{"id":8707,"date":"2017-06-07T23:56:22","date_gmt":"2017-06-07T21:56:22","guid":{"rendered":"https:\/\/musikunrat.de\/?p=513"},"modified":"2017-06-07T23:56:22","modified_gmt":"2017-06-07T21:56:22","slug":"rekursive-substraktionsmusik","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2017\/06\/rekursive-substraktionsmusik\/","title":{"rendered":"Rekursive Substraktionsmusik"},"content":{"rendered":"<div class=\"shariff shariff-align-left shariff-widget-align-left\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Rekursive%20Substraktionsmusik https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2017%2F06%2Frekursive-substraktionsmusik%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; 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Foto: Hufner\" width=\"226\" height=\"300\" \/><\/a><figcaption id=\"caption-attachment-514\" class=\"wp-caption-text\">Die Angst des Klaviers vor dem Auftritt. Foto: Hufner<\/figcaption><\/figure>\n<p>Fasching und Sterben. Das st\u00f6\u00dft aufeinander in einem lyrischen Bild von Lichtenstein. Damit verbunden ein \u00e4sthetisches Ansinnen.<\/p>\n<blockquote><p><strong>In der Lungenheilst\u00e4tte<\/strong><\/p>\n<p>Viele kranke Leute gehen in den G\u00e4rten<br \/>\nHer und hin und liegen in den Hallen.<br \/>\nDie die Kr\u00e4nksten sind, verfiebern<br \/>\nAlle armen Tage in dem hei\u00dfen<br \/>\nGrab der Betten.<br \/>\nAch, katholische Schwestern schweben<br \/>\nM\u00fcd umher in schwarzen Gew\u00e4ndern.<br \/>\nGestern ist einer gestorben. Heute kann einer sterben.<br \/>\nIn der Stadt feiern sie Fasching.<br \/>\nDen Unterschied<br \/>\nM\u00f6chte ich Klavier spielen k\u00f6nnen.<\/p>\n<p>Lichtenstein: Die D\u00e4mmerung. Deutsche Lyrik von Luther bis Rilke, S. 70353 (vgl. Lichtenst.-GG, S. 71)<\/p><\/blockquote>\n<p>Wie nur soll man den Unterschied spielen. Die Aufgabe scheint mir doch so grad recht gro\u00df. Obwohl, vielleicht gab es mal einen Komponisten, der das wirklich gekonnt hat: Alban Berg. Oder eventuell Paul Abraham. 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M\u00e4rz 2004","format":false,"excerpt":"Gestern w\u00e4hrend einer Zugfahrt, bei der Lekt\u00fcre einiger Dichtungen von Alfred Lichtenstein, fiel mir das erste mal ein Gedicht mit dem Titel \u201eDie Plagiatoren\u201d auf. Darin geht es um die Zusammenarbeit aller bei der Findung oder Erfindung von Menschen mit Menschen. Die Plagiatoren Ein jeder ist ein Teil vom Schicksal\u2026","rel":"","context":"In \"Blaise Pascal\"","block_context":{"text":"Blaise Pascal","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/blaisepascal\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":416,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/04\/alfred-lichtenstein-in-den-abend\/","url_meta":{"origin":8707,"position":1},"title":"Alfred Lichtenstein &#8211; In den Abend","author":"huflaikhan","date":"24. April 2004","format":false,"excerpt":"Aus krummen Nebeln wachsen K\u00f6stlichkeiten. Ganz winzge Dinge wurden pl\u00f6tzlich wichtig. Der Himmel ist schon gr\u00fcn und undurchsichtig Dort hinten, wo die blinden H\u00fcgel gleiten. Zerlumpte B\u00e4ume strolchen in die Ferne. Betrunkne Wiesen drehen sich im Kreise, Und alle Fl\u00e4chen werden grau und weise ... Nur D\u00f6rfer hocken leuchtend: rote\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":414,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/04\/lichtenstein-und-benjamin\/","url_meta":{"origin":8707,"position":2},"title":"Lichtenstein und Benjamin","author":"huflaikhan","date":"20. April 2004","format":false,"excerpt":"Unter dem Titel \u201cPlagiatoren\u201d habe ich einen Text von Alfred Lichtenstein wiedergegeben. Nun habe ich noch etwas weiter gelesen und durfte feststellen, dass dieser Autor Jura zu studieren pflegte und eine Dissertation verfasste mit dem Titel: \u201cDie rechtswidrige \u00f6ffentliche Auff\u00fchrung von B\u00fchnenwerken\u201d, was mich neugierig macht. Damals gings Studieren jedenfalls\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8261,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/09\/konstellation-montage-komposition-zitat-2\/","url_meta":{"origin":8707,"position":3},"title":"Konstellation, Montage, Komposition, Zitat","author":"der huflaikhan","date":"17. September 2004","format":false,"excerpt":"Zitieren oder zitieren; das Recht hat sein recht. Und die Frankfurter Rundschau l\u00e4sst sich wissenschaftlich erkl\u00e4ren, wann ein Zitat ein Zitat ist. Zitate d\u00fcrfen kein Selbstzweck sein, sagt man. Das stimmt. Doch was bedeutet das. Die Wissenschaft, aber die Interpretation von Ph\u00e4nomenen im allgemeinen, funktioniert nicht zwingend nach dem Prinzip\u2026","rel":"","context":"In &quot;Zettelkasten&quot;","block_context":{"text":"Zettelkasten","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/zettelkasten\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":758,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/09\/konstellation-montage-komposition-zitat\/","url_meta":{"origin":8707,"position":4},"title":"Konstellation, Montage, Komposition, Zitat","author":"huflaikhan","date":"17. September 2004","format":false,"excerpt":"Zitieren oder zitieren; das Recht hat sein recht. Und die Frankfurter Rundschau l\u00e4sst sich wissenschaftlich erkl\u00e4ren, wann ein Zitat ein Zitat ist. Zitate d\u00fcrfen kein Selbstzweck sein, sagt man. Das stimmt. Doch was bedeutet das. Die Wissenschaft, aber die Interpretation von Ph\u00e4nomenen im allgemeinen, funktioniert nicht zwingend nach dem Prinzip\u2026","rel":"","context":"Mit 5 Kommentaren","block_context":{"text":"Mit 5 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/09\/konstellation-montage-komposition-zitat\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8461,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/08\/ikonen-des-pop\/","url_meta":{"origin":8707,"position":5},"title":"Ikonen des Pop","author":"der huflaikhan","date":"12. August 2014","format":false,"excerpt":"Das Plattencover von \u201eAbbey Road\u201c der Beatles ist legend\u00e4r. Jetzt wurden eine Reihe von Fotos aus dem Shooting ver\u00f6ffentlicht, die nicht verwendet worden sind. Fotos machen eben Popgeschichte: die richtigen Fotos! \u00dcber die Zukunft der Zeitungsbranche haben sich in der FAZ drei Autoren viele, sehr viele Gedanken gemacht. Und sie\u2026","rel":"","context":"In &quot;das Netz&quot;","block_context":{"text":"das Netz","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/dasnetz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/wqzZfMzba5I\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8707","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=8707"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8707\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/514"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=8707"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=8707"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=8707"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}