{"id":8801,"date":"2019-05-30T08:12:26","date_gmt":"2019-05-30T06:12:26","guid":{"rendered":"https:\/\/musikunrat.de\/?p=1851"},"modified":"2019-05-30T08:12:26","modified_gmt":"2019-05-30T06:12:26","slug":"nulla-sell-piano","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2019\/05\/nulla-sell-piano\/","title":{"rendered":"Nulla sell piano"},"content":{"rendered":"<div class=\"shariff shariff-align-left shariff-widget-align-left\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Nulla%20sell%20piano https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2019%2F05%2Fnulla-sell-piano%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Nulla%20sell%20piano https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2019%2F05%2Fnulla-sell-piano%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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background-color:#3b5998; color:#3b5998\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#3b5998\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 32\"><path fill=\"#3b5998\" d=\"M17.1 0.2v4.7h-2.8q-1.5 0-2.1 0.6t-0.5 1.9v3.4h5.2l-0.7 5.3h-4.5v13.6h-5.5v-13.6h-4.5v-5.3h4.5v-3.9q0-3.3 1.9-5.2t5-1.8q2.6 0 4.1 0.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#3b5998\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button info shariff-nocustomcolor\" style=\"background-color:#a8a8a8\"><a href=\"http:\/\/ct.de\/-2467514\" title=\"Weitere Informationen\" aria-label=\"Weitere Informationen\" role=\"button\" rel=\"noopener \" class=\"shariff-link\" style=\"; background-color:#999; color:#999\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 11 32\"><path fill=\"#999\" d=\"M11.4 24v2.3q0 0.5-0.3 0.8t-0.8 0.4h-9.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h1.1v-6.8h-1.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h6.8q0.5 0 0.8 0.4t0.4 0.8v10.3h1.1q0.5 0 0.8 0.4t0.3 0.8zM9.2 3.4v3.4q0 0.5-0.4 0.8t-0.8 0.4h-4.6q-0.4 0-0.8-0.4t-0.4-0.8v-3.4q0-0.4 0.4-0.8t0.8-0.4h4.6q0.5 0 0.8 0.4t0.4 0.8z\"\/><\/svg><\/span><\/a><\/li><\/ul><\/div><p>Heute Nacht getr\u00e4umt, ich habe bei einer Oper als S\u00e4ngerin einspringen sollen. Ein St\u00fcck von Puccini, La Boheme, oder so. Die S\u00e4ngerin sei kurzfristig ausgefallen und so dr\u00fcckte man mir einen Zettel mit dem Text des Parts in die Hand, den ich doch \u00fcbernehmen m\u00f6ge. Es sei alles nicht so wild, ich kenne ja die Musik (kenne ich nicht) und den Text kenne ich wohl auch (kenne ich nicht).<\/p>\n<p>Ich m\u00fcsse dann nur noch auf die B\u00fchne (wohin da?) und diese kurze Passage singen. Mit Zettel w\u00fcrde mir das vielleicht noch gerade gelingen, aber eher auch das nicht, ich kenne das alles nur so ungef\u00e4hr, also eben gar nicht. Ich k\u00f6nnte mich unter einer Decke verkriechen und vielleicht so vom Zettel ablesen?<\/p>\n<p>In der ersten Pause, ich war noch nicht dran, war die Begeisterung von Musikerinnen, S\u00e4ngerinnen und dem Publikum wirklich gro\u00df bis st\u00fcrmisch. Alles schien zu laufen. Damit erh\u00f6hte sich der Druck auf mich. Klar.<\/p>\n<p>Ich kann die Passage definitiv nicht. Der K\u00f6rper teilt sich (oder verdoppelt sich?): ein Part springt auf die B\u00fchne, einer bleibt dahinter. So kann ich zugleich in der Sache sein und Distanz wahren. Aber ich h\u00f6re zu: H\u00f6re, wie ich keinen Ton treffe und die Melodie nicht wei\u00df, h\u00f6re wie das Orchester das auch nicht auffangen kann und auch ein bisschen\u00fcberrascht ist, es passt ja auch nichts zusammen. Eine Oboe versucht ihr Bestes zu geben und das zu begleiten, was von dieser \u201eArie\u201c noch \u00fcbrig ist.<\/p>\n<p>Sagen wir mal so. Es fallen 80 Takte letztlich aus. Ich sprinte von der B\u00fchne und treffe mich mit mir. den Schlussvorhang erspare ich mir nat\u00fcrlich auch. Sp\u00e4ter nimmt man keine Notiz von uns (also mir), als habe das nicht stattgefunden.<\/p>\n<p>Den einzigen Text, den ich behalten habe: \u201e<strong>Nulla sell piano<\/strong>\u201c oder \u201e<strong>Nulla cell piano<\/strong>\u201c \u2013 eine Mischung aus Italienisch (?) und englisch (?): \u201eVerkauf das Klavier nicht\u201c oder \u201eKeine leisen Zellen\u201c?<\/p>\n<p>Ich glaube, der Dirigent der Auff\u00fchrung war Kirill Petrenko.<\/p>\n<p>Vielleicht nur ein Mimimi?<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/Qur0nuQJZZU?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;start=176&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<div class=\"shariff shariff-align-left shariff-widget-align-left\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Nulla%20sell%20piano https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2019%2F05%2Fnulla-sell-piano%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Ein St\u00fcck von Puccini, La Boheme, oder so. Die S\u00e4ngerin sei kurzfristig ausgefallen und so dr\u00fcckte man mir einen Zettel mit dem Text des Parts in die Hand, den ich doch \u00fcbernehmen m\u00f6ge. 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Mai 2015","format":false,"excerpt":"4 = 4 aber 1 + 3 ist nicht gleich 2 + 2. Das sieht man auf den ersten Blick. Aber wie sieht es aus mit 2 + 2 = 2 + 2, welche zwei ist da die eine und sowieso ist dann 3 + 1 = 1 + 3?\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Mikro contra Flasche. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/05\/schrotties-270243.jpg?fit=1200%2C900&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/05\/schrotties-270243.jpg?fit=1200%2C900&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/05\/schrotties-270243.jpg?fit=1200%2C900&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/05\/schrotties-270243.jpg?fit=1200%2C900&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/05\/schrotties-270243.jpg?fit=1200%2C900&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":3117,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2012\/08\/aktuallit-t-und-ged-chtnis\/","url_meta":{"origin":8801,"position":2},"title":"Aktualit\u00e4t und Ged\u00e4chtnis","author":"huflaikhan","date":"10. August 2012","format":false,"excerpt":"Zur Kritik des manifesten Kommunismus (Scherz) - Kritik der Aktualit\u00e4tskollektionen - Zettel. Facebook und Co haben den Begriff der Aktualit\u00e4t von Mitteilungen von Wichtigkeit ver\u00e4ndert. Es gen\u00fcgt nicht mehr aktuell zu sein, erst wenn die Aktualit\u00e4t zu einem Aktualit\u00e4tscluster zusammenfindet, wird sie erkennbar. Der Rest rauscht durch. Aber die Cluster\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Br\u00fcll dich ins Ged\u00e4chtnis. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2012\/08\/megaphon.jpg?fit=1200%2C627&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2012\/08\/megaphon.jpg?fit=1200%2C627&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2012\/08\/megaphon.jpg?fit=1200%2C627&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2012\/08\/megaphon.jpg?fit=1200%2C627&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2012\/08\/megaphon.jpg?fit=1200%2C627&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":8712,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2017\/06\/chili-sauce-als-messinstrument-2\/","url_meta":{"origin":8801,"position":3},"title":"Chili-Sauce als Messinstrument","author":"der huflaikhan","date":"12. Juni 2017","format":false,"excerpt":"Auf solche Ideen muss man erst einmal kommen. Der aktuelle Polizei-Newsletter berichtet von eine Untersuchung von Wissenschaftler an der Ludiwg-Maximilians-Universit\u00e4t M\u00fcnchen zum Thema \"Musik und Aggressionen\". Dabei spielte man m\u00e4nnlichen und weiblichen Probanden jeweils geschlechtszugeordnet m\u00e4nner- bzw. frauenfeindliche Musik vor. Welche Musik genau gew\u00e4hlt wurde, wie sich die Gruppe der\u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/diemusik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1984,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/12\/galina-ustwolskaja-beherzt\/","url_meta":{"origin":8801,"position":4},"title":"Galina Ustwolskaja &#8211; beherzt","author":"huflaikhan","date":"28. Dezember 2006","format":false,"excerpt":"Am 22. Dezember ist in St. Petersburg die russische Komponistin Galina Ustwolskaja [K\/G]alina [U\/Oe]st[v\/w]olska[j\/y]a an den Folgen eines Herzinfarktes verstorben. Ustwolskaja wurde 87 Jahre alt. Cornelie M\u00fcller-G\u00f6decke hat mich nun darauf hingewiesen und gebeten, etwas \u00fcber Galina Ustwolskaja zu schreiben. Dies kann nur auf der Stufe der pers\u00f6nlichen Anschauung geschehen,\u2026","rel":"","context":"Mit 2 Kommentaren","block_context":{"text":"Mit 2 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/12\/galina-ustwolskaja-beherzt\/#comments"},"img":{"alt_text":"Kirchendach","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/12\/kirchendach-500.jpg?fit=500%2C333&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8263,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/08\/die-n400-anomalie\/","url_meta":{"origin":8801,"position":5},"title":"Die N400-Anomalie","author":"der huflaikhan","date":"4. August 2004","format":false,"excerpt":"Haacki fragte mich, was denn das N400-Ph\u00e4nomen sei. Ich kann sie beruhigen. Wissen muss man das nat\u00fcrlich nicht. Ich kannte es bis letzten Sonntag nachmittag auch nicht. Dann kam n\u00e4mlich das Feature \u201cEine Oper schreiben hei\u00dft: Keinen anderen Ausweg wissen\u201d - Das inspirierende Wechselspiel von Wissenschaft und Musik \u00b7 Von\u2026","rel":"","context":"In &quot;die Urteilskraft&quot;","block_context":{"text":"die Urteilskraft","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/dieurteilskraft\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8801","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=8801"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8801\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/1853"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=8801"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=8801"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=8801"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}