{"id":8727,"date":"2017-09-10T13:35:06","date_gmt":"2017-09-10T11:35:06","guid":{"rendered":"https:\/\/musikunrat.de\/?p=671"},"modified":"2017-09-10T13:35:06","modified_gmt":"2017-09-10T11:35:06","slug":"extended-techniques","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/extended-techniques\/","title":{"rendered":"Extended Techniques"},"content":{"rendered":"<p>Die Initiative <em>Jedem Kind ein Instrument<\/em> tr\u00e4gt endlich Fr\u00fcchte auch im Bereich der experimentellen neuen Musik. Ein Beleg daf\u00fcr findet sich im letzten Prospekt der Charles V\u00f6gele Switzerland Modefirma.<\/p>\n<figure id=\"attachment_672\" aria-describedby=\"caption-attachment-672\" style=\"width: 225px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/09\/extendes_techniques.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"672\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/wittgenstein-noch-einmal\/attachment-botanischer-garten-foto-hufner\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2014\/07\/botanischer_garten_c_hufner.jpg?fit=1200%2C801&amp;ssl=1\" data-orig-size=\"1200,801\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;8&quot;,&quot;credit&quot;:&quot;Martin Hufner&quot;,&quot;camera&quot;:&quot;PENTAX *ist DL&quot;,&quot;created_timestamp&quot;:&quot;1176638870&quot;,&quot;focal_length&quot;:&quot;140&quot;,&quot;iso&quot;:&quot;200&quot;,&quot;shutter_speed&quot;:&quot;0.003125&quot;}\" data-image-title=\"Botanischer Garten- Foto: Hufner\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2014\/07\/botanischer_garten_c_hufner.jpg?fit=1024%2C684&amp;ssl=1\" class=\"wp-image-672 size-medium\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/09\/extendes_techniques.jpg?resize=225%2C300&#038;ssl=1\" alt=\"Extended Techniques. Prospekt Charles V\u00f6gele\" width=\"225\" height=\"300\" \/><\/a><figcaption id=\"caption-attachment-672\" class=\"wp-caption-text\">Extended Techniques. Prospekt Charles V\u00f6gele<\/figcaption><\/figure>\n<p>Hier scheint es sich um die Realisation eines fr\u00fchen Werks eines ungenannten Komponisten zu handeln, vermutlich aus der Gruppe der sonst abgebildeten Personen.<\/p>\n<p>Das Bild zeigt zugleich die kommunikative Funktion von Musik im allt\u00e4glichen Leben.\u00a0 Eine Einlandung zum gemeinsamen Musizieren am gleichen Instrument. Das rockt.<\/p>\n<blockquote><p><strong>&#8220;Kannst du die Fl\u00f6te blasen, so lass den Kindern ihre Pfennigpfeifen.&#8221;<\/strong><br \/>\nSprichw\u00f6rterlexikon: Fl\u00f6te. Deutsches Sprichw\u00f6rter-Lexikon, S. 11421 (vgl. Wander-DSL Bd. 1, S. 1078)<\/p>\n<p><strong>&#8220;Wer nicht Fl\u00f6te blasen kann, muss Zither spielen.&#8221;<\/strong><br \/>\nSprichw\u00f6rterlexikon: Fl\u00f6te. Deutsches Sprichw\u00f6rter-Lexikon, S. 11422 (vgl. Wander-DSL Bd. 1, S. 1078)<\/p>\n<p><strong>&#8220;Wenn Gott der Fl\u00f6te den Ton nicht gibt, so bleibt sie ewig stumm.&#8221;<\/strong><br \/>\nSprichw\u00f6rterlexikon: Gott. Deutsches Sprichw\u00f6rter-Lexikon, S. 16193. (vgl. 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Ein Beleg daf\u00fcr findet sich im letzten Prospekt der Charles V\u00f6gele Switzerland Modefirma. Hier scheint es sich um die Realisation eines fr\u00fchen Werks eines ungenannten Komponisten zu handeln, vermutlich aus der Gruppe der sonst abgebildeten Personen. Das Bild zeigt [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Extended%20Techniques https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fextended-techniques%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop 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src='https:\/\/secure.gravatar.com\/avatar\/c23aee426d58e69f14ef471114d4cac215eec702ee1bc331e2a62ea77e96ed60?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/c23aee426d58e69f14ef471114d4cac215eec702ee1bc331e2a62ea77e96ed60?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":426,"url":"https:\/\/www.kritische-masse.de\/logbuch\/nmz-mai-2004-jetzt-online\/","url_meta":{"origin":8727,"position":0},"title":"nmz Mai 2004 &#8211; jetzt online","author":"huflaikhan","date":"4. Mai 2004","format":false,"excerpt":"Die aktuelle Ausgabe der neuen musikzeitung ist gerade online gestellt worden. Heute daher besonders zu empfehlen: Nachschlag: Das Ende vom Wehklagen Janko R\u00f6ttgers \u00fcber das Wehe am Klagen der Phonoverb\u00e4nde Cluster: Erfolgsdruck Ich selbst \u00fcber Musik als Kunst unter Zuhilfenahme Kants St\u00fcckwerk. Hymne auf das Ende eines tragischen Tages Charles\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":461,"url":"https:\/\/www.kritische-masse.de\/logbuch\/taktlos-77-neue-musik-fuer-kinder\/","url_meta":{"origin":8727,"position":1},"title":"taktlos 77: Neue Musik f\u00fcr Kinder","author":"huflaikhan","date":"30. 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