{"id":8753,"date":"2018-04-25T17:13:55","date_gmt":"2018-04-25T15:13:55","guid":{"rendered":"https:\/\/musikunrat.de\/?p=875"},"modified":"2018-04-25T17:13:55","modified_gmt":"2018-04-25T15:13:55","slug":"frueher-war-es-nicht-anders-komponistinnen-sponsoring-im-19-jahrhundert","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/frueher-war-es-nicht-anders-komponistinnen-sponsoring-im-19-jahrhundert\/","title":{"rendered":"Fr\u00fcher war es nicht anders: Komponistinnen-Sponsoring im 19. Jahrhundert"},"content":{"rendered":"<p>Ich sage mal nicht, wo ich das gefunden habe. Ein Pollenflug war schuld daran, dass ich es \u00fcberhaupt fand. Okay, steht in der Bildunterzeile.<\/p>\n<figure id=\"attachment_876\" aria-describedby=\"caption-attachment-876\" style=\"width: 512px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/04\/screenshot-www.landestheater-coburg.de-2018-04-25-16-44-32.png?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"876\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/wittgenstein-noch-einmal\/attachment-sarah-kuttner\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/11\/20041104-viva-kuttner.jpg?fit=200%2C197&amp;ssl=1\" data-orig-size=\"200,197\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Sarah Kuttner\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/11\/20041104-viva-kuttner.jpg?fit=200%2C197&amp;ssl=1\" class=\"size-full wp-image-876\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/04\/screenshot-www.landestheater-coburg.de-2018-04-25-16-44-32.png?resize=512%2C123&#038;ssl=1\" alt=\"screenshot-www.landestheater-coburg.de-2018-04-25-16-44-32\" width=\"512\" height=\"123\" \/><\/a><figcaption id=\"caption-attachment-876\" class=\"wp-caption-text\">screenshot-www.landestheater-coburg.de-2018-04-25-16-44-32<\/figcaption><\/figure>\n<p>Was w\u00e4re uns f\u00fcr eine fantastische Oper entgangen, h\u00e4tte nicht die Brose Unternehmensgruppe die Oper von Dvorak unterst\u00fctzt. Aber es ist doch wirklich ein Jammer, mit welchen Methoden pl\u00f6tzlich Dinge verbunden werden. Dabei w\u00fcsste man gerne mehr, wie denn die gro\u00dfz\u00fcgige Unterst\u00fctzung ausgesehen haben mag.<\/p>\n<p>Erinnern wir uns doch ganz einfach auch daran, beziehungsweise vergessen wir nie, dass man als Steuerzahler zu den gro\u00dfz\u00fcgigsten Unterst\u00fctzern solcher Institutionen geh\u00f6rt, auch wenn es fast nirgendwo erw\u00e4hnt wird.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Fr%C3%BCher%20war%20es%20nicht%20anders%3A%20Komponistinnen-Sponsoring%20im%2019.%20Jahrhundert https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Ffrueher-war-es-nicht-anders-komponistinnen-sponsoring-im-19-jahrhundert%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Fr%C3%BCher%20war%20es%20nicht%20anders%3A%20Komponistinnen-Sponsoring%20im%2019.%20Jahrhundert https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Ffrueher-war-es-nicht-anders-komponistinnen-sponsoring-im-19-jahrhundert%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Ein Pollenflug war schuld daran, dass ich es \u00fcberhaupt fand. Okay, steht in der Bildunterzeile. Was w\u00e4re uns f\u00fcr eine fantastische Oper entgangen, h\u00e4tte nicht die Brose Unternehmensgruppe die Oper von Dvorak unterst\u00fctzt. Aber es ist doch wirklich ein Jammer, mit welchen Methoden pl\u00f6tzlich Dinge verbunden [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Fr%C3%BCher%20war%20es%20nicht%20anders%3A%20Komponistinnen-Sponsoring%20im%2019.%20Jahrhundert https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Ffrueher-war-es-nicht-anders-komponistinnen-sponsoring-im-19-jahrhundert%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 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Oktober 2005","format":false,"excerpt":"Der Bassist und Musikpolitiker Charlie Haden meldet sich erneut mit Musik zur\u00fcck, deren Ort im Heute liegt, deren Idee lange in seine Biographie zur\u00fcckweist. \u201eNot in our name\u201c hei\u00dft die Platte mit dem Liberation Music Orchestra, welches nun in komplett neuer Mixtur antritt. Arrangiert f\u00fcr das Ensemble hat die Musik\u2026","rel":"","context":"In \"Charlie Haden\"","block_context":{"text":"Charlie Haden","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/charliehaden\/"},"img":{"alt_text":"Charlie Haden 1993 in Berlin","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/10\/20051020-charlie-haden.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1358,"url":"https:\/\/www.kritische-masse.de\/logbuch\/werbemittelschock\/","url_meta":{"origin":8753,"position":1},"title":"Werbemittelschock","author":"huflaikhan","date":"12. August 2005","format":false,"excerpt":"Wer bitte soll den das sein, was dieses Plakat verhei\u00dft. Frau Merkel haben ja einige heute auf dem Kieker gehabt, weil die anscheinend gestern irgendwie im Fernsehen pr\u00e4sent gewesen sein soll. Handelt es sich dabei um das, was man da sieht. Mars-Wahlen vielleicht. Machen Rauten eigentlich schlank oder dick? Oder\u2026","rel":"","context":"In &quot;die Urteilskraft&quot;","block_context":{"text":"die Urteilskraft","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/dieurteilskraft\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8285,"url":"https:\/\/www.kritische-masse.de\/logbuch\/werbemittelschock-2005-merkel-kommt-spaeter-dann-die-afd\/","url_meta":{"origin":8753,"position":2},"title":"Werbemittelschock [2005] \u2013 Merkel kommt, sp\u00e4ter dann die AfD","author":"der huflaikhan","date":"7. August 2005","format":false,"excerpt":"Man mag sich in Bayern ja wundern, dass die CSU mit einem Plakat hausieren geht, welches den Wechsel w\u00fcnscht. Denn das w\u00e4re auch mal eine Aktion f\u00fcr Bayern selbst. Hier zu w\u00e4hlen, ist beinahe wie ein Faustkampf mit der Luft, die einen umgibt. Dennoch, ein Blick auf die CSU-Seiten schockt\u2026","rel":"","context":"In &quot;die Politik&quot;","block_context":{"text":"die Politik","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-politik\/"},"img":{"alt_text":"Glas ist fl\u00fcssig. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/05\/20050503-2005-2-musikmesse31.jpg?fit=500%2C378&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2654,"url":"https:\/\/www.kritische-masse.de\/logbuch\/die-bitterkeit-der-musikvermittlung\/","url_meta":{"origin":8753,"position":3},"title":"Die Bitterkeit der Musikvermittlung","author":"huflaikhan","date":"3. Juli 2012","format":false,"excerpt":"Musikvermittlung ist kein Begriff der letzten Jahre. Es gibt ihn lange schon. Vollkommen unerwartet sicher bei Adorno in seiner Einleitung in die Musiksoziologie. Er hei\u00dft da einfach Vermittlung. Und er meint etwas anderes. Das war 60er. Anfang der 70er schaffen es bestimmte Musikprodukte h\u00f6her und weiter. In Potsdam habe ich\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"Waldo de los rios. Symphonies","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2012\/07\/waldo-de-los-rios.jpg?fit=400%2C372&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8525,"url":"https:\/\/www.kritische-masse.de\/logbuch\/adventskalender-check-staatsoper-berlin-vs-komische-oper-berlin\/","url_meta":{"origin":8753,"position":4},"title":"Adventskalender-Check: Staatsoper Berlin vs. Komische Oper Berlin","author":"der huflaikhan","date":"11. Dezember 2014","format":false,"excerpt":"Der Sperrsitz versteht sich unter anderem als kritischer Serviceleister und -begleiter. Heute im Programm die Ventskalender der Berliner Opernh\u00e4user. Ventskalender Staatsoper Berlin Unter den Linden im Schillertheater (kurz: StOBUdLiSt) Drauf gekommen, durch eine Werbung oder eine Suche nach irgendwas. Da sind ja ein paar T\u00fcrchen schon ge\u00f6ffnet, so dass man\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"Adventskalender der Staatsoper Unter den Linden. Screenshot","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2014\/12\/stob-adventskalender.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2014\/12\/stob-adventskalender.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2014\/12\/stob-adventskalender.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2014\/12\/stob-adventskalender.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":8865,"url":"https:\/\/www.kritische-masse.de\/logbuch\/theatersterben-leicht-erklaert\/","url_meta":{"origin":8753,"position":5},"title":"Theatersterben \u2013 leicht erkl\u00e4rt","author":"der huflaikhan","date":"15. Mai 2023","format":false,"excerpt":"Menschen fragen sich, warum geht niemand ins Theater oder in die Oper. Wo bleibt das Publikum? Ist es der Coronaknick, ist es eine Zugangsschwelle, die nicht \u00fcbertreten wird vom speziellen oder dem anderen Publikum. Oder stimmt die Beobachtung gar nicht und alles ist superchic. Sind die Probleme nur eingebildet vielleicht?\u2026","rel":"","context":"In &quot;\u00c4sthetische Kunstfehler&quot;","block_context":{"text":"\u00c4sthetische Kunstfehler","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/aesthetische_kunstfehler\/"},"img":{"alt_text":"Oper Hamburg. 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