferrer\">Musikalisieren von Zeitungen (taktlos 121)<\/a>.<\/p>\n<figure id=\"attachment_1954\" aria-describedby=\"caption-attachment-1954\" style=\"width: 676px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2015\/11\/ag_neue_musik.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1954\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/bayern-vorn\/attachment-tabelle-auf-seite-46-der-studie-der-ebert-stiftung\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/11\/rechteeinstellungen-46.png?fit=608%2C720&amp;ssl=1\" data-orig-size=\"608,720\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Tabelle auf Seite 46 der Studie der Ebert-Stiftung\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/11\/rechteeinstellungen-46.png?fit=608%2C720&amp;ssl=1\" class=\"size-large wp-image-1954\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2015\/11\/ag_neue_musik-1024x686.jpg?resize=676%2C453&#038;ssl=1\" alt=\"AG neue musik des Leininger Gymnasiums. Foto: Hufner\" width=\"676\" height=\"453\" \/><\/a><figcaption id=\"caption-attachment-1954\" class=\"wp-caption-text\">AG neue musik des Leininger Gymnasiums. Foto: Hufner<\/figcaption><\/figure>\n<p>und hier der Mitschnitt mit einigen technischen Problemchen.<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-8612-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/media.blubrry.com\/taktlos\/p\/www.nmz.de\/taktlos\/2008\/121\/121papieraktion.mp3?_=2\" \/><a href=\"http:\/\/media.blubrry.com\/taktlos\/p\/www.nmz.de\/taktlos\/2008\/121\/121papieraktion.mp3\" target=\"_blank\" rel=\"noopener\">http:\/\/media.blubrry.com\/taktlos\/p\/www.nmz.de\/taktlos\/2008\/121\/121papieraktion.mp3<\/a><\/audio>\n<h2>PS:<\/h2>\n<p>Wir arbeiten \u00fcbrigens an einem wirklich sinnvollen Einsatzbereich f\u00fcr unsere Zeitung.<\/p>\n<p>https:\/\/twitter.com\/gitarra\/status\/662203280114733056<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Auf%20jeden%20Topf%20%E2%80%A6%20%28Musiker%20in%20der%20Werbung%29 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fauf-jeden-topf-musiker-in-der-werbung%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Ihr ramponiertes kulturelles Image will die Frankfurter Allgemeine Zeitung (kurz: F.A.Z oder FAZ, ausgesprochen Fatz) auf Vordermann bringen. Dazu ist ihr jedes Mittel recht, sogar ein armer Musiker, der morgens gerne zur FAZ f\u00fcr ein ein kleines Et\u00fcdchen greift.Bild Dir eine Musik, \u00f6h\u00f6m. Was liest der da? 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