{"id":8663,"date":"2016-06-07T11:39:57","date_gmt":"2016-06-07T09:39:57","guid":{"rendered":"http:\/\/musikunrat.de\/?p=345"},"modified":"2016-06-07T11:39:57","modified_gmt":"2016-06-07T09:39:57","slug":"bildredaktion-im-musikbereich","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/bildredaktion-im-musikbereich\/","title":{"rendered":"Bildredaktion im Musikbereich: Linksh\u00e4ndergeiger"},"content":{"rendered":"<p>Heute sprang mich beim Lesen einer Netztageszeitung ein Bildkopf mit eine Musiker an, der ziemlich prominent ist. Die WELT hat ein Interview mit David Garrett gef\u00fchrt.<\/p>\n<figure id=\"attachment_346\" aria-describedby=\"caption-attachment-346\" style=\"width: 640px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/06\/welt_garrett.png?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"346\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/wittgenstein-noch-einmal\/attachment-altes-bild-von-1992-aus-dem-berlin-mix-von-christian-marclay\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/02\/20040222-taubesohr.jpg?fit=220%2C289&amp;ssl=1\" data-orig-size=\"220,289\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Altes Bild von 1992 &amp;#8211; Aus dem Berlin Mix von Christian Marclay\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/02\/20040222-taubesohr.jpg?fit=220%2C289&amp;ssl=1\" class=\"size-large wp-image-346\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/06\/welt_garrett.png?resize=640%2C480&#038;ssl=1\" alt=\"Story in der Welt. Screenshot aus der APP\" width=\"640\" height=\"480\" \/><\/a><figcaption id=\"caption-attachment-346\" class=\"wp-caption-text\">Story in der Welt. Screenshot aus der APP<\/figcaption><\/figure>\n<p>Wenn es der optische Wunsch des Art Directors w\u00fcnscht, muss man eben schon mal ein Foto spiegeln. Der Linksh\u00e4ndergeiger und Scheitelwechseler David Garrett prangt da.<\/p>\n<p>Was darf man daraus lernen? In der \u00f6ffentlichen Wahrnehmung ist es egal, ob die Dinge in der Sache oder wie hier der Bilddarstellung nicht stimmen. So wie neulich im <em>heute journal<\/em>\u00a0 des ZDF &#8220;E-Musik&#8221; als Abk. f. &#8220;Ernsthafte Musik&#8221; herhalten durfte. 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Die WELT hat ein Interview mit David Garrett gef\u00fchrt. Wenn es der optische Wunsch des Art Directors w\u00fcnscht, muss man eben schon mal ein Foto spiegeln. Der Linksh\u00e4ndergeiger und Scheitelwechseler David Garrett prangt da. Was darf man daraus [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Bildredaktion%20im%20Musikbereich%3A%20Linksh%C3%A4ndergeiger https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fbildredaktion-im-musikbereich%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" 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Oktober 2017","format":false,"excerpt":"Von vielen bestritten und als falsch oder \u00fcberfl\u00fcssig empfunden: Die Unterscheidung von E- und U-Musik, also von Ernst und Unterhaltung. Abrechnungstechnisch f\u00fcr die Urheber nicht unwesentlich, empfindet sie manch einer als l\u00e4stig, grausam und \u00fcberholt. Die eine Ausfassung ist dem Wunsch, die andere der \u00f6konomischen Realit\u00e4t geschuldet. In der Musik\u00e4sthetik\u2026","rel":"","context":"In &quot;\u00c4sthetische Kunstfehler&quot;","block_context":{"text":"\u00c4sthetische Kunstfehler","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/aesthetische_kunstfehler\/"},"img":{"alt_text":"Scrennshot nmz.de (5.10.2017)","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/10\/screenshot-www.nmz_.de-2017-10-05-21-02-37.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/10\/screenshot-www.nmz_.de-2017-10-05-21-02-37.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/10\/screenshot-www.nmz_.de-2017-10-05-21-02-37.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/10\/screenshot-www.nmz_.de-2017-10-05-21-02-37.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":8288,"url":"https:\/\/www.kritische-masse.de\/logbuch\/bliz-aktuell-zum-fuerchten-2\/","url_meta":{"origin":8663,"position":2},"title":"Bliz aktuell: Zum F\u00fcrchten","author":"der huflaikhan","date":"19. November 2004","format":false,"excerpt":"Auf der ersten Seite des hiesigen Bliz aktuell (Regensburg, Nr. 46, 14. November 2004) sind offenbar die busenfreudigen Trampel der Regio ausgegangen. Da wird ein armes M\u00e4del schnell zum aufregenden Gardem\u00e4dchen gemacht. Dem scheint es nicht gerade besonders zu gefallen, der Fotograf und die Bildredaktion des Zeitung geben sich nicht\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"Bliz aktuell","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/11\/20041119-gardemaedchen.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":10672,"url":"https:\/\/www.kritische-masse.de\/logbuch\/links-statt-gelaber-gema-musikrat-und-musikschule-cdu-im-kupo-test\/","url_meta":{"origin":8663,"position":3},"title":"Links statt Gelaber: GEMA, Musikrat und Musikschule, CDU im Kupo-Test","author":"der huflaikhan","date":"25. Januar 2025","format":false,"excerpt":"Musikschulenmeinungsbildung beim Deutschen Musikrat +++ Das kulturpolitische Programm der CDU\/CSU im Visier des Kulturmanagement.Netzwerks +++ Zerbricht die GEMA? Das treibt den Verein. Kritik an Reformpl\u00e4nen von Moritz Eggert +++ Links statt Gelaber +++","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kunst\/"},"img":{"alt_text":"\u00dcbrigens ist meine kritische masse eine Non-Prophet-Organisation Schlie\u00dflich gilt der Profit im eigenen Laden nichts","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/01\/salome.jpg?fit=604%2C412&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/01\/salome.jpg?fit=604%2C412&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/01\/salome.jpg?fit=604%2C412&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":1786,"url":"https:\/\/www.kritische-masse.de\/logbuch\/auch-heute-bleibe-ich-stumm\/","url_meta":{"origin":8663,"position":4},"title":"Auch heute bleibe ich stumm","author":"huflaikhan","date":"24. Juni 2006","format":false,"excerpt":"Weil, was ich da heute erstmalig geh\u00f6rt habe, so mit Koka-Kola--Blog-WG und so. Diese Opel-Bremser, ach all das Zeug eben. Nenene. Kein Ma\u00dfstab, ich wei\u00df. Ich blogge seit heute auch f\u00fcr MDR KULTUR, ja in sone Musikers-WG und wir kriegen da jeden Tach auch neue Boxen zum so-antesten. Klar ohne\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":11733,"url":"https:\/\/www.kritische-masse.de\/logbuch\/klaus-schoening-gestorben-am-6-januar-2026\/","url_meta":{"origin":8663,"position":5},"title":"Klaus Sch\u00f6ning, gestorben am 6. Januar 2026","author":"der huflaikhan","date":"16. Januar 2026","format":false,"excerpt":"Per Zufall habe ich heute mitbekommen, dass Klaus Sch\u00f6ning am 6. Januar 2026 gestorben ist. Mehr als eine Personalie. Klaus Sch\u00f6ning war wirklich eines meiner radiophonen Vorbilder. Was er im Studio Akustische Kunst der \u00d6ffentlichkeit anbot, war definitiv bahnbrechend. 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