{"id":8681,"date":"2016-09-04T23:35:10","date_gmt":"2016-09-04T21:35:10","guid":{"rendered":"http:\/\/musikunrat.de\/?p=399"},"modified":"2016-09-04T23:35:10","modified_gmt":"2016-09-04T21:35:10","slug":"musik-und-gewalt-geschlagener-schlager","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/musik-und-gewalt-geschlagener-schlager\/","title":{"rendered":"Musik und Gewalt \u2013 Geschlagener Schlager"},"content":{"rendered":"<p>Der Schlager kommt vom Schlag, dem Beat. Schlagermusik ist Beatmusic. Soweit alles richtig. K\u00fcnstlich hochgekocht wird das Ph\u00e4nomen aber nun beim MDR. Der brachte eine Sendung mit dem Titel:<\/p>\n<blockquote><p>Vanessa Mai &#8211; <a href=\"http:\/\/www.mdr.de\/tv\/programm\/sendung682760_bWRyLWNvcmU6bm93TmV4dEJyb2FkY2FzdHNCZWZvcmU%3D-Mw%3D%3D_ipgctx-true_zc-409a59aa.html\" target=\"_blank\" rel=\"noopener\">Mein Herz schl\u00e4gt Schlager<\/a><\/p><\/blockquote>\n<p>Das ist in jeder Hinsicht ungeb\u00fchrlich. Seit wann schl\u00e4gt das Herz wen und wenn, warum den Schlager? Was kann der Schlager denn daf\u00fcr?<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/izHB2EdMngg?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Wir distanzieren uns von solcherleich Bushidoiaden im konventionellen \u00f6ffentlich-rechtlichen Fernsehen. Eine veritable Schl\u00e4gerei m\u00fcsste jetzt folgen.<\/p>\n<p>Der MDR geht auf seiner Website aber nocht weiter und l\u00e4sst die Bosse der Majorlabels h\u00f6chstpers\u00f6nlich f\u00fcr Referenzen antanzen:<\/p>\n<blockquote><p>Wer ist diese Frau? &#8220;Vanessa Mai ist der Shootingstar des deutschen Schlagers&#8221;, sagt Manfred Rolef, Vice President Ariola. &#8220;Es gibt, glaube ich, Keinen, den sie kalt l\u00e4sst&#8221;, ist Philip E. Ginth\u00f6r, Gesch\u00e4ftsf\u00fchrer Sony Music, \u00fcberzeugt. [Quelle: <a href=\"http:\/\/www.mdr.de\/tv\/programm\/sendung682760_bWRyLWNvcmU6bm93TmV4dEJyb2FkY2FzdHNCZWZvcmU%3D-Mw%3D%3D_ipgctx-true_zc-409a59aa.html\" target=\"_blank\" rel=\"noopener\">MDR &#8211; Website<\/a>]<\/p><\/blockquote>\n<p>Gelesen? Sie ist ein Shootingstar! Bitte was. Gewaltverherrlichung aus dem musikalischen Kapitalismus. Ariola, der Name, der f\u00fcr einen der gr\u00f6\u00dften Musikringe Europas stand mit BMG im Hintergrund und nun elendlich zu Sony geh\u00f6rend. Aber man g\u00f6nnt sich ja einen Vice President, wie er halt zu jedem guten Fr\u00fchst\u00fccksbuffett geh\u00f6rt. Die <a href=\"https:\/\/www.ariola.de\/\" target=\"_blank\" rel=\"noopener\">Website von Ariola<\/a> zeigt die Verzweiflung ganz deutlich:<\/p>\n<figure id=\"attachment_401\" aria-describedby=\"caption-attachment-401\" style=\"width: 640px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/09\/ariola.png?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-401\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/09\/ariola.png?resize=640%2C341&#038;ssl=1\" alt=\"Website Ariola, Screenshot.\" width=\"640\" height=\"341\" \/><\/a><figcaption id=\"caption-attachment-401\" class=\"wp-caption-text\">Website Ariola, Screenshot.<\/figcaption><\/figure>\n<p>Mal abgesehen davon, dass der naive Klicker gedacht hat, er sei gerade im Internet, steht da doch der Hinweis, \u00e4h, &#8220;WEITER ZUR WEBSITE&#8221;. Ja, wo sind wird denn hier, halleluja, &#8216;zifixt. Und weiter gefragt: Was hat Frau Mai an den Ohren? Und was h\u00f6rt sie da oder gegen was will sie sich da akustisch abschotten? Virtual Reality jetzt auch f\u00fcr die Ohren?<\/p>\n<p>Man macht das Spiel seitens der \u00f6ffentlich-rechtlichen Rundfunks ja mit. Tarnt die Expertise als von zwei getrennten Unternehmungen stammend. Der Schootingstar taucht noch einmal auf. Ein bisschen dies, ein bisschen das. Der Titel der Marktkampagne wird einfach \u00fcbernommen.Und im Gegenzug nennt man dann den ECHO, hopplahopp, den wichtigsten deutschen Musikpreis. So ein Schmarrn. Alles nicht so wichtig, alles egal. Es wird ja schon niemand merken.<\/p>\n<p>Doch!<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Musik%20und%20Gewalt%20%E2%80%93%20Geschlagener%20Schlager https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fmusik-und-gewalt-geschlagener-schlager%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Musik%20und%20Gewalt%20%E2%80%93%20Geschlagener%20Schlager https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fmusik-und-gewalt-geschlagener-schlager%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Schlagermusik ist Beatmusic. Soweit alles richtig. K\u00fcnstlich hochgekocht wird das Ph\u00e4nomen aber nun beim MDR. Der brachte eine Sendung mit dem Titel: Vanessa Mai &#8211; Mein Herz schl\u00e4gt Schlager Das ist in jeder Hinsicht ungeb\u00fchrlich. Seit wann schl\u00e4gt das Herz wen und wenn, warum den Schlager? Was kann [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Musik%20und%20Gewalt%20%E2%80%93%20Geschlagener%20Schlager https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fmusik-und-gewalt-geschlagener-schlager%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" 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2007 \u2013 Tr\u00e4nen!","author":"der huflaikhan","date":"23. Juli 2026","format":false,"excerpt":"Es war einmal eine Redaktion Neue Musik beim MDR. Meret Forster \u00fcber Neue Musik-Pr\u00e4senz im Radio in der nmz 2007\/04. Lesenswert. Traurig nach 19 Jahren.","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":6846,"url":"https:\/\/www.kritische-masse.de\/logbuch\/das-ganze-werk-der-halbe-rundfunk\/","url_meta":{"origin":8681,"position":1},"title":"Das Ganze Werk \/ Der halbe Rundfunk","author":"der huflaikhan","date":"4. Februar 2024","format":false,"excerpt":"Klammheimlich besinnt sich der NDR auf die Idee, ganze Werke auf seinem Sender laufen zu lassen. Immerhin irgendwann um 18 Uhr. In der Latein f\u00fcr Klassiker-Sendung \u201eMusica\u201c. Ein sp\u00e4ter Erfolg der Intitiative \"Das ganze Werk\" (www.dasganzewerk.de) Ist nat\u00fcrlich ironisch gemeint. Es geh\u00f6rt zu den traurigen Erfahrungen mit dem \u00f6ffentlich-rechtlichen Rundfunk\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"das ganze werk","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/das-ganze-werk.jpg?fit=1200%2C659&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/das-ganze-werk.jpg?fit=1200%2C659&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/das-ganze-werk.jpg?fit=1200%2C659&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/das-ganze-werk.jpg?fit=1200%2C659&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/das-ganze-werk.jpg?fit=1200%2C659&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":9261,"url":"https:\/\/www.kritische-masse.de\/logbuch\/der-frosch-die-erdkroete-und-das-kulturradio\/","url_meta":{"origin":8681,"position":2},"title":"Der Frosch, die Erdkr\u00f6te und das Kulturradio","author":"der huflaikhan","date":"20. Februar 2024","format":false,"excerpt":"Der Frosch ist eine Erdkr\u00f6te \u2026 und was uns das \u00fcber die Kommunikationskultur sagen kann +++ Das Kulturradio, seine Abwirtschaftung \u2026 und warum ChatGPT gar nicht so dumm ist wie die Intendanzen der Rundfunkanstalten und deren Berater:innen +++","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"Der Frosch, der eine Erdkr\u00f6te ist. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/IMG_5760-scaled.jpg?fit=1200%2C900&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/IMG_5760-scaled.jpg?fit=1200%2C900&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/IMG_5760-scaled.jpg?fit=1200%2C900&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/IMG_5760-scaled.jpg?fit=1200%2C900&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/IMG_5760-scaled.jpg?fit=1200%2C900&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":8640,"url":"https:\/\/www.kritische-masse.de\/logbuch\/112\/","url_meta":{"origin":8681,"position":3},"title":"Aus kultur wird figaro, aus figaro wird kultur (mdr)","author":"der huflaikhan","date":"25. April 2016","format":false,"excerpt":"Damals, 2004, war man etwas verwundert. mdr kultur benannte sich in mdr figaro um. Begr\u00fcndet wurde das von der H\u00f6rfunkchefin Barbara Mohlsen seinerzeit so: \u201eDer Begriff Kultur ist sehr tradiert besetzt und schafft eher eine Zugangsbarriere.\u201d Der Begriff der Kultur wirke elit\u00e4r und schrecke ab. Noch neulich f\u00fchrte wir bei\u2026","rel":"","context":"In &quot;den Rundfunk&quot;","block_context":{"text":"den Rundfunk","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/denrundfunk\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8254,"url":"https:\/\/www.kritische-masse.de\/logbuch\/das-schoene-lauert-ueberall-2\/","url_meta":{"origin":8681,"position":4},"title":"\u201eDas Sch\u00f6ne lauert \u00fcberall\u201c","author":"der huflaikhan","date":"15. Januar 2004","format":false,"excerpt":"Man k\u00f6nnte eigentlich die Sache mit dem MDR abhaken. Aus MDR KULTUR wurde MDR FIGARO. Wortreich haben die Verantwortlichen sich ihrer Verantwortung gestellt und damit selbstverst\u00e4ndlich das gemacht, was sie machen sollten: Dem Einwand einer Entwortung des Programms etwas entgegen setzen. H\u00f6rfunk-Chefin Barbara Molsen etwa: Man habe jetzt \u201cauch das\u2026","rel":"","context":"In &quot;\u00c4sthetische Kunstfehler&quot;","block_context":{"text":"\u00c4sthetische Kunstfehler","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/aesthetische_kunstfehler\/"},"img":{"alt_text":"MDR Slogan 2004.","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/01\/20040115-mdr-slogan-big.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":8255,"url":"https:\/\/www.kritische-masse.de\/logbuch\/zugangsbarriere-plakat-2\/","url_meta":{"origin":8681,"position":5},"title":"Zugangsbarriere Plakat","author":"der huflaikhan","date":"15. Januar 2004","format":false,"excerpt":"Jetzt bleibt eigentlich die Interpretation der Plakatwerbung von MDR FIGARO \u00fcbrig. Ich wei\u00df nicht recht, wen es ansprechen soll. Mir fehlt so ziemlich alles, was auf dem Plakat dargestellt ist. Habe weder ein wei\u00dfes noch \u00fcberhaupt ein Sofa, wohne nicht im Altbau mit den sch\u00f6nen T\u00fcren, habe auch keine Frau\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kunst\/"},"img":{"alt_text":"MDR Slogan 2004.","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/01\/20040115-mdr-slogan-big.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8681","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=8681"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8681\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/400"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=8681"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=8681"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=8681"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}