{"id":8616,"date":"2015-11-13T09:46:53","date_gmt":"2015-11-13T08:46:53","guid":{"rendered":"http:\/\/blogs.nmz.de\/wm2014\/?p=1929"},"modified":"2015-11-13T09:46:53","modified_gmt":"2015-11-13T08:46:53","slug":"eine-kochshow-1959-tonbaender-und-komponisten","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/11\/eine-kochshow-1959-tonbaender-und-komponisten\/","title":{"rendered":"Eine Kochshow 1959: Tonb\u00e4nder und Komponisten"},"content":{"rendered":"<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Eine%20Kochshow%201959%3A%20Tonb%C3%A4nder%20und%20Komponisten https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2015%2F11%2Feine-kochshow-1959-tonbaender-und-komponisten%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/1RjMuB8Qkd8?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p><!--more--><\/p>\n<p>Es ist ja schon viel \u00fcber die gesellschaftliche Bedeutung und Situation des Komponisten geschrieben worden. Hier sieht man ihn direkt bei der Arbeit.<\/p>\n<p>Und wo steht er? Er steht nicht, er sitzt. Und wo sitzt er? Nicht auf einem bequemen Stuhl in einem Komponierh\u00e4usl, sondern irgendwo in der Ecke zwischen einigen technischen Ger\u00e4ten. Auf einer Arbeitsplatte sitzt er, das Bein verschr\u00e4nkt vor sich, die Zigarette in der Hand. Papier und Stift. Er schaut, was der Techniker da so macht. Der dreht an ein paar Reglern. Der schneidet an Tonb\u00e4ndern herum. Er startet oder stoppt Endlosb\u00e4nder. Der Komponist notiert flei\u00dfig mit und macht mit dem Material, das der Techniker vorbereitet, dann eine Abschrift, die schlie\u00dflich als Komposition gelten kann.<\/p>\n<p>Un\u00fcberbietbar das Schlussbild, wo sich Techniker und Komponist zusammenstellen (komponieren) und ihr Werk freundlich l\u00e4chelnd wahrnehmen. Gut gemacht. Und was jetzt: Kantine? Gema-Meldung?<\/p>\n<p>Im Prinzip schon die erste Kochshow ever. Und vielleicht etwas, was wir demn\u00e4chst auch im Fernsehen zu sehen bekommen. Statt Gew\u00fcrzgurken bekommen dann KomponistInnen etwas Material zur Hand und d\u00fcrfen dann daraus in begrenzter Zeit was daraus \u201ekomponieren\u201c. Die Moderation haben dann Harry Lehmann und Giesela Nauck. Ich k\u00f6nnte mir eine Konstellation mit Johannes Kreidler, Hans Zimmer und, als Komponistin, Dieter Bohlen ganz r\u00fchrend vorstellen. 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