{"id":8823,"date":"2020-07-10T11:09:51","date_gmt":"2020-07-10T09:09:51","guid":{"rendered":"https:\/\/musikunrat.de\/?p=2546"},"modified":"2020-07-10T11:09:51","modified_gmt":"2020-07-10T09:09:51","slug":"enzyklopaedie-der-neuen-musik-werke-kw-28-2020-ueo-bis-nach-oben-offen","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2020\/07\/enzyklopaedie-der-neuen-musik-werke-kw-28-2020-ueo-bis-nach-oben-offen\/","title":{"rendered":"Enzyklop\u00e4die der Neuen Musik: Werke KW 28\/2020 (\u201e\u00fc=\u00f8\u201c bis \u201eNach oben offen\u201c)"},"content":{"rendered":"<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a 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0.4-0.8t0.8-0.4h1.1v-6.8h-1.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h6.8q0.5 0 0.8 0.4t0.4 0.8v10.3h1.1q0.5 0 0.8 0.4t0.3 0.8zM9.2 3.4v3.4q0 0.5-0.4 0.8t-0.8 0.4h-4.6q-0.4 0-0.8-0.4t-0.4-0.8v-3.4q0-0.4 0.4-0.8t0.8-0.4h4.6q0.5 0 0.8 0.4t0.4 0.8z\"\/><\/svg><\/span><\/a><\/li><\/ul><\/div><figure id=\"attachment_2547\" aria-describedby=\"caption-attachment-2547\" style=\"width: 1514px\" class=\"wp-caption alignright\"><a href=\"https:\/\/www.kritische-masse.de\/logbuch\/2020\/07\/10\/enzyklopaedie-der-neuen-musik-werke-kw-28-2020-ueo-bis-nach-oben-offen\/kw28_2020\/\" rel=\"attachment wp-att-2547\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-2547\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2020\/07\/kw28_2020.png?resize=1200%2C672&#038;ssl=1\" alt=\"Enzyklop\u00e4die der Neuen Musik: kw28_2020\" width=\"1200\" height=\"672\" \/><\/a><figcaption id=\"caption-attachment-2547\" class=\"wp-caption-text\"><a href=\"https:\/\/blogs.nmz.de\/badblog\/2020\/07\/04\/neue-musik-musikfeature-soundart-die-radio-woche-vom-06-07-bis-12-07-2020\/\">Enzyklop\u00e4die der Neuen Musik: kw28_2020<\/a><\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<ul>\n<li>Moments musicaux III<\/li>\n<li>Vier gelbe Balladen<\/li>\n<li>Concerto lirico<\/li>\n<li>Aus der Matratzengruft<\/li>\n<li>Meyerbeer-Paraphrasen<\/li>\n<li>Lamento di Orlando<\/li>\n<li>Romanza e Danza<\/li>\n<li>Otaku Nation<\/li>\n<li>Clair-obscur<\/li>\n<li>Goldberg<\/li>\n<li>Vil Sturm &amp; linde Zeit<\/li>\n<li>\u00fc=\u00f8<\/li>\n<li>Tautologos IV<\/li>\n<li>BeethovEnBloc<\/li>\n<li>beethoven \u2013 innen wie au\u00dfen<\/li>\n<li>Schwankende Zeit<\/li>\n<li>Kammersymphonie A-Dur<\/li>\n<li>Zwei ernste Ges\u00e4nge<\/li>\n<li>und kehret zur Sonne zur\u00fcck<\/li>\n<li>Umrisszeichnung eines Gef\u00fchls<\/li>\n<li>Lip<\/li>\n<li>MagsMax<\/li>\n<li>Nachtwanderung<\/li>\n<li>Percussion duo<\/li>\n<li>man l\u00e4sst Dinge fallen und beobachtet sie<\/li>\n<li>Barong des M\u00e9duses<\/li>\n<li>Ionisation<\/li>\n<li>Rebonds<\/li>\n<li>Rhythmuslaboratorium<\/li>\n<li>Manic Maelzel<\/li>\n<li>Sch\u00f6schersch oder: Mit der Metro zu Les Halles und zur\u00fcck \u2013 schleichend \u2013 zu Fu\u00df<\/li>\n<li>Musik<\/li>\n<li>Konzert \u2013 \u201eQuintessenzen\u201c<\/li>\n<li>Easter Wings<\/li>\n<li>no sai cora-m fui endormitz<\/li>\n<li>Unseen<\/li>\n<li>Stimulans, Geist, Vestiges (Aluminium)<\/li>\n<li>Powerset<\/li>\n<li>DAF03<\/li>\n<li>Soundscape for Ophelia<\/li>\n<li>Nach oben offen<\/li>\n<li>Still Life<\/li>\n<li>Music from a Frontier Town<\/li>\n<li>2 S\u00e4tze<\/li>\n<li>Quartett<\/li>\n<li>Sharp Switch Soft II<\/li>\n<li>Oh, die wilde Rose bl\u00fchet<\/li>\n<li>remiX IV<\/li>\n<li>Fluchtpunkte<\/li>\n<li>IRadio<\/li>\n<li>Modular Forms<\/li>\n<\/ul>\n<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal 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