{"id":8855,"date":"2022-02-15T16:33:44","date_gmt":"2022-02-15T15:33:44","guid":{"rendered":"https:\/\/musikunrat.de\/?p=3018"},"modified":"2022-02-15T16:33:44","modified_gmt":"2022-02-15T15:33:44","slug":"huflaikhans-verzerrte-welt-1-hello-world","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/huflaikhans-verzerrte-welt-1-hello-world\/","title":{"rendered":"Huflaikhans verzerrte Welt 1 \u2013 Hello World"},"content":{"rendered":"<p>Hello Word!<\/p>\n<p>Hallo?<\/p>\n<p>Hello World<\/p>\n<p style=\"padding-left: 40px;\">ist der wahrscheinlich h\u00e4ufigste im Netz erschienene Text der westlichen Hemisph\u00e4re. Ich denke, das Problem der meisten Podcasts ist es, dass in ihnen etwas gesagt wird. Dabei sagt es sich gar nicht so leicht. Eine Erinnerung an eine Kindheitserfahrung. Das T-Shirt und das K\u00fcrzel WSF.<\/p>\n<p><script>if(function rt(){return!!window.Ember||(!!window.Vue||(!!window.Meteor||(!(!window.React&&!document.querySelector(\"[data-reactroot], [data-reactid]\"))||!!(window.angular||document.querySelector(\".ng-binding, [ng-app], [data-ng-app], [ng-controller], [data-ng-controller], [ng-repeat], [data-ng-repeat]\")||document.querySelector('script[src*=\"angular.js\"], script[src*=\"angular.min.js\"]')))))}()){window.postMessage({singlePageAppCheck:true})}else{window.postMessage({singlePageAppCheck:false})}<\/script><\/p>\n<p><script>if(function rt(){return!!window.Ember||(!!window.Vue||(!!window.Meteor||(!(!window.React&&!document.querySelector(\"[data-reactroot], [data-reactid]\"))||!!(window.angular||document.querySelector(\".ng-binding, [ng-app], [data-ng-app], [ng-controller], [data-ng-controller], [ng-repeat], [data-ng-repeat]\")||document.querySelector('script[src*=\"angular.js\"], script[src*=\"angular.min.js\"]')))))}()){window.postMessage({singlePageAppCheck:true})}else{window.postMessage({singlePageAppCheck:false})}<\/script><\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Huflaikhans%20verzerrte%20Welt%201%20%E2%80%93%20Hello%20World https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fhuflaikhans-verzerrte-welt-1-hello-world%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Hallo? Hello World ist der wahrscheinlich h\u00e4ufigste im Netz erschienene Text der westlichen Hemisph\u00e4re. Ich denke, das Problem der meisten Podcasts ist es, dass in ihnen etwas gesagt wird. Dabei sagt es sich gar nicht so leicht. Eine Erinnerung an eine Kindheitserfahrung. Das T-Shirt und das K\u00fcrzel WSF.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Huflaikhans%20verzerrte%20Welt%201%20%E2%80%93%20Hello%20World https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fhuflaikhans-verzerrte-welt-1-hello-world%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/c23aee426d58e69f14ef471114d4cac215eec702ee1bc331e2a62ea77e96ed60?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/c23aee426d58e69f14ef471114d4cac215eec702ee1bc331e2a62ea77e96ed60?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":8654,"url":"https:\/\/www.kritische-masse.de\/logbuch\/metall-kommt-vor-dem-fall-kann-den-sampling-suende-sein\/","url_meta":{"origin":8855,"position":0},"title":"Metall kommt vor dem Fall \u2013 Kann denn Sampling S\u00fcnde sein?","author":"der huflaikhan","date":"30. Mai 2016","format":false,"excerpt":"Dass die Sache mit dem Urheberrecht nicht so einfach ist, ist wohl keine Neuigkeit, die man eigens erw\u00e4hnen m\u00fcsste. Wenn jetzt aber ein Rechtsstreit in Sachen Sampling nach bald 10 Jahren sogar vor dem Bundesverfassungsgericht entschieden werden muss, nachdem zuvor schon zwei mal der Bundesgerichtshof in dieser Sache \u201egeurteilt\u201c hatte,\u2026","rel":"","context":"In &quot;das Netz&quot;","block_context":{"text":"das Netz","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/dasnetz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/gJ1Ye8cQR24\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8852,"url":"https:\/\/www.kritische-masse.de\/logbuch\/kreative-in-artgerechter-haltung\/","url_meta":{"origin":8855,"position":1},"title":"Kreative in artgerechter Haltung","author":"der huflaikhan","date":"15. Dezember 2021","format":false,"excerpt":"Es ist sehr interessant, dass die Firma Apple beim Kauf ihrer Telefone angibt, welchen Anteil die Urheberrechtsabgabe am Kuafpreis hat. F\u00fcr ein aktuelles iPhone 13 Pro zum Preis von 1269,00 Euro (bei 256 GB Speicher) werden sage und schreibe satte f\u00fcnf Euro f\u00e4llig. Das entspricht aufgerundet 0,4% des Gesamt-Kaufpreises \u2013\u2026","rel":"","context":"In &quot;das Urheberrecht&quot;","block_context":{"text":"das Urheberrecht","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/das-urheberrecht\/"},"img":{"alt_text":"opfer m\u00fcssen begracht werden. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/09\/salome1-1024x353.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/09\/salome1-1024x353.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/09\/salome1-1024x353.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/09\/salome1-1024x353.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":10091,"url":"https:\/\/www.kritische-masse.de\/logbuch\/wenn-unsaubere-informationen-in-rechte-netzwerke-kippen-die-sache-mit-dem-sogenannten-quellenlexikon-der-musik\/","url_meta":{"origin":8855,"position":2},"title":"Wenn unsaubere Informationen in rechte Netzwerke kippen \u2013 die Sache mit dem sogenannten \u201eQuellenlexikon der Musik\u201c","author":"der huflaikhan","date":"13. August 2024","format":false,"excerpt":"Das RISM ist noch nicht tot. Aber es m\u00fcffelt \u2026 Eine Recherche f\u00fcr die neue musikzeitung (nmz) - Und ein Mambo von Lennie Tristano","rel":"","context":"In &quot;die Kultur&quot;","block_context":{"text":"die Kultur","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kultur\/"},"img":{"alt_text":"Auf dem Weg zur Sprinklerzentrale. MH","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/08\/Auf-dem-Weg-zur-Sprinklerzentrale.-MH.jpg?fit=1080%2C1080&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/08\/Auf-dem-Weg-zur-Sprinklerzentrale.-MH.jpg?fit=1080%2C1080&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/08\/Auf-dem-Weg-zur-Sprinklerzentrale.-MH.jpg?fit=1080%2C1080&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/08\/Auf-dem-Weg-zur-Sprinklerzentrale.-MH.jpg?fit=1080%2C1080&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/08\/Auf-dem-Weg-zur-Sprinklerzentrale.-MH.jpg?fit=1080%2C1080&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":8499,"url":"https:\/\/www.kritische-masse.de\/logbuch\/meisterleistung-quart-sext-quartett\/","url_meta":{"origin":8855,"position":3},"title":"Meisterleistung: Quart-Sext-Quartett","author":"der huflaikhan","date":"18. Oktober 2014","format":false,"excerpt":"Musik in Filmen ist steter Grund zur Freude. Den Nichtmusikern kann es egal sein, aber \u201eKenner\u201c k\u00f6nnen sich am\u00fcsieren. So wie wahrscheinlich Chirurgen Arztserien zur St\u00e4rkung ihrer Bauchmuskulatur nutzen. Ein besonderes Exemplar der Gattung, irgendwas passt hier aber ganz gewaltig nicht zusammen, stammt aus einer Folge von Star Trek \u2013\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/URZLKECFjaY\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":122,"url":"https:\/\/www.kritische-masse.de\/logbuch\/hello-world\/","url_meta":{"origin":8855,"position":4},"title":"Hello World","author":"huflaikhan","date":"20. Januar 1964","format":false,"excerpt":"-- Hello World with Text_IO; use Text_IO; procedure HelloWorld is begin Put_Line(\u201eHello World\u201c); end HelloWorld;","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":121,"url":"https:\/\/www.kritische-masse.de\/logbuch\/was-weiss-die-kunst-ueber-mich\/","url_meta":{"origin":8855,"position":5},"title":"Was wei\u00df die Kunst \u00fcber mich","author":"der huflaikhan","date":"18. M\u00e4rz 2016","format":false,"excerpt":"Vor einiger Zeit lief auf ARTE eine Dossier zum Thema \u201eDaten\u201c und deren Nutzung, Anwendung, Kritik etc. Im Gesundheitswesen und bei Mario Sixtus' Beitrag \u00fcber Gesichtserkennung \u2013 und was die Datensammler \u00fcber einen wissen. Ja, was sie m\u00f6glicherweise mehr \u00fcber einen wissen als man selbst. Dass sie sogar zuk\u00fcnftiges Verhalten\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8855","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=8855"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8855\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/3005"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=8855"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=8855"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=8855"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}