{"id":8803,"date":"2019-06-27T14:14:54","date_gmt":"2019-06-27T12:14:54","guid":{"rendered":"https:\/\/musikunrat.de\/?p=1866"},"modified":"2019-06-27T14:14:54","modified_gmt":"2019-06-27T12:14:54","slug":"enzyklopaedie-der-neuen-musik-neues-werk","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2019\/06\/enzyklopaedie-der-neuen-musik-neues-werk\/","title":{"rendered":"Enzyklop\u00e4die der Neuen Musik: \u201eNeues Werk\u201c"},"content":{"rendered":"<p>Eine Woche Neue Musik in Worten, Werken, St\u00fccken, Arbeiten und Taten. Vom 1.7. bis zum 7.7.2019 werden folgende Werke, St\u00fccke, Arbeiten im Rundfunk erklingen:<\/p>\n<ul>\n<li>\u201eBlasons anatomiques du corps f\u00e9minin\u201c<\/li>\n<li>\u201eMonumentum\/Palimpsest\u201c<\/li>\n<li>\u201eStreichquartett\u201c<\/li>\n<li>\u201eDrei Ges\u00e4nge\u201c<\/li>\n<li>\u201eMoments musicaux III\u201c<\/li>\n<li>\u201eSechs Lieder\u201c<\/li>\n<li>\u201eSpiegelung\u201c<\/li>\n<li>\u201eSellanraa\u201c<\/li>\n<li>\u201eSaudade\u201c<\/li>\n<li>\u201eCembalokonzert\u201c<\/li>\n<li>\u201eDivertimento\u201c<\/li>\n<li>\u201eZerst\u00f6ren\u201c<\/li>\n<li><strong>\u201eNeues Werk\u201c<\/strong><\/li>\n<li>\u201eGougalon\u201c<\/li>\n<li>\u201eApr\u00e8s une lecture der marx: III. Tombeau de Mary-Ann Walkely\u201c<\/li>\n<li>\u201evariations aoutomatiques\u201c<\/li>\n<li>\u201eSchattenreich\u201c<\/li>\n<li>\u201eGerissene D\u00e4mpfe\u201c<\/li>\n<li>\u201egrenzWELTEN\/zeitENDEN\u201c<\/li>\n<li>\u201eJetzt\u201c<\/li>\n<li>\u201e&#8230;riflessioni&#8230;\u201c<\/li>\n<li>\u201eSonate\u201c<\/li>\n<li>\u201eWunde\/Wunder\u201c<\/li>\n<li>\u201eIntentiones gallenienses\u201c<\/li>\n<li>\u201ePhasen\u201c<\/li>\n<li>\u201eRot\u201c<\/li>\n<li>\u201eRundfunk\u201c<\/li>\n<li>\u201eThe Love Letters?\u201c<\/li>\n<li>\u201ealtijd onder\u201c<\/li>\n<li>\u201ePly\u201c<\/li>\n<li>\u201e\u00fcber\u201c<\/li>\n<li>\u201eEstran\u201c<\/li>\n<li>\u201eNoctiluca\u201c<\/li>\n<li>\u201eHappy End\u201c<\/li>\n<li>\u201eStrada non presa pour quatuor \u00e0 cordes\u201c<\/li>\n<li>\u201eSix lettres \u00e0 l\u2019obscurit\u00e9 (und zwei Nachrichten)\u201c.<\/li>\n<\/ul>\n<p>Da kann man sich freuen. Der Eintrag ist Gordon Kampe gewidmet und seinem letzten <a href=\"https:\/\/www.nmz.de\/artikel\/muss-mal-muessen\" target=\"_blank\" rel=\"noopener\">Cluster &#8220;Muss mal m\u00fcssen&#8221;<\/a> in der <a href=\"http:\/\/www.nmz.de\" target=\"_blank\" rel=\"noopener\">neuen musikzeitung<\/a>.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Enzyklop%C3%A4die%20der%20Neuen%20Musik%3A%20%E2%80%9ENeues%20Werk%E2%80%9C https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2019%2F06%2Fenzyklopaedie-der-neuen-musik-neues-werk%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Enzyklop%C3%A4die%20der%20Neuen%20Musik%3A%20%E2%80%9ENeues%20Werk%E2%80%9C https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2019%2F06%2Fenzyklopaedie-der-neuen-musik-neues-werk%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Vom 1.7. bis zum 7.7.2019 werden folgende Werke, St\u00fccke, Arbeiten im Rundfunk erklingen: \u201eBlasons anatomiques du corps f\u00e9minin\u201c \u201eMonumentum\/Palimpsest\u201c \u201eStreichquartett\u201c \u201eDrei Ges\u00e4nge\u201c \u201eMoments musicaux III\u201c \u201eSechs Lieder\u201c \u201eSpiegelung\u201c \u201eSellanraa\u201c \u201eSaudade\u201c \u201eCembalokonzert\u201c \u201eDivertimento\u201c \u201eZerst\u00f6ren\u201c \u201eNeues Werk\u201c \u201eGougalon\u201c \u201eApr\u00e8s une lecture der marx: III. Tombeau de [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Enzyklop%C3%A4die%20der%20Neuen%20Musik%3A%20%E2%80%9ENeues%20Werk%E2%80%9C https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2019%2F06%2Fenzyklopaedie-der-neuen-musik-neues-werk%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" 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August 2024","format":false,"excerpt":"Neue Musik im Radio beim Bayerischen Rundfunk \u2013 Wenn man dabei sein will, muss man mindestens 70 Jahre alt sein oder frisch gestorben (und bitte gerne auch alt dazu). +++ Neue Einfachheit ist viel zu komplex. +++ Wie Werbung tickt oder sticht \u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"ai oder KI vor 111 Jahren. Und wo war der Aufschrei MH","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/08\/ai-oder-KI-vor-111-Jahren.-Und-wo-war-der-Aufschrei_MH.jpg?fit=693%2C332&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/08\/ai-oder-KI-vor-111-Jahren.-Und-wo-war-der-Aufschrei_MH.jpg?fit=693%2C332&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/08\/ai-oder-KI-vor-111-Jahren.-Und-wo-war-der-Aufschrei_MH.jpg?fit=693%2C332&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":25377,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2026\/07\/neue-musik-beim-mdr-2007-traenen\/","url_meta":{"origin":8803,"position":1},"title":"Neue Musik beim MDR \u2013 2007 \u2013 Tr\u00e4nen!","author":"der huflaikhan","date":"23. Juli 2026","format":false,"excerpt":"Es war einmal eine Redaktion Neue Musik beim MDR. Meret Forster \u00fcber Neue Musik-Pr\u00e4senz im Radio in der nmz 2007\/04. Lesenswert. Traurig nach 19 Jahren.","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8873,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2023\/05\/ligeti-fast-100\/","url_meta":{"origin":8803,"position":2},"title":"Gy\u00f6rgy Ligeti \u2013 fast 100","author":"der huflaikhan","date":"27. Mai 2023","format":false,"excerpt":"wie ich soeben erfahren habe, stellten ARD und ZDF in dieser Woche ihr komplettes Talkshow-Programm um. In allen Sendung von Hart aber fair bis Will, Illner, Maischberger, Lanz und Co. wird es um Gy\u00f6rgy Ligeti gehen, der am 28. Mai seinen 100. 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Dezember 2008","format":false,"excerpt":"Es gibt schon sehr erstaunliche Musiker. In der letzten Ausgabe von taktlos (was bekanntlich das musikmagazin des bayerischen rundfunks und der neuen musikzeitung ist) war der noch an sich ganz junge Sebastian Manz mit seinem Vater zu Gast. Au\u00dfer der seinem ohnedies sympathischen Auftreten, spielte er auch Musik. Wie die\u2026","rel":"","context":"In &quot;taktlos&quot;","block_context":{"text":"taktlos","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/texte\/taktlos\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":11604,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2025\/11\/musik-unserer-zeit-vor-dem-aus\/","url_meta":{"origin":8803,"position":4},"title":"\u201eMusik unserer Zeit\u201c vor dem Aus?","author":"der huflaikhan","date":"9. November 2025","format":false,"excerpt":"Der Raum f\u00fcr Musik unserer Zeit im Radio wird immer kleiner. Wird die Sendung \"Musik unserer Zeit\" auf SRF 2 Kultur aus dem Programm gekippt? Auch bei ARD und ORF stehen die Zeichen auf Eindampfradio.","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":9138,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2024\/02\/welttag-des-radios-honoraruntergrenze-neue-streichquartette-in-der-hoerbar\/","url_meta":{"origin":8803,"position":5},"title":"Welttag des Radios \/ Honoraruntergrenze \/ Neue Streichquartette in der H\u00f6rBar","author":"der huflaikhan","date":"13. Februar 2024","format":false,"excerpt":"Welttag des Radios +++ Teekistenbass und ein Radiorekorder namens Atlas +++ Bundeskulturministerium legt Honoraruntergrenzen fest +++ Neue Streichquartette in der H\u00f6rBar","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Spa\u00df mit Fotos. 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