{"id":8791,"date":"2019-01-09T11:11:58","date_gmt":"2019-01-09T10:11:58","guid":{"rendered":"https:\/\/musikunrat.de\/?p=1696"},"modified":"2019-01-09T11:11:58","modified_gmt":"2019-01-09T10:11:58","slug":"die-60er-jahre-edgar-wind-2","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2019\/01\/die-60er-jahre-edgar-wind-2\/","title":{"rendered":"Die 60er Jahre: Edgar Wind"},"content":{"rendered":"<p>Manche Einsichten sind sehr simpel. 1963 schreibt Edgar Wind:<\/p>\n<blockquote><p>&#8220;Machen wir uns nichts vor: Kunst ist unbequem, ganz besonders f\u00fcr den K\u00fcnstler selbst.&#8221;<sup class=\"modern-footnotes-footnote \" data-mfn=\"1\" data-mfn-post-scope=\"0000000000004bfa0000000000000000_8791\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-0000000000004bfa0000000000000000_8791-1\">1<\/a><\/sup><span id=\"mfn-content-0000000000004bfa0000000000000000_8791-1\" role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"1\">Edgar Wind: Kunst und Anarchie, Frankfurt\/M. 1994, S. 9.<\/span><\/p><\/blockquote>\n<p>Sch\u00f6ne Gr\u00fc\u00dfe aus den 60er Jahren \u2026<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Die%2060er%20Jahre%3A%20Edgar%20Wind https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2019%2F01%2Fdie-60er-jahre-edgar-wind-2%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Die%2060er%20Jahre%3A%20Edgar%20Wind https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2019%2F01%2Fdie-60er-jahre-edgar-wind-2%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#0085ff; color:#0085ff\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#0085ff\"><svg width=\"20\" height=\"20\" version=\"1.1\" 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1.6 6.5 4.4 8.9 6.1 1 0.8 1.6 1.2t1.7 0.9 2 0.4h0.1q0.9 0 2-0.4t1.7-0.9 1.6-1.2q3-2.2 8.9-6.1 1-0.7 1.8-1.6zM32 7.4q0 1.4-0.9 2.7t-2.2 2.2q-6.7 4.7-8.4 5.8-0.2 0.1-0.7 0.5t-1 0.7-0.9 0.6-1.1 0.5-0.9 0.2h-0.1q-0.4 0-0.9-0.2t-1.1-0.5-0.9-0.6-1-0.7-0.7-0.5q-1.6-1.1-4.7-3.2t-3.6-2.6q-1.1-0.7-2.1-2t-1-2.5q0-1.4 0.7-2.3t2.1-0.9h26.3q1.2 0 2 0.8t0.9 2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#999\">E-Mail<\/span>&nbsp;<\/a><\/li><\/ul><\/div><h3 class=\"modern-footnotes-list-heading \">Fussnoten:<\/h3><ul class=\"modern-footnotes-list \"><li><span>1<\/span><div>Edgar Wind: Kunst und Anarchie, Frankfurt\/M. 1994, S. 9.<\/div><\/li><\/ul>","protected":false},"excerpt":{"rendered":"<p>Manche Einsichten sind sehr simpel. 1963 schreibt Edgar Wind: &#8220;Machen wir uns nichts vor: Kunst ist unbequem, ganz besonders f\u00fcr den K\u00fcnstler selbst.&#8221; Sch\u00f6ne Gr\u00fc\u00dfe aus den 60er Jahren \u2026<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Die%2060er%20Jahre%3A%20Edgar%20Wind https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2019%2F01%2Fdie-60er-jahre-edgar-wind-2%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 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Januar 2011","format":false,"excerpt":"Manche Einsichten sind sehr simpel. 1963 schreibt Edgar Wind:Machen wir uns nichts vor: Kunst ist unbequem, ganz besonders f\u00fcr den K\u00fcnstler selbst.Sch\u00f6ne Gr\u00fc\u00dfe aus den 60er Jahren \u2026\u00a0","rel":"","context":"In \"Edgar Wind\"","block_context":{"text":"Edgar Wind","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/edgarwind\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8792,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2019\/01\/das-leben-aendern-nicht-die-kunst\/","url_meta":{"origin":8791,"position":1},"title":"Das Leben \u00e4ndern, nicht die Kunst","author":"der huflaikhan","date":"10. Januar 2019","format":false,"excerpt":"Seit einiger Zeit wird immer wieder behauptet, dass die Menschen und die K\u00fcnste nicht zusammen f\u00e4nden. Man macht da gewiss Unterschiede zwischen den K\u00fcnsten. Bildende Kunst und Dichtung gelten als nur bedingt problematisch. Bei Musik gibt es ein Riesendurcheinander. Musikvermittlung wird eingesetzt. Denn irgendwie m\u00fcssen doch Musik und Menschen einander\u2026","rel":"","context":"In &quot;die Urteilskraft&quot;","block_context":{"text":"die Urteilskraft","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/dieurteilskraft\/"},"img":{"alt_text":"Das Orchester. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2019\/01\/orchesterselfie.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2019\/01\/orchesterselfie.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2019\/01\/orchesterselfie.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2019\/01\/orchesterselfie.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2640,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2011\/01\/das-leben-ndern-nicht-die-kunst\/","url_meta":{"origin":8791,"position":2},"title":"Das Leben \u00e4ndern, nicht die Kunst","author":"huflaikhan","date":"9. Januar 2011","format":false,"excerpt":"\u00a0Bei Edgar Wind und bei Adorno habe ich einige andere Einsichten gewonnen.In dem Kapitel \u00fcber \u00e4sthetische Partizipation stellt Wind fest, dass Kunst und Leben sich auseinanderentwickelt h\u00e4tten. Die Kunst sei in einer \"Randstellung\" zu finden. Und die K\u00fcnstler h\u00e4tten alles daran gesetzt, dies auch zu wollen:\"... die Gr\u00f6\u00dfe eines K\u00fcnstlers\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1634,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/02\/nachrichten-von-gestern\/","url_meta":{"origin":8791,"position":3},"title":"Nachrichten von gestern","author":"huflaikhan","date":"14. Februar 2006","format":false,"excerpt":"Karl, der Taschenspieler lebt nicht mehr +++ Thomas Quasthoff erh\u00e4lt seinen dritten Grammy +++ Edgar Reitz wird Ehrendoktor der Mainzer Universit\u00e4t +++ Die Kritische Masse verabschiedet sich von Karl und gratuliert Herrn Reitz. Karl, Du warst wunderbar. Edgar, mach weiter so.","rel":"","context":"In \"Edgar Reitz\"","block_context":{"text":"Edgar Reitz","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/edgarreitz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3260,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2013\/11\/tiefschulreform\/","url_meta":{"origin":8791,"position":4},"title":"Tiefschulreform","author":"huflaikhan","date":"10. November 2013","format":false,"excerpt":"Das ganze Problem steckt darin, dass die Anforderungen in die Zeit der h\u00f6fischen Bevormundung zur\u00fcckgefallen sind. Mochte in den 60er Jahren der Reformprozess noch von unten kommen, den Studenten n\u00e4mlich, und wehrten sich die Professoren dagegen, ist es heute umgekehrt. Der Reformprozesse kommt von oben, die Professoren wehren sich nicht\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Leere im Studium. 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Mai 2004","format":false,"excerpt":"Richard Wagner ist ein umstrittener K\u00fcnstler, nicht nur heute sondern auch zu seiner Zeit. In seiner revolution\u00e4ren Phase als Autor (so um 1850) hatte er einer unentschiedenen Art des Kommunismus sich zugewandt. In jener Zeit enstanden dicht hintereinander zuweilen dicke Abhandlungen wie \u201eDas Kunstwerk der Zukunft\u201d (1849), \u201cDie Kunst und\u2026","rel":"","context":"In &quot;das Urheberrecht&quot;","block_context":{"text":"das Urheberrecht","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/das-urheberrecht\/"},"img":{"alt_text":"In der Berlinschen Galerie. 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