{"id":8727,"date":"2017-09-10T13:35:06","date_gmt":"2017-09-10T11:35:06","guid":{"rendered":"https:\/\/musikunrat.de\/?p=671"},"modified":"2017-09-10T13:35:06","modified_gmt":"2017-09-10T11:35:06","slug":"extended-techniques","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2017\/09\/extended-techniques\/","title":{"rendered":"Extended Techniques"},"content":{"rendered":"<p>Die Initiative <em>Jedem Kind ein Instrument<\/em> tr\u00e4gt endlich Fr\u00fcchte auch im Bereich der experimentellen neuen Musik. Ein Beleg daf\u00fcr findet sich im letzten Prospekt der Charles V\u00f6gele Switzerland Modefirma.<\/p>\n<figure id=\"attachment_672\" aria-describedby=\"caption-attachment-672\" style=\"width: 225px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/09\/extendes_techniques.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"672\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/2005\/01\/wittgenstein-noch-einmal\/attachment-botanischer-garten-foto-hufner\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2014\/07\/botanischer_garten_c_hufner.jpg?fit=1200%2C801&amp;ssl=1\" data-orig-size=\"1200,801\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;8&quot;,&quot;credit&quot;:&quot;Martin Hufner&quot;,&quot;camera&quot;:&quot;PENTAX *ist DL&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1176638870&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;140&quot;,&quot;iso&quot;:&quot;200&quot;,&quot;shutter_speed&quot;:&quot;0.003125&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Botanischer Garten- Foto: Hufner\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2014\/07\/botanischer_garten_c_hufner.jpg?fit=1024%2C684&amp;ssl=1\" class=\"wp-image-672 size-medium\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/09\/extendes_techniques.jpg?resize=225%2C300&#038;ssl=1\" alt=\"Extended Techniques. Prospekt Charles V\u00f6gele\" width=\"225\" height=\"300\" \/><\/a><figcaption id=\"caption-attachment-672\" class=\"wp-caption-text\">Extended Techniques. Prospekt Charles V\u00f6gele<\/figcaption><\/figure>\n<p>Hier scheint es sich um die Realisation eines fr\u00fchen Werks eines ungenannten Komponisten zu handeln, vermutlich aus der Gruppe der sonst abgebildeten Personen.<\/p>\n<p>Das Bild zeigt zugleich die kommunikative Funktion von Musik im allt\u00e4glichen Leben.\u00a0 Eine Einlandung zum gemeinsamen Musizieren am gleichen Instrument. Das rockt.<\/p>\n<blockquote><p><strong>&#8220;Kannst du die Fl\u00f6te blasen, so lass den Kindern ihre Pfennigpfeifen.&#8221;<\/strong><br \/>\nSprichw\u00f6rterlexikon: Fl\u00f6te. Deutsches Sprichw\u00f6rter-Lexikon, S. 11421 (vgl. Wander-DSL Bd. 1, S. 1078)<\/p>\n<p><strong>&#8220;Wer nicht Fl\u00f6te blasen kann, muss Zither spielen.&#8221;<\/strong><br \/>\nSprichw\u00f6rterlexikon: Fl\u00f6te. Deutsches Sprichw\u00f6rter-Lexikon, S. 11422 (vgl. Wander-DSL Bd. 1, S. 1078)<\/p>\n<p><strong>&#8220;Wenn Gott der Fl\u00f6te den Ton nicht gibt, so bleibt sie ewig stumm.&#8221;<\/strong><br \/>\nSprichw\u00f6rterlexikon: Gott. Deutsches Sprichw\u00f6rter-Lexikon, S. 16193. (vgl. Wander-DSL Bd. 2, S. 81)<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Die Initiative Jedem Kind ein Instrument tr\u00e4gt endlich Fr\u00fcchte auch im Bereich der experimentellen neuen Musik. Ein Beleg daf\u00fcr findet sich im letzten Prospekt der Charles V\u00f6gele Switzerland Modefirma. Hier scheint es sich um die Realisation eines fr\u00fchen Werks eines ungenannten Komponisten zu handeln, vermutlich aus der Gruppe der sonst abgebildeten Personen. Das Bild zeigt 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Heute daher besonders zu empfehlen: Nachschlag: Das Ende vom Wehklagen Janko R\u00f6ttgers \u00fcber das Wehe am Klagen der Phonoverb\u00e4nde Cluster: Erfolgsdruck Ich selbst \u00fcber Musik als Kunst unter Zuhilfenahme Kants St\u00fcckwerk. Hymne auf das Ende eines tragischen Tages Charles\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":461,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/05\/taktlos-77-neue-musik-fuer-kinder\/","url_meta":{"origin":8727,"position":3},"title":"taktlos 77: Neue Musik f\u00fcr Kinder","author":"huflaikhan","date":"30. Mai 2004","format":false,"excerpt":"Neue Musik f\u00fcr KinderMusik: Charles Ives: Three Places in New England Nr. 3 The Housatonic at Stockbridge von Anfang, unter dem Text lassenAutor: \u0084Elfj\u00e4hrige sind \u0096 was den Musikgeschmack betrifft \u0096 erstaunlich fertig. 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