{"id":8781,"date":"2018-10-04T12:37:47","date_gmt":"2018-10-04T10:37:47","guid":{"rendered":"https:\/\/musikunrat.de\/?p=1333"},"modified":"2018-10-04T12:37:47","modified_gmt":"2018-10-04T10:37:47","slug":"impression-2007-10-mit-jakob-van-hoddis","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2018\/10\/impression-2007-10-mit-jakob-van-hoddis\/","title":{"rendered":"Impression 2007\/10 \u2013 Mit Jakob van Hoddis"},"content":{"rendered":"<p>Ein Stillleben. &#8220;Ganz vertrackte Katarakte im Tackte \u2026&#8221; (Hoddis)<\/p>\n<figure id=\"attachment_1334\" aria-describedby=\"caption-attachment-1334\" style=\"width: 465px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/10\/2007_10_impressionen.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1334\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/10\/2007_10_impressionen.jpg?resize=465%2C353&#038;ssl=1\" alt=\"Impression aus dem Jahr 2007. Foto: Hufner\" width=\"465\" height=\"353\" \/><\/a><figcaption id=\"caption-attachment-1334\" class=\"wp-caption-text\">Impression aus dem Jahr 2007. Foto: Hufner<\/figcaption><\/figure>\n<blockquote><p>XI<br \/>\nDrau\u00dfen<\/p>\n<p>Die Sommernacht ist schwer nur zu ertragen!<br \/>\nVier Herren gehn mit abgekn\u00f6pftem Kragen.<br \/>\nEin Lackbeschuter stellt der Schnepse nach \u2026<br \/>\nDa polterts her \u2013 Ein langgedehnter Krach:<br \/>\nDer Donner!<br \/>\nAu!<br \/>\nIst die Reklame plump,<br \/>\nBlitz!<br \/>\nEin feiner Mensch liebt nicht den lauten Mumpitz!<br \/>\nDas klingt ja ganz, als ob der dicke nackte Weltgeist<br \/>\nGanz vertrackte Katarakte im Tackte knackte.<sup id=\"mfn-content-0000000000004d0c0000000000000000_8781-1\" class=\"modern-footnotes-footnote \" data-mfn=\"1\" data-mfn-post-scope=\"0000000000004d0c0000000000000000_8781\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-0000000000004d0c0000000000000000_8781-1\">1<\/a><\/sup><span role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"1\">Jakob van Hoddis, Gedichte, Frankfurt 1990, S. 24<\/span><\/p><\/blockquote>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Impression%202007%2F10%20%E2%80%93%20Mit%20Jakob%20van%20Hoddis https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2018%2F10%2Fimpression-2007-10-mit-jakob-van-hoddis%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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(Hoddis) XI Drau\u00dfen Die Sommernacht ist schwer nur zu ertragen! Vier Herren gehn mit abgekn\u00f6pftem Kragen. Ein Lackbeschuter stellt der Schnepse nach \u2026 Da polterts her \u2013 Ein langgedehnter Krach: Der Donner! Au! Ist die Reklame plump, Blitz! Ein feiner Mensch liebt nicht den lauten Mumpitz! Das [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Impression%202007%2F10%20%E2%80%93%20Mit%20Jakob%20van%20Hoddis https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2018%2F10%2Fimpression-2007-10-mit-jakob-van-hoddis%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" 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src='https:\/\/secure.gravatar.com\/avatar\/c23aee426d58e69f14ef471114d4cac215eec702ee1bc331e2a62ea77e96ed60?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/c23aee426d58e69f14ef471114d4cac215eec702ee1bc331e2a62ea77e96ed60?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":8782,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2018\/10\/impression-2007-10-mit-jakob-van-hoddis-2\/","url_meta":{"origin":8781,"position":0},"title":"Impression 2007\/10 \u2013 Mit Jakob van Hoddis","author":"der huflaikhan","date":"4. Oktober 2018","format":false,"excerpt":"Ein Stillleben. \"Ganz vertrackte Katarakte im Tackte \u2026\" (Hoddis) XI Drau\u00dfen Die Sommernacht ist schwer nur zu ertragen! Vier Herren gehn mit abgekn\u00f6pftem Kragen. Ein Lackbeschuter stellt der Schnepse nach \u2026 Da polterts her \u2013 Ein langgedehnter Krach: Der Donner! Au! Ist die Reklame plump, Blitz! Ein feiner Mensch liebt\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"Impression aus dem Jahr 2007. 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Wie lange ich auch auf dieses Ensemble schaue, es f\u00e4llt mir\u2026","rel":"","context":"In &quot;die Urteilskraft&quot;","block_context":{"text":"die Urteilskraft","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/dieurteilskraft\/"},"img":{"alt_text":"Impressionen","src":"https:\/\/i0.wp.com\/www.urteilskraft.de\/kritik\/wp-content\/uploads\/2007\/10\/impressionen.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8261,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/09\/konstellation-montage-komposition-zitat-2\/","url_meta":{"origin":8781,"position":2},"title":"Konstellation, Montage, Komposition, Zitat","author":"der huflaikhan","date":"17. September 2004","format":false,"excerpt":"Zitieren oder zitieren; das Recht hat sein recht. Und die Frankfurter Rundschau l\u00e4sst sich wissenschaftlich erkl\u00e4ren, wann ein Zitat ein Zitat ist. Zitate d\u00fcrfen kein Selbstzweck sein, sagt man. Das stimmt. Doch was bedeutet das. Die Wissenschaft, aber die Interpretation von Ph\u00e4nomenen im allgemeinen, funktioniert nicht zwingend nach dem Prinzip\u2026","rel":"","context":"In &quot;Zettelkasten&quot;","block_context":{"text":"Zettelkasten","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/zettelkasten\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":758,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/09\/konstellation-montage-komposition-zitat\/","url_meta":{"origin":8781,"position":3},"title":"Konstellation, Montage, Komposition, Zitat","author":"huflaikhan","date":"17. September 2004","format":false,"excerpt":"Zitieren oder zitieren; das Recht hat sein recht. Und die Frankfurter Rundschau l\u00e4sst sich wissenschaftlich erkl\u00e4ren, wann ein Zitat ein Zitat ist. Zitate d\u00fcrfen kein Selbstzweck sein, sagt man. Das stimmt. Doch was bedeutet das. Die Wissenschaft, aber die Interpretation von Ph\u00e4nomenen im allgemeinen, funktioniert nicht zwingend nach dem Prinzip\u2026","rel":"","context":"Mit 5 Kommentaren","block_context":{"text":"Mit 5 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/09\/konstellation-montage-komposition-zitat\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8232,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/10\/merkwuerdiger-wittgenstein-zu-viel-wissen-2\/","url_meta":{"origin":8781,"position":4},"title":"Merkw\u00fcrdiger Wittgenstein: Zu viel wissen \u2026","author":"der huflaikhan","date":"18. Oktober 2003","format":false,"excerpt":"Vor der Prosa des Ludwig Wittgenstein habe ich Respekt. Manch ein Satz erscheint mir einfach so vertrackt, dass das R\u00e4tsel, welches er auf gibt, interessanter scheint, als die L\u00f6sung. Man nehme einmal: Wer zu viel wei\u00df, f\u00fcr den ist es schwer nicht zu l\u00fcgen. 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