{"id":877,"date":"2004-11-04T13:25:10","date_gmt":"2004-11-04T12:25:10","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/container-i-sarah-kuttner-2004\/"},"modified":"2023-12-18T08:49:29","modified_gmt":"2023-12-18T07:49:29","slug":"container-i-sarah-kuttner-2004","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/11\/container-i-sarah-kuttner-2004\/","title":{"rendered":"Container I: Sarah Kuttner \u0096 2004"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"876\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/2005\/01\/wittgenstein-noch-einmal\/attachment-sarah-kuttner\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/11\/20041104-viva-kuttner.jpg?fit=200%2C197&amp;ssl=1\" data-orig-size=\"200,197\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Sarah Kuttner\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/11\/20041104-viva-kuttner.jpg?fit=200%2C197&amp;ssl=1\" class=\" alignright size-full wp-image-876\" align=\"right\" alt=\"Sarah Kuttner\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/11\/20041104-viva-kuttner.jpg?resize=200%2C197&#038;ssl=1\" width=\"200\" height=\"197\" \/>Shooting Star (das sollte man mal w&ouml;rlich nehmen) bei Viva mit einer urkomischen bis total bekloppten Geschw&auml;tzshow. Dazu dann diese Handbewegung des Haare-aus-dem-Gesicht-Streichens. Man mag einwenden, zum Fernsehen geh&ouml;ren immer mindestens zwei. Ja, das l&auml;sst kaum sich leugnen. Schlimmer wirds, wenn drei oder vier dazu geh&ouml;ren.<\/p>\n<p><!--more--><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"876\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/2005\/01\/wittgenstein-noch-einmal\/attachment-sarah-kuttner\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/11\/20041104-viva-kuttner.jpg?fit=200%2C197&amp;ssl=1\" data-orig-size=\"200,197\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Sarah Kuttner\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/11\/20041104-viva-kuttner.jpg?fit=200%2C197&amp;ssl=1\" class=\" alignright size-full wp-image-876\" align=\"right\" alt=\"Sarah Kuttner\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/11\/20041104-viva-kuttner.jpg?resize=200%2C197&#038;ssl=1\" width=\"200\" height=\"197\" \/>Shooting Star (das sollte man mal w&ouml;rlich nehmen) bei Viva mit einer urkomischen bis total bekloppten Geschw&auml;tzshow. Dazu dann diese Handbewegung des Haare-aus-dem-Gesicht-Streichens. Man mag einwenden, zum Fernsehen geh&ouml;ren immer mindestens zwei. Ja, das l&auml;sst kaum sich leugnen. Schlimmer wirds, wenn drei oder vier dazu geh&ouml;ren.<\/p>\n<p>Eines Nachts war dort zu Gast so ein Volltrottel names Ferris EmmSziieeh oder &auml;hnlich, den man unter normalen Umst&auml;nden nicht aus dem Heim lassen w&uuml;rde, aber da Viva selbst so eines f&uuml;hrt wenn nicht sogar ist, traf Depp Zicke. Heraus kam nichts, weil auch nichts drin war. Komisch dann der Auftritt des Bernd Begemann in dieser Sendung, der durfte zwar nicht schwatzen daf&uuml;r aber an Mikro und Gitarre hohe Kunst in Vollzug bringen. Ganz erstaunlich das, als Solomixer mit ungeheurem Distanzgef&uuml;hl zum Mikrophon. &bdquo;Verriss EmPi&ldquo; fand den Auftritt reichlich esoterisch, jedenfalls fl&auml;zte er sowas aus sich heraus, dieser Meister des Selbstbildes &mdash; und Bernd br&uuml;llte irgendwie bei abgedrehten Mikros noch: &bdquo;Nenn&#8217; mich Kindersch&auml;nder, aber nenn&#8217; mich niemals esoterisch.&ldquo; Das war nat&uuml;rlich bitterlich gemeint aber alles in allem nur noch peinlich. Ein einfacher Schuss zwischen Augen h&auml;tte doch gereicht, Herr Begemann. Auch eine zwischen die eigenen Z&auml;hne in diesem Moment. Welcher Teufel hat ihn denn geritten in diesen Affenzoo zu gehen und dann noch zu glauben, dass ihm auch nur einer zuh&ouml;rt. Ach Bernd, du Bl&ouml;dmann.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Container%20I%3A%20Sarah%20Kuttner%20%C2%96%202004 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2004%2F11%2Fcontainer-i-sarah-kuttner-2004%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Container%20I%3A%20Sarah%20Kuttner%20%C2%96%202004 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2004%2F11%2Fcontainer-i-sarah-kuttner-2004%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Dazu dann diese Handbewegung des Haare-aus-dem-Gesicht-Streichens. Man mag einwenden, zum Fernsehen geh&ouml;ren immer mindestens zwei. Ja, das l&auml;sst kaum sich leugnen. Schlimmer wirds, wenn drei oder vier dazu geh&ouml;ren.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Container%20I%3A%20Sarah%20Kuttner%20%C2%96%202004 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2004%2F11%2Fcontainer-i-sarah-kuttner-2004%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":8277,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/11\/container-i-sarah-kuttner-2004-2\/","url_meta":{"origin":877,"position":0},"title":"Container I: Sarah Kuttner \u2013 2004","author":"der huflaikhan","date":"4. November 2004","format":false,"excerpt":"Shooting Star (das sollte man mal w\u00f6rlich nehmen) bei Viva mit einer urkomischen bis total bekloppten Geschw\u00e4tzshow. Dazu dann diese Handbewegung des Haare-aus-dem-Gesicht-Streichens. Man mag einwenden, zum Fernsehen geh\u00f6ren immer mindestens zwei. Ja, das l\u00e4sst kaum sich leugnen. Schlimmer wirds, wenn drei oder vier dazu geh\u00f6ren. Eines Nachts war dort\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"Sarah Kuttner 2004. 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August 2005","format":false,"excerpt":"Ganz anders als Madi Gras.bb aus dem Hause Hazelwood, aber mindestens so garagig. Eine Musik f\u00fcr Menschen, die gerne abtauchen, also jetzt so mal ganz richtig, nicht so metaphysisch \u2014 abtauchen in den Dunst der hintersten Kneipe und die sich dann trauen, was sie nur mit mindestens 2,2 Promille auf\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/texte\/rezension\/"},"img":{"alt_text":"DM Bob","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/08\/20050823-dmbob.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":571,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/07\/russian-armenian-music-for-2-pianos-duo-reine-elisabeth\/","url_meta":{"origin":877,"position":4},"title":"Russian &#038; Armenian Music For 2 Pianos &#8211; Duo Reine Elisabeth","author":"huflaikhan","date":"20. Juli 2004","format":false,"excerpt":"Es haben sich wirklich viele CDs angesammelt und so langsam m\u00fcssen die abgearbeitet werden. Dazu geh\u00f6rt auch die des Klavierduos Reine Elisabeth mit den Pianisten Rolf Plagge und Wolfgang Manz. Sie spielen hier St\u00fccke ein, die bis auf eines nicht zum \u00fcblichen Repertoire geh\u00f6ren. Zu den Komponisten z\u00e4hlen Aram Khatschturian\u2026","rel":"","context":"In \"Klavierduo\"","block_context":{"text":"Klavierduo","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/klavierduo\/"},"img":{"alt_text":"Russian & Armenian Music","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/07\/20040720-cd-duo-reine-elisabeth.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":310,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/01\/zugangsbarriere-plakat\/","url_meta":{"origin":877,"position":5},"title":"Zugangsbarriere Plakat","author":"huflaikhan","date":"15. Januar 2004","format":false,"excerpt":"Jetzt bleibt eigentlich die Interpretation der Plakatwerbung von MDR FIGARO \u00fcbrig. Ich wei\u00df nicht recht, wen es ansprechen soll. Mir fehlt so ziemlich alles, was auf dem Plakat dargestellt ist. 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