{"id":8671,"date":"2016-06-30T09:29:52","date_gmt":"2016-06-30T07:29:52","guid":{"rendered":"http:\/\/blogs.nmz.de\/wm2014\/?p=2194"},"modified":"2016-06-30T09:29:52","modified_gmt":"2016-06-30T07:29:52","slug":"meisterwerke-des-musikvideos-i-pagare-please-zentralkapelle-berlin","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2016\/06\/meisterwerke-des-musikvideos-i-pagare-please-zentralkapelle-berlin\/","title":{"rendered":"Meisterwerke des Musikvideos I \u2013 \u201ePagare Please\u201c (Zentralkapelle Berlin)"},"content":{"rendered":"<p>Was soll man dazu sagen? Nicht viel. Es handelt sich um ein ausgemachtes Meisterwerk der Filmkunst. Bode Brodm\u00fcller hat hier ein Drehbuch entwickelt, das punktgenau auf die Musik abgestimmt worden ist. Es scheint alles fast in einem durch gedreht worden zu sein (habe vielleicht zwei Schnitte gefunden). \u201eDurchgedreht\u201c beschreibt auch am besten die Wirkung des St\u00fccks von drei Minuten.<\/p>\n<p>Man fragt sich, warum das Werk nicht schon l\u00e4ngst weitere Verbreitung gefunden hat.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/FJKccZC0L6A?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Director: <a href=\"http:\/\/bodebrodmueller.com\/\" target=\"_blank\" rel=\"noopener\">Bode Brodm\u00fcller<\/a><br \/>\nCinematography: <a href=\"http:\/\/www.michael-multhoff.de\/\" target=\"_blank\" rel=\"noopener\">Michael Multhoff<\/a><br \/>\nProduction: Zentralkapelle Berlin<br \/>\nSet Design: Philipp M\u00fcller<br \/>\nMusic: Harold L. Walters &#8220;Instant Concert&#8221;<br \/>\nConductor: Tobias Haussig<br \/>\nSound Editor: Peter Weinsheimer<\/p>\n<p><a href=\"http:\/\/www.zentralkapelle.de\" target=\"_blank\" rel=\"noopener\">www.zentralkapelle.de<\/a><\/p>\n<blockquote><p>There is nothing worse than a sharp image of a fuzzy concept. 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Nicht viel. Es handelt sich um ein ausgemachtes Meisterwerk der Filmkunst. Bode Brodm\u00fcller hat hier ein Drehbuch entwickelt, das punktgenau auf die Musik abgestimmt worden ist. Es scheint alles fast in einem durch gedreht worden zu sein (habe vielleicht zwei Schnitte gefunden). \u201eDurchgedreht\u201c beschreibt auch am besten die Wirkung des [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Meisterwerke%20des%20Musikvideos%20I%20%E2%80%93%20%E2%80%9EPagare%20Please%E2%80%9C%20%28Zentralkapelle%20Berlin%29 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2016%2F06%2Fmeisterwerke-des-musikvideos-i-pagare-please-zentralkapelle-berlin%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" 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Berlin","author":"huflaikhan","date":"29. Juli 2006","format":false,"excerpt":"Als ich einmal musste, war dort:Es handelt sich wieder einmal um ein Meisterwerk echt deutscher Stillleben-Fotografie. Das r\u00fchrt von der Mischung der St\u00e4nderfarben (gold) in Zusammenhang mit Auto (silber) und der Tiefe (links, schwarz) her, die farb- und formsymmetrisch gebrochen vervielfacht wird durch die einzigartige Fluchtlinien-Struktur, vor allem in der\u2026","rel":"","context":"In \"Fussball\"","block_context":{"text":"Fussball","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/fussball\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/07\/2006-07-vorfahrt.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/07\/2006-07-vorfahrt.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/07\/2006-07-vorfahrt.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/07\/2006-07-vorfahrt.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":23604,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2026\/07\/hans-werner-henze-100\/","url_meta":{"origin":8671,"position":1},"title":"Hans Werner Henze 100","author":"der huflaikhan","date":"1. Juli 2026","format":false,"excerpt":"\u201eFreiheit, wilder und sch\u00f6ner neuer Klang, kann nur durch das Gef\u00fchl von Einsamkeit und Freiheit entstehen.\u201c Hans Werner Henze k\u00e4mpft bis zu seinem Tode 2012 f\u00fcr einen \u201ewilden und sch\u00f6nen Klang\u201c. Und f\u00fcr die Freiheit: die des Komponisten und jene, die entsteht, wenn Musik durch die richtige T\u00fcr zu uns\u2026","rel":"","context":"In &quot;Tipp&quot;","block_context":{"text":"Tipp","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/tipp\/"},"img":{"alt_text":"nmz 2026 0708 Page3 Image1","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2026\/07\/nmz_2026_0708_Page3_Image1-scaled.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2026\/07\/nmz_2026_0708_Page3_Image1-scaled.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2026\/07\/nmz_2026_0708_Page3_Image1-scaled.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2026\/07\/nmz_2026_0708_Page3_Image1-scaled.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2026\/07\/nmz_2026_0708_Page3_Image1-scaled.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2026\/07\/nmz_2026_0708_Page3_Image1-scaled.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":8674,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2016\/07\/die-schlimmsten-musikvideos-i-klassik-airleben\/","url_meta":{"origin":8671,"position":2},"title":"Die schlimmsten Musikvideos I: \u201eKlassik airleben\u201c","author":"der huflaikhan","date":"13. Juli 2016","format":false,"excerpt":"Willkommen in der Kitschhochburg Leipziger Wiese. Das fahren die Kameras \u00fcber die Wiese und verbreiten gute Stimmung, zumindest das, was man in den 70er Jahren daf\u00fcr gehalten hat. So rama(-m\u00e4\u00dfig) macht die Klassik gut. Dabei ist es ein Drama. https:\/\/youtu.be\/-9TgSvMiWBU \u00a0 Man versteht es wirklich nicht, da hat man ein\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/-9TgSvMiWBU\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8439,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/06\/man-lasse-es-musik-regnen-pfifa-musikalisch-verbloedet\/","url_meta":{"origin":8671,"position":3},"title":"Man lasse es Musik regnen \u2026 \u2013 Wie die PFIFA uns musikalisch verbl\u00f6det","author":"der huflaikhan","date":"30. Juni 2014","format":false,"excerpt":"Wir wissen seit dem Outing von Theo Gei\u00dfler in der Zeitung \u201ePolitik & Kultur\u201c, wer folgenden PFIFA-Film verbockt hat. Er selbst n\u00e4mlich. Das erkl\u00e4rt fast alles, vor allem seine Vorreiter-Rolle beim Tippspiel. (Alte Nuss, wer h\u00e4tte das gedacht.) http:\/\/youtu.be\/CgRLqo-ZbuQ 53 Euro soll das Material f\u00fcr den Film gekostet haben. Aber\u2026","rel":"","context":"In &quot;Allgemein&quot;","block_context":{"text":"Allgemein","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/allgemein\/"},"img":{"alt_text":"Finale 2014-06-30 16-20-37","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2014\/06\/Finale_2014-06-30_16-20-37.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":8259,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/04\/alte-geister-meister-musikindustrie-bei-bernhard\/","url_meta":{"origin":8671,"position":4},"title":"Alte Geister Meister &#8211; Musikindustrie bei Bernhard","author":"der huflaikhan","date":"2. 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