{"id":8663,"date":"2016-06-07T11:39:57","date_gmt":"2016-06-07T09:39:57","guid":{"rendered":"http:\/\/musikunrat.de\/?p=345"},"modified":"2016-06-07T11:39:57","modified_gmt":"2016-06-07T09:39:57","slug":"bildredaktion-im-musikbereich","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2016\/06\/bildredaktion-im-musikbereich\/","title":{"rendered":"Bildredaktion im Musikbereich: Linksh\u00e4ndergeiger"},"content":{"rendered":"<p>Heute sprang mich beim Lesen einer Netztageszeitung ein Bildkopf mit eine Musiker an, der ziemlich prominent ist. Die WELT hat ein Interview mit David Garrett gef\u00fchrt.<\/p>\n<figure id=\"attachment_346\" aria-describedby=\"caption-attachment-346\" style=\"width: 640px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/06\/welt_garrett.png?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"346\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/2005\/01\/wittgenstein-noch-einmal\/attachment-altes-bild-von-1992-aus-dem-berlin-mix-von-christian-marclay\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/02\/20040222-taubesohr.jpg?fit=220%2C289&amp;ssl=1\" data-orig-size=\"220,289\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Altes Bild von 1992 &amp;#8211; Aus dem Berlin Mix von Christian Marclay\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/02\/20040222-taubesohr.jpg?fit=220%2C289&amp;ssl=1\" class=\"size-large wp-image-346\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/06\/welt_garrett.png?resize=640%2C480&#038;ssl=1\" alt=\"Story in der Welt. Screenshot aus der APP\" width=\"640\" height=\"480\" \/><\/a><figcaption id=\"caption-attachment-346\" class=\"wp-caption-text\">Story in der Welt. Screenshot aus der APP<\/figcaption><\/figure>\n<p>Wenn es der optische Wunsch des Art Directors w\u00fcnscht, muss man eben schon mal ein Foto spiegeln. Der Linksh\u00e4ndergeiger und Scheitelwechseler David Garrett prangt da.<\/p>\n<p>Was darf man daraus lernen? In der \u00f6ffentlichen Wahrnehmung ist es egal, ob die Dinge in der Sache oder wie hier der Bilddarstellung nicht stimmen. So wie neulich im <em>heute journal<\/em>\u00a0 des ZDF &#8220;E-Musik&#8221; als Abk. f. &#8220;Ernsthafte Musik&#8221; herhalten durfte. Alles kein gro\u00dfes Ding, aber doch Kennzeichen f\u00fcr eine Missachtung des gewollten Gebrauchs.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Heute sprang mich beim Lesen einer Netztageszeitung ein Bildkopf mit eine Musiker an, der ziemlich prominent ist. Die WELT hat ein Interview mit David Garrett gef\u00fchrt. Wenn es der optische Wunsch des Art Directors w\u00fcnscht, muss man eben schon mal ein Foto spiegeln. Der Linksh\u00e4ndergeiger und Scheitelwechseler David Garrett prangt da. Was darf man daraus [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":346,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","osh_disable_topbar_sticky":"default","osh_disable_header_sticky":"default","osh_sticky_header_style":"default","osh_sticky_header_effect":"","osh_custom_sticky_logo":0,"osh_custom_retina_sticky_logo":0,"osh_custom_sticky_logo_height":0,"osh_background_color":"","osh_links_color":"","osh_links_hover_color":"","osh_links_active_color":"","osh_links_bg_color":"","osh_links_hover_bg_color":"","osh_links_active_bg_color":"","osh_menu_social_links_color":"","osh_menu_social_hover_links_color":"","_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_metis_text_type":"standard","_metis_text_length":740,"_post_count":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":4,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":"","jetpack_publicize_message":"#Bildredaktion 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Oktober 2017","format":false,"excerpt":"Von vielen bestritten und als falsch oder \u00fcberfl\u00fcssig empfunden: Die Unterscheidung von E- und U-Musik, also von Ernst und Unterhaltung. Abrechnungstechnisch f\u00fcr die Urheber nicht unwesentlich, empfindet sie manch einer als l\u00e4stig, grausam und \u00fcberholt. Die eine Ausfassung ist dem Wunsch, die andere der \u00f6konomischen Realit\u00e4t geschuldet. In der Musik\u00e4sthetik\u2026","rel":"","context":"In &quot;\u00c4sthetische Kunstfehler&quot;","block_context":{"text":"\u00c4sthetische Kunstfehler","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/aesthetische_kunstfehler\/"},"img":{"alt_text":"Scrennshot nmz.de (5.10.2017)","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/10\/screenshot-www.nmz_.de-2017-10-05-21-02-37.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/10\/screenshot-www.nmz_.de-2017-10-05-21-02-37.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/10\/screenshot-www.nmz_.de-2017-10-05-21-02-37.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/10\/screenshot-www.nmz_.de-2017-10-05-21-02-37.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":10672,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2025\/01\/links-statt-gelaber-gema-musikrat-und-musikschule-cdu-im-kupo-test\/","url_meta":{"origin":8663,"position":1},"title":"Links statt Gelaber: GEMA, Musikrat und Musikschule, CDU im Kupo-Test","author":"der huflaikhan","date":"25. Januar 2025","format":false,"excerpt":"Musikschulenmeinungsbildung beim Deutschen Musikrat +++ Das kulturpolitische Programm der CDU\/CSU im Visier des Kulturmanagement.Netzwerks +++ Zerbricht die GEMA? Das treibt den Verein. Kritik an Reformpl\u00e4nen von Moritz Eggert +++ Links statt Gelaber +++","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"\u00dcbrigens ist meine kritische masse eine Non-Prophet-Organisation Schlie\u00dflich gilt der Profit im eigenen Laden nichts","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/01\/salome.jpg?fit=604%2C412&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/01\/salome.jpg?fit=604%2C412&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/01\/salome.jpg?fit=604%2C412&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":1786,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/06\/auch-heute-bleibe-ich-stumm\/","url_meta":{"origin":8663,"position":2},"title":"Auch heute bleibe ich stumm","author":"huflaikhan","date":"24. 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M\u00e4rz 2024","format":false,"excerpt":"ARD stellt H\u00f6rspielpreis ein +++ Musik AI mit neuem geistlichen Lied \u2013 \u00e4sthetischer Kunstfehler +++ Radio wunderbar war mal, am Kar-Dienstag macht man Kar-Sharing +++ Nachrichten aus Welt des abflie\u00dfenden Hirns +++ Ein r\u00f6hrender Giersch im Garten +++ Unterschreiben und Denken +++ Regieren, wenn man keine Lust dazu hat +++","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"03 28 Klingelkasten 1030486. 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Januar 2026","author":"der huflaikhan","date":"16. Januar 2026","format":false,"excerpt":"Per Zufall habe ich heute mitbekommen, dass Klaus Sch\u00f6ning am 6. Januar 2026 gestorben ist. Mehr als eine Personalie. Klaus Sch\u00f6ning war wirklich eines meiner radiophonen Vorbilder. Was er im Studio Akustische Kunst der \u00d6ffentlichkeit anbot, war definitiv bahnbrechend. Zu ihm kamen die Gernhard R\u00fchm, die John Cages, die Ernst\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":22713,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2026\/06\/blarifari-wenn-die-klassikwelt-sich-abschaltet\/","url_meta":{"origin":8663,"position":5},"title":"Blarifari \u2013 Wenn die Klassikwelt sich abschaltet","author":"der huflaikhan","date":"22. 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