{"id":8674,"date":"2016-07-13T08:10:18","date_gmt":"2016-07-13T06:10:18","guid":{"rendered":"http:\/\/blogs.nmz.de\/wm2014\/?p=2212"},"modified":"2016-07-13T08:10:18","modified_gmt":"2016-07-13T06:10:18","slug":"die-schlimmsten-musikvideos-i-klassik-airleben","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2016\/07\/die-schlimmsten-musikvideos-i-klassik-airleben\/","title":{"rendered":"Die schlimmsten Musikvideos I: \u201eKlassik airleben\u201c"},"content":{"rendered":"<p>Willkommen in der Kitschhochburg Leipziger Wiese. Das fahren die Kameras \u00fcber die Wiese und verbreiten gute Stimmung, zumindest das, was man in den 70er Jahren daf\u00fcr gehalten hat. So rama(-m\u00e4\u00dfig) macht die Klassik gut. Dabei ist es ein Drama.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/-9TgSvMiWBU?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>Man versteht es wirklich nicht, da hat man ein Orchester vor Ort, das sich zu den besten der ganzen Welt z\u00e4hlen darf und dann\u00a0 das. Wollen die damit vielleicht das n\u00e4chste S\u00fclzburger-Festspiele-Orchester in Residenz werden. Okay, mein Fehler. Eigentlich wollte ich zweitens n\u00e4mlich ein Wortspielverbot f\u00fcr mindestens 48 Stunden ausrufen. &#8220;airleben&#8221; &#8211; versteht ihr? Da sind &#8220;er&#8221; und &#8220;air&#8221; ausgetauscht worden. &#8220;air&#8221; steht f\u00fcr Luft, also f\u00fcr gerne drau\u00dfen wie bei &#8220;Open Air&#8221; und weil das ja genau so klingen tut wie &#8220;er&#8221;, versteht Ihr, ist das ein Wortspiel vom Feinsten.<\/p>\n<blockquote><p>&#8220;Musik kann die Welt ver\u00e4ndern.&#8221;<\/p><\/blockquote>\n<p>Klar, wenn man den Kubus des Gewandhauses in seinen dunklen T\u00f6nen innen so vor Augen hat, da ist es sch\u00f6ner auf der hellen, warmen Wiese mit Alkoholika und Geschmuse zuzubringen. Eben heile Welt, heile Klassikwelt zu tun. Das ist kulturell sedimentiertes Woodstock, planiertes Verona und Grillparty in einem. Und das liebt der Kuschelklassiker wie nix.<\/p>\n<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 ez-toc-wrap-center counter-hierarchy ez-toc-counter ez-toc-light-blue ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Inhalt<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/www.kritische-masse.de\/logbuch\/2016\/07\/die-schlimmsten-musikvideos-i-klassik-airleben\/#Die_schoenste_Nebensache_der_Welt\" >Die sch\u00f6nste Nebensache der Welt<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/www.kritische-masse.de\/logbuch\/2016\/07\/die-schlimmsten-musikvideos-i-klassik-airleben\/#Porsche_weiss_wie_es_geht\" >Porsche wei\u00df wie es geht!<\/a><\/li><\/ul><\/nav><\/div>\n<h3><span class=\"ez-toc-section\" id=\"Die_schoenste_Nebensache_der_Welt\"><\/span>Die sch\u00f6nste Nebensache der Welt<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Der H\u00f6hepunkt des Videos, wenn es gerade dunkelt, nach der Beschw\u00f6rung der Weltsprache Musik als gemeinsamer <del>Werbes<\/del>Spache der Menschheit, Halleluja &#8211; die hier n\u00e4mlich genauso klingt wie die Musik zur Vorstellung des n\u00e4chsten iPhone oder Galaxy oder der letzten hippen App \u2013 gipfelt in dem Satz:<\/p>\n<blockquote><p>&#8220;In ihrer Gegenwart sind wir 1.&#8221;<\/p><\/blockquote>\n<p>1am und verlassen! Sind wir eines? N\u00e4mlich \u2026 Die Antwort blowt im Klaviers\u00e4usel. Nein, Leute, wenn wir mal dahingeschieden sind, sind wir eins, n\u00e4mlich mausetot und je nach balsamierungskunst, mehr oder weniger Staub.<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Porsche_weiss_wie_es_geht\"><\/span>Porsche wei\u00df wie es geht!<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Das ist Brummbrumm-Markting der Highspeed-Klasse, pr\u00e4sentiert von Porsche. Ach, es ging gar nicht ums Auto. Macht ja nix, schauen wir mal ins Poesiealbum der Klassikspr\u00fcche und gut ists.Voll modern: Das Filmteam hatte die Entsprechung zum Tesla, n\u00e4mlich die selbstfahrende Kamera.<\/p>\n<p>Was solls. Wer Abgaswerte ver\u00e4ndern kann, wird auch Kulturveranstaltungen zum Positiven wenden k\u00f6nnen. Porsche, den Namen wird man sich merken m\u00fcssen.<\/p>\n<p><strong>[Update]<\/strong><\/p>\n<p>Auch Norman Lebrecht stimmt zu. Er schreibt dazu:<\/p>\n<div id=\"stcpDiv\" style=\"padding-left: 30px;\">\n<p style=\"padding-left: 30px;\">What\u2019s so awful?<\/p>\n<p style=\"padding-left: 30px;\">1 It does not play classical music.<\/p>\n<p style=\"padding-left: 30px;\">2 It looks like a package holiday ad.<\/p>\n<p style=\"padding-left: 30px;\">3 It oozes insincerity.<\/p>\n<p style=\"padding-left: 30px;\">4 The composer is a robot.<\/p>\n<p style=\"padding-left: 30px;\">5 It is made by the Gewandhaus.<\/p>\n<p>&#8211; See more at: <a href=\"http:\/\/slippedisc.com\/2016\/07\/worst-ever-orchestral-promo-video\/#comments\" target=\"_blank\" rel=\"noopener\">http:\/\/slippedisc.com\/2016\/07\/worst-ever-orchestral-promo-video\/#comments<\/a><\/div>\n<div><strong>[\/Update]<\/strong><\/div>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Die%20schlimmsten%20Musikvideos%20I%3A%20%E2%80%9EKlassik%20airleben%E2%80%9C https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2016%2F07%2Fdie-schlimmsten-musikvideos-i-klassik-airleben%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Das fahren die Kameras \u00fcber die Wiese und verbreiten gute Stimmung, zumindest das, was man in den 70er Jahren daf\u00fcr gehalten hat. So rama(-m\u00e4\u00dfig) macht die Klassik gut. Dabei ist es ein Drama. &nbsp; Man versteht es wirklich nicht, da hat man ein Orchester vor Ort, das sich zu [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Die%20schlimmsten%20Musikvideos%20I%3A%20%E2%80%9EKlassik%20airleben%E2%80%9C https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2016%2F07%2Fdie-schlimmsten-musikvideos-i-klassik-airleben%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 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September 2014","format":false,"excerpt":"Aus unserer Leipziger Redaktion, danke Barbara und Steffen, kommen neue T\u00f6ne. Oder: Alte T\u00f6ne. Die Kollegen dort haben ein bisschen im Archiv gekramt und in einer Zeitschrift von 1935 die Pausenzeichen von Rundfunksendern in Notenform gefunden. Heute, im Zeitalter, des Sounddesigns und der Verklangung von jedem Zeug, war man damals\u2026","rel":"","context":"In &quot;die Politik&quot;","block_context":{"text":"die Politik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-politik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8565,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/06\/darth-vader-als-dirigent-ungeeignet\/","url_meta":{"origin":8674,"position":1},"title":"Darth Vader als Dirigent ungeeignet","author":"der huflaikhan","date":"28. Juni 2015","format":false,"excerpt":"Eine schnelle GuteNachtKritik nach dem Konzert der Berliner Philharmoniker in der Waldb\u00fchne Berlin. Allerdings nur bezogen auf das Ende mit den Zugaben. Da gab es John Williams mit drei St\u00fccken und Paul Lincke mit der Berliner Luft. Kurz gesagt: Das war nix. Sie sind nicht gut in der leichteren Muse,\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"verkehr.jpg","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/02\/verkehr.jpg?fit=500%2C319&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8472,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/08\/orchesterabschaffer-boudgoust-freut-sich\/","url_meta":{"origin":8674,"position":2},"title":"Orchesterabschaffer Boudgoust freut sich","author":"der huflaikhan","date":"28. August 2014","format":false,"excerpt":"Das SWR-Orchester Freiburg und Baden-Baden hat einen v\u00f6llig unn\u00fctzen Preis erhalten: Den ECHO Klassik. Dessen kulturpolitische Bedeutung ist zwar gleich Null, aber seine \u00f6ffentliche Pr\u00e4senz ist hoch; die BILD-Zeitung wird ja auch von vielen sehr gesch\u00e4tzt. Das Orchester, das es bald nicht mehr gibt, weil der Intendant des SWR, Peter\u2026","rel":"","context":"In &quot;die Kultur&quot;","block_context":{"text":"die Kultur","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kultur\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8865,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2023\/05\/theatersterben-leicht-erklaert\/","url_meta":{"origin":8674,"position":3},"title":"Theatersterben \u2013 leicht erkl\u00e4rt","author":"der huflaikhan","date":"15. Mai 2023","format":false,"excerpt":"Menschen fragen sich, warum geht niemand ins Theater oder in die Oper. Wo bleibt das Publikum? Ist es der Coronaknick, ist es eine Zugangsschwelle, die nicht \u00fcbertreten wird vom speziellen oder dem anderen Publikum. Oder stimmt die Beobachtung gar nicht und alles ist superchic. Sind die Probleme nur eingebildet vielleicht?\u2026","rel":"","context":"In &quot;\u00c4sthetische Kunstfehler&quot;","block_context":{"text":"\u00c4sthetische Kunstfehler","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/aesthetische_kunstfehler\/"},"img":{"alt_text":"Oper Hamburg. Sto\u00dfzeiten am Samstag.","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2023\/05\/oper-hamburg-Google-Suche_samstag-Kopie-419x1024.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":8866,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2023\/05\/theatersterben-leicht-erklaert-2\/","url_meta":{"origin":8674,"position":4},"title":"Theatersterben \u2013 leicht erkl\u00e4rt","author":"der huflaikhan","date":"15. Mai 2023","format":false,"excerpt":"Menschen fragen sich, warum geht niemand ins Theater oder in die Oper. Wo bleibt das Publikum? Ist es der Coronaknick, ist es eine Zugangsschwelle, die nicht \u00fcbertreten wird vom speziellen oder dem anderen Publikum. Oder stimmt die Beobachtung gar nicht und alles ist superchic. Sind die Probleme nur eingebildet vielleicht?\u2026","rel":"","context":"In &quot;\u00c4sthetische Kunstfehler&quot;","block_context":{"text":"\u00c4sthetische Kunstfehler","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/aesthetische_kunstfehler\/"},"img":{"alt_text":"Oper Hamburg. Sto\u00dfzeiten am Samstag.","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2023\/05\/oper-hamburg-Google-Suche_samstag-Kopie-419x1024.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":497,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/06\/zwischendurch-hommage-a-mark-rothko\/","url_meta":{"origin":8674,"position":5},"title":"Zwischendurch: Hommage a Mark Rothko","author":"huflaikhan","date":"26. Juni 2004","format":false,"excerpt":"Als meine Lomo noch funktionierte. Aus dem Zug fotografiert, bei Leipzig, auf der R\u00fcckfahrt von Berlin nach Regensburg. Das Wetter ist tr\u00fcbe, die Gegend \u00f6de und zerfallen. Heute dann auf ARTE einen Bericht \u00fcber Mark Rothko gesehen. Ach, wenn man doch noch einmal so einen kompletten Rothko sehen k\u00f6nnte, in\u2026","rel":"","context":"In \"Kunst\"","block_context":{"text":"Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/kunst\/"},"img":{"alt_text":"Zerfall bei Leipzig","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/06\/20040626-zerfall-bild.jpg?fit=450%2C308&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8674","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=8674"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8674\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8453"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=8674"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=8674"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=8674"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}