{"id":8623,"date":"2016-01-30T19:41:13","date_gmt":"2016-01-30T18:41:13","guid":{"rendered":"http:\/\/musikunrat.de\/?p=101"},"modified":"2016-01-30T19:41:13","modified_gmt":"2016-01-30T18:41:13","slug":"die-loesung-klassik-ohne-krise","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2016\/01\/die-loesung-klassik-ohne-krise\/","title":{"rendered":"Klassik ohne Kris, Klassik ohne Krise"},"content":{"rendered":"<p>Nach wie vor wird an vielen Stellen des Kulturmarktes von eine Krise der Klassik im Musikbereich gesprochen. Mindestens eben so h\u00e4ufig ist zur Zeit auch die gegenteilige Meinung zu h\u00f6ren. Es g\u00e4be keine Krise der Klassik, sondern eine Krise der Klassik-Krisen-Kritik(er). Ja wie denn nun, ja was denn nun?<\/p>\n<p>So lange es diese Verunsicherung gibt, und es ist wichtig, dass es sie gibt, bleibt man ja gut im Gespr\u00e4ch. Und was w\u00e4re heute unter Gesichtspunkten der Markterschlie\u00dfung nicht wichtiger als: Im Gespr\u00e4ch bleiben. (Siehe die aktuellen Newsstr\u00f6me.)<\/p>\n<figure id=\"attachment_102\" aria-describedby=\"caption-attachment-102\" style=\"width: 169px\" class=\"wp-caption alignright\"><a href=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/01\/klassikkrise.png?ssl=1\" rel=\"attachment wp-att-102\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-102\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/01\/klassikkrise.png?resize=169%2C300&#038;ssl=1\" alt=\"Krisenfreiheit f\u00fcr alle\" width=\"169\" height=\"300\" \/><\/a><figcaption id=\"caption-attachment-102\" class=\"wp-caption-text\">Krisenfreiheit f\u00fcr alle<\/figcaption><\/figure>\n<p>Da kommt es gerade recht, dass das Label Naxos eine Platte auf den Markt geworfen hat, um selbigen kollabieren zu lassen. \u201eKlassik ohne Kris\u201c passt noch so gerade in die Titelzeile. Aber es handelt sich um \u201eKlassik ohne Krise\u201c. Willkommen im krisenfreien Musikeinsatzgebiet, wo man gelassen genie\u00dfen kann. Dazu passend das Bild eines <del>gelassen genie\u00dfenden<\/del> gelangweilt in die Kamera schauenden jungen Mannes, der m\u00f6glicherweise nach des Tages harter Arbeit sich endlich den Stress wegtrompeten lassen wird. Obwohl harte Arbeit? Ja klar, das Fotomodel-Gesch\u00e4ft ist ein hartes. Da war einiges am Anzug und den Hemden zu b\u00fcgeln. Wie lange hat es gedauert, diese typische Denker- oder Sinnierpose aufzusetzen. Dazu den Schatten ins Licht setzen. Alles nicht ganz simpel.<\/p>\n<p>Nun also wissen wir, was eine krisenlose Klassik ist. Obwohl ich glaube, es liegt auch eher an den Musikern dort: Ohne Scherz: Da gibt es unter anderem einen Alexander <strong>Trost<\/strong>ianski und einem Stefan <strong>Schilli<\/strong> bei den Musikern \u2013 nur: War etwa Susi Sorglos dann doch zu teuer?<\/p>\n<p>Man kann die Krise also besiegen \u2013 nur leider hat man dann davon recht wenig. Denn die Musik ist so sehr krisenleer, dass sie einen dann glatt wieder nerven kann. Komponisten hin oder her.<\/p>\n<p>Wenn man es nicht besser w\u00fcsste, m\u00fcsste ein Musikforscher der Zukunft auf die Idee kommen, dass es im 18. Jahrhundert sicher schon zahlreiche Kaufh\u00e4user gegeben haben wird, denn wozu sonst brauchte man damals sonst Muzak?<\/p>\n<p>Klassik ohne Krise, irgendwie dann doch wieder so widerspr\u00fcchlich, dass sich das Problem selbst aufhebt. Bzw zum absoluten Kollaps f\u00fchrt. So wie man ja auch nicht durch Null teilen darf. Sonst! 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Mindestens eben so h\u00e4ufig ist zur Zeit auch die gegenteilige Meinung zu h\u00f6ren. Es g\u00e4be keine Krise der Klassik, sondern eine Krise der Klassik-Krisen-Kritik(er). Ja wie denn nun, ja was denn nun? So lange es diese Verunsicherung gibt, [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Klassik%20ohne%20Kris%2C%20Klassik%20ohne%20Krise https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2016%2F01%2Fdie-loesung-klassik-ohne-krise%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" 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huflaikhan","date":"26. April 2024","format":false,"excerpt":"Backstageclassical ist mutig +++ Aber wie sind die Aussichten f\u00fcr Klassik-Musikjournalismus +++ Warum scheitern Klassik-Blogs am laufenden Band +++ \u00d6ffentliche Meinung und Meinung von Institutionen +++","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"Im Musiker innenviertel. Aber keine Musikerin. Aber lieber Offenbach als Strauss. Moment... Leider auch um die Ecke. 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Januar 2024","format":false,"excerpt":"Das ausbleibende Wunder einer Urlaubsbibliothek und ein Werfelfund. Der Haltungsturner beim Denken \u00fcber G\u00fclle-RAF. 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Januar 2009","format":false,"excerpt":"Der Finanzkrisensong - Wenn Aktienkurse Musik werden - Jede Zeit hat ihre Musik. Fast ist man geneigt, den Komponisten Johannes Kreidler als composer in webpresence der nmz zu adoptieren. Nach seinem Sampling-St\u00fcck Product Placement und seinem St\u00fcck Call Wolfgang geht es in seinem neuesten Werk um die Finanzkrise: Chart Music.\u2026","rel":"","context":"In &quot;die Urteilskraft&quot;","block_context":{"text":"die Urteilskraft","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/dieurteilskraft\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":168,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/05\/webwatch-klagewege\/","url_meta":{"origin":8623,"position":3},"title":"Webwatch: Klagewege","author":"huflaikhan","date":"11. Mai 2003","format":false,"excerpt":"Die gro\u00dfen Musikkonzerne klagen allenthalben: \u00fcber Umsatzr\u00fcckgang und gegen tote Tauschb\u00f6rsen. K\u00fcrzlich erst meldete der heise newsticker (http:\/\/www.heise.de\/): 98 Milliarden US-Dollar-Klage gegen Studenten aus Maryland, die einen Tauschserver an der Universit\u00e4t betrieben haben, auf den 8.500 Kommilitonen zugreifen konnten. Die Schadensh\u00f6he bestimmt sich aus der Maximalforderung von 150.000 US-Dollar pro\u2026","rel":"","context":"Mit 1 Kommentar","block_context":{"text":"Mit 1 Kommentar","link":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/05\/webwatch-klagewege\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8334,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/01\/phonowirtschaft-in-der-krise-folge-212\/","url_meta":{"origin":8623,"position":4},"title":"Phonowirtschaft in der Krise [Folge 212]","author":"der huflaikhan","date":"28. Januar 2007","format":false,"excerpt":"und andere jammern gleich mit. Ein neuer Gesetzentwurf sieht vor, dass k\u00fcnfig Ammahngeb\u00fchren bei der Verfolgung von Urherrechtsverletzungen nicht mehr extreme Abmahnkosten verursachen sollen. Mit 50 Euro sei man dabei bei einfach gelagerten F\u00e4llen und \u201eeiner nur unerheblichen Rechtsverletzung au\u00dferhalb des gesch\u00e4ftlichen Verkehrs\u201c. Das l\u00e4sst sich der Vorsitzender der Deutschen\u2026","rel":"","context":"In &quot;das Netz&quot;","block_context":{"text":"das Netz","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/dasnetz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1586,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/01\/im-fokus-foddo-ballett\/","url_meta":{"origin":8623,"position":5},"title":"Im Fokus: Foddo-Ballett","author":"huflaikhan","date":"17. Januar 2006","format":false,"excerpt":"Am Tach der \u201eOffenen T\u00fcr\u201c der Berliner Philharmoniker. Klar. Vermittlung von einem schwachen St\u00fcck Luciano Berios (Opus Number Zoo \u2014 da bekomm ich die Krise bei den sprechenden Musikers, mannomann) an die nachfolgende Generation. Pepa hat schon was feines dr\u00fcber verfasst. So ungef\u00e4hr, meint Moss selbst, k\u00f6nnte es klingen, wenn\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8623","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=8623"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8623\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/106"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=8623"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=8623"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=8623"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}