{"id":8873,"date":"2023-05-27T14:04:16","date_gmt":"2023-05-27T12:04:16","guid":{"rendered":"https:\/\/musikunrat.de\/?p=3228"},"modified":"2023-05-27T14:04:16","modified_gmt":"2023-05-27T12:04:16","slug":"ligeti-fast-100","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2023\/05\/ligeti-fast-100\/","title":{"rendered":"Gy\u00f6rgy Ligeti \u2013 fast 100"},"content":{"rendered":"<p>wie ich soeben erfahren habe, stellten ARD und ZDF in dieser Woche ihr komplettes Talkshow-Programm um. In allen Sendung von Hart aber fair bis Will, Illner, Maischberger, Lanz und Co. wird es um Gy\u00f6rgy Ligeti gehen, der am 28. Mai seinen 100. Geburtstag w\u00fcrde feiern k\u00f6nnen.<\/p>\n<p>\u201eLigeti? \u2013 Zu hart f\u00fcr unser Konzertleben?\u201c, fragt das Maybrit Illner und Prechtig Karl Markus Friedrich Stofferl Palaver Lanz trifft sich mit ehemaligen Ligeti-Sch\u00fcler:innen zur Sause mal nicht im bequemen Studio, sondern in einem Seminarraum der Hamburger Hochschule f\u00fcr Musik \u2013 \u201eMakaber, makaber \u2013 Tot und vergessen? Was kann man von Ligeti noch lernen?\u201c Sandra Maischberger folgt \u00e4sthetischen Spuren der 60er Jahre: \u201eCluster f\u00fcr alle. Penderecki oder Ligeti, das ist hier die Frage \u2026\u201c Selbst Amtsrichterin Barbara Salesch auf SAT1 in Kooperation mit ZDF-HISTORY fragt: Stanley Kubrick \u2013 Krumme Deals mit ewigem musikalischem Licht?<\/p>\n<p>Fehlanzeige ist allerdings bei den \u201eKulturprogrammen\u201c von SPASSPEKTE bis \u201eTrottel, Tresen und Testamente\u201c. Die machen irgendwas mit \u201eSenf oder Seife? Wasser, Schnitzel und Globalisierung im Zeitalter der Vereinzelung im Angesicht totaler Digitalisierung organisierte Mikrokriminalit\u00e4t an Blueshaltestellen nahe Gebrauchtwagenumschlagpl\u00e4tzen mit Lametta-Girlanden.\u201c<\/p>\n<p>Ist nicht so? Schade. Immerhin haben wir ja noch das Radio. WDR3 sendet tats\u00e4chlich jeden Abend dieser Woche etwas mit und von Gy\u00f6rgy Ligeti. <span lang=\"zxx\"><a href=\"https:\/\/www1.wdr.de\/radio\/wdr3\/programm\/sendungen\/wdr3-konzert\/konzertplayer-das-hr-sinfonieorchester-spielt-gyoergy-ligeti-100.html\" target=\"_blank\" rel=\"noopener\">H\u00f6ren Sie hier mal rein<\/a><\/span>, so wie ich gestern Abend.<\/p>\n<p>In Erinnerung, der wunderbare Text von Stefan Drees anl\u00e4sslich des 100. Geburtstages von Gy\u00f6rgy Ligeti in der April-Ausgabe der nmz: <a href=\"https:\/\/www.nmz.de\/artikel\/von-der-kunst-die-grenzen-auszureizen\" target=\"_blank\" rel=\"noopener\"><span lang=\"zxx\">Von der Kunst, die Grenzen auszureizen<\/span><span lang=\"zxx\"><br \/>\n<\/span><\/a>\u2013 Gedanken zum einhundertsten Geburtstag Gy\u00f6rgy Ligetis.<\/p>\n<p>Meine kleinen Programmeinf\u00fchrungen zu zwei Werken von Gy\u00f6rgy Ligeti:<\/p>\n<ul>\n<li><a href=\"https:\/\/www.musikkritik.org\/1999\/10\/gyoergy-ligeti-atmospheres-fuer-grosses-orchester-1961\/\" rel=\"bookmark noopener\" target=\"_blank\">Gy\u00f6rgy Ligeti: Atmosph\u00e8res f\u00fcr gro\u00dfes Orchester (1961)<\/a><\/li>\n<li><a href=\"https:\/\/www.musikkritik.org\/1998\/10\/gyoergy-ligeti-lontano-fuer-grosses-orchester-1967\/\" rel=\"bookmark noopener\" target=\"_blank\">Gy\u00f6rgy Ligeti: Lontano f\u00fcr gro\u00dfes Orchester (1967)<\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Gy%C3%B6rgy%20Ligeti%20%E2%80%93%20fast%20100 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2023%2F05%2Fligeti-fast-100%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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In allen Sendung von Hart aber fair bis Will, Illner, Maischberger, Lanz und Co. wird es um Gy\u00f6rgy Ligeti gehen, der am 28. Mai seinen 100. Geburtstag w\u00fcrde feiern k\u00f6nnen. \u201eLigeti? \u2013 Zu hart f\u00fcr unser Konzertleben?\u201c, fragt das [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Gy%C3%B6rgy%20Ligeti%20%E2%80%93%20fast%20100 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2023%2F05%2Fligeti-fast-100%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient 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\u0096 Gy\u00f6rgy Ligeti: Atmosph\u00e8res f\u00fcr gro\u00dfes Orchester","author":"huflaikhan","date":"31. Mai 2003","format":false,"excerpt":"Sensationen in der LuftUlrich Dibelius, ein wachsamer Begleiter der neuen Musik seit den 50er Jahren erinnert sich an die erste Auff\u00fchrung von Gy\u00f6rgy Ligetis Atmosph\u00e8res: \u201eDie Urauff\u00fchrung ... bei den Donaueschinger Musiktagen trug alle Anzeichen des Sensationellen. Denn diesem Grad von ,Destruktion' nach zehn Jahren flei\u00dfiger Konstruktion [Dibelius meint damit\u2026","rel":"","context":"In &quot;Programmhefte&quot;","block_context":{"text":"Programmhefte","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/texte\/programmhefte\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":163,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/05\/1967-%c2%96-gyoergy-ligeti-lontano-fuer-grosses-orchester\/","url_meta":{"origin":8873,"position":1},"title":"1967 \u0096 Gy\u00f6rgy Ligeti: Lontano f\u00fcr gro\u00dfes Orchester","author":"huflaikhan","date":"9. Mai 2003","format":false,"excerpt":"Es nimmt seinen Ausgang, sehr leise (vierfaches piano) auf dem eingestrichenen as einer Fl\u00f6te und des gleichen Tones in einem Violoncello. Aus diesem Ton heraus entwickelt sich ein Musikst\u00fcck, das sich wie ein K\u00f6rper aus Klang im Ton- und Klangraum des Orchesters ausformt. Ligeti setzt das komplette Orchester solistisch ein\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":714,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/08\/anspruch-und-gegenanspruch\/","url_meta":{"origin":8873,"position":2},"title":"Anspruch und Gegenanspruch","author":"huflaikhan","date":"27. August 2004","format":false,"excerpt":"Bei Kaltmamsell (Haltungsschaden - Tante Prusseliese) und pepa (Anspruch) bin ich der der Diskussion einigerma\u00dfen stecken geblieben. Da gings \u2014 kurz gesagt \u2014 ums Verh\u00e4ltnis zwischen B\u00fcrger und Staat. Nun wollte ich das gleiche Ph\u00e4nomen einmal anhand der Anspr\u00fcche von B\u00fcrgern gegen Unternehmen ein wenig nach lesen. Eine hochrenommierte Musikzeitung\u2026","rel":"","context":"Mit 11 Kommentaren","block_context":{"text":"Mit 11 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/08\/anspruch-und-gegenanspruch\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3069,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2012\/06\/em-2012-spanien-vs-italien\/","url_meta":{"origin":8873,"position":3},"title":"EM 2012: Spanien vs. Italien","author":"huflaikhan","date":"10. Juni 2012","format":false,"excerpt":"Tomas Marco vs. Giacinto Scelsi Tomas Marco: String Quartet No. 2 Giacinto Scelsi : String Quartet no. 5 2:1 f\u00fcr Spanien. Nicht ganz so ber\u00fchmt wie andere Spanische Komponisten d\u00fcrfte das Werk von Tomas Marco sein. Mein erster Kontakt ging \u00fcber die Literatur. Da hat Marco ein Gedicht zu Webern\u2026","rel":"","context":"In \"EM 2012\"","block_context":{"text":"EM 2012","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/em2012\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":407,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/04\/muelheim-regensburg-ueber-bingen\/","url_meta":{"origin":8873,"position":4},"title":"M\u00fclheim-Regensburg \u00fcber Bingen","author":"huflaikhan","date":"12. April 2004","format":false,"excerpt":"12.4.2004 Bahnfahren Da kann man sagen, was man will, obwohl ich zun\u00e4chst sauer war wegen der Zugverbindung nach Regensburg, die mich erst um halb zw\u00f6lf zuhause sein lie\u00df, ist es doch eine der sch\u00f6nsten Strecken links vom Rhein \u00fcber Bonn und Mainz zu fahren. Die sp\u00e4te Nachmittagssonne und dazu wahrlich\u2026","rel":"","context":"In &quot;Enzyklop\u00e4die der Kritischen Masse&quot;","block_context":{"text":"Enzyklop\u00e4die der Kritischen Masse","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/enzyklopaedie-der-kritischen-masse\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8685,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2017\/05\/minimal-und-repetitive-musik-das-goeyvaerts-genom\/","url_meta":{"origin":8873,"position":5},"title":"Minimal und repetitive Musik \u2013 Das Goeyvaerts-Genom","author":"der huflaikhan","date":"7. Mai 2017","format":false,"excerpt":"Vor einiger Zeit habe ich \u00fcber das Krenek-Genom nachgedacht und ihn mit der Erfindung der Musik von Phil Glass in Verbindung gebracht. Heute gibt es eine neue Findung: Karel Goeyvaerts \"Composition No. 4\" aus dem Jahre 1952 mit der er die Phasenschiebe-Musik von Steve Reich vorwegnimmt! Und keiner hats gemerkt.\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/aRtLXJufh5w\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8873","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=8873"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8873\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media\/3229"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=8873"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=8873"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=8873"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}