{"id":8890,"date":"2023-09-13T09:32:44","date_gmt":"2023-09-13T07:32:44","guid":{"rendered":"https:\/\/musikunrat.de\/?p=3438"},"modified":"2023-09-13T09:32:44","modified_gmt":"2023-09-13T07:32:44","slug":"anton-webern-1983-kiew-kyjiv-kiev","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2023\/09\/anton-webern-1983-kiew-kyjiv-kiev\/","title":{"rendered":"Anton Webern 1983 \u2013 Kiew\/Kyj\u00efv\/Kiev"},"content":{"rendered":"<figure id=\"attachment_3439\" aria-describedby=\"caption-attachment-3439\" style=\"width: 840px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.kritische-masse.de\/logbuch\/2023\/09\/13\/anton-webern-1983-kiew-kyjiv-kiev\/webern01\/\" rel=\"attachment wp-att-3439\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-3439\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2023\/09\/webern01.jpg?resize=840%2C689&#038;ssl=1\" alt=\"Anton Webern: Orchesterwerke\" width=\"840\" height=\"689\" \/><\/a><figcaption id=\"caption-attachment-3439\" class=\"wp-caption-text\">Anton Webern: Orchesterwerke<\/figcaption><\/figure>\n<p>Das haben mir meine Eltern offenbar 1984 von einer Bildungsreise nach (damals) Leningrad mitgebracht. Die Orchesterwerke von Anton Webern. Zweisprachig (aber im Prinzip sogar mindestens viersprachig: ukrainisch, russisch, italienisch und deutsch. Gedruckt in Kiew 1983. Sicherlich nicht lizenziert durch die Universal Edition.<\/p>\n<p>War f\u00fcr mich eine ganz feine Sache. Und der erste Moment in dem ich lernte, dass es einen Sprachunterschied zwischen ukrainisch und russisch gibt. F\u00fcr mich ist die Partitur heute aber auch ein Sinnbild f\u00fcr eine Zeit, in der man sich zumindest in dieser Partitur gegenseitig Respekt erwiesen hat.<\/p>\n<figure id=\"attachment_3440\" aria-describedby=\"caption-attachment-3440\" style=\"width: 768px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.kritische-masse.de\/logbuch\/2023\/09\/13\/anton-webern-1983-kiew-kyjiv-kiev\/webern02\/\" rel=\"attachment wp-att-3440\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"3440\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/attachment-postmoderne-der-postmoderne-foto-hufner\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/03\/home-office.jpg?fit=1600%2C1200&amp;ssl=1\" data-orig-size=\"1600,1200\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.5&quot;,&quot;credit&quot;:&quot;Dr. Martin Hufner&quot;,&quot;camera&quot;:&quot;E-P5&quot;,&quot;caption&quot;:&quot;OLYMPUS DIGITAL CAMERA&quot;,&quot;created_timestamp&quot;:&quot;1426443923&quot;,&quot;copyright&quot;:&quot;Martin Hufner&quot;,&quot;focal_length&quot;:&quot;14&quot;,&quot;iso&quot;:&quot;1000&quot;,&quot;shutter_speed&quot;:&quot;0.0125&quot;,&quot;title&quot;:&quot;OLYMPUS DIGITAL CAMERA&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Postmoderne der Postmoderne. Foto: Hufner\" data-image-description=\"&lt;p&gt;Postmoderne der Postmoderne. Foto: Hufner&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Postmoderne der Postmoderne. Foto: Hufner&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/03\/home-office.jpg?fit=1024%2C768&amp;ssl=1\" class=\"size-large wp-image-3440\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2023\/09\/webern02.jpg?resize=768%2C1024&#038;ssl=1\" alt=\"Anton Webern: Orchesterwerke\" width=\"768\" height=\"1024\" \/><\/a><figcaption id=\"caption-attachment-3440\" class=\"wp-caption-text\">Anton Webern: Orchesterwerke<\/figcaption><\/figure>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Anton%20Webern%201983%20%E2%80%93%20Kiew%2FKyj%C3%AFv%2FKiev https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2023%2F09%2Fanton-webern-1983-kiew-kyjiv-kiev%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Die Orchesterwerke von Anton Webern. Zweisprachig (aber im Prinzip sogar mindestens viersprachig: ukrainisch, russisch, italienisch und deutsch. Gedruckt in Kiew 1983. Sicherlich nicht lizenziert durch die Universal Edition. War f\u00fcr mich eine ganz feine Sache. Und der erste Moment in dem [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Anton%20Webern%201983%20%E2%80%93%20Kiew%2FKyj%C3%AFv%2FKiev https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2023%2F09%2Fanton-webern-1983-kiew-kyjiv-kiev%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" 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\u201eKonzert f\u00fcr neun Instrumente op. 24\u201c","author":"huflaikhan","date":"13. April 2005","format":false,"excerpt":"Auch hier ein Todestag \u2014 allerdings einer, der noch kommt \u0096, vor 60 Jahren, am 15. September, wurde Anton Webern erschossen. Ein dummes Ungl\u00fcck nach dem Ende des zweiten Weltkrieges. Webern war nach Mittersill gereist. Dort hielt es sich bei seinem Schwiegersohn auf. Der war offenbar ganz gut in Schwarzmarktgesch\u00e4fte\u2026","rel":"","context":"In &quot;Enzyklop\u00e4die der Kritischen Masse&quot;","block_context":{"text":"Enzyklop\u00e4die der Kritischen Masse","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/enzyklopaedie-der-kritischen-masse\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8594,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/09\/world-wide-webern-eine-globale-aktion-zum-70-todestag-von-anton-webern\/","url_meta":{"origin":8890,"position":1},"title":"World-Wide Webern \u2013 Eine globale Aktion zum 70. Todestag von Anton Webern","author":"der huflaikhan","date":"13. September 2015","format":false,"excerpt":"Der Komponist Karlheinz Essl hat unl\u00e4ngst zu einer gemeinsamen musikalischen Aktion anl\u00e4sslich von Anton Weberns 70. Todestag am 15. September aufgerufen. Das ist so etwas wie ein lyrischer Flashmob rund um die Welt.\u00a0 Ich finde die Idee sehr sympathisch und w\u00fcnsche viel Freude damit. Hier ein \u00dcberblick zur Veranstaltung bei\u2026","rel":"","context":"In &quot;das Netz&quot;","block_context":{"text":"das Netz","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/dasnetz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1648,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/02\/violinkonzert\/","url_meta":{"origin":8890,"position":2},"title":"Violinkonzert","author":"huflaikhan","date":"26. Februar 2006","format":false,"excerpt":"Das Urheberrecht erlischt \u2014 wie bekannt \u2014 70 Jahre nach dem Tod des Urhebers. 1935 starb der Komponist Alban Berg. Somit l\u00e4uft da das Urheberrecht an den Werken aus. Vielleicht nicht ganz, weil einige Dinge erst nachtr\u00e4glich in eine Fassung kamen, die erst ab diesem Zeitpunkt dann laufen. Das h\u00e4ngt\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8898,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2023\/12\/warum-desavouiert-der-swr-tc-so-sehr\/","url_meta":{"origin":8890,"position":3},"title":"Warum desavouiert der SWR TC so sehr","author":"der huflaikhan","date":"10. Dezember 2023","format":false,"excerpt":"Oder ist das subtilstes Mobbing? Oder nur eine schlechte \u00dcbersetzung eines kruden Gedankens? Es muss im SWR (\u00f6ffentlich-rechtliche Rundfunkanstalt) jemanden geben, der den aktuellen Dirigenten seines zusammengeschrumpfen Orchesterapparates noch mehr nicht mag, als der Intendant des SWR, Kai Gniffke, das Radio insgesamt. Auf einer Facebook-Kachel liest man da, den Dirigenten\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"\u201eDiese Sinfonie ist das eigentliche Zeugnis f\u00fcr die zeitgen\u00f6ssische Musik. Deshalb hatte ich die Idee, dieses Adagio zu spielen, weil es ein gro\u00dfartiges St\u00fcck Musik ist, das mir sehr viel bedeutet.\u201c","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2023\/07\/tc_swr.jpg?fit=960%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2023\/07\/tc_swr.jpg?fit=960%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2023\/07\/tc_swr.jpg?fit=960%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2023\/07\/tc_swr.jpg?fit=960%2C1200&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":493,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/06\/musikverlage-jammern-wieder\/","url_meta":{"origin":8890,"position":4},"title":"Musikverlage jammern wieder","author":"huflaikhan","date":"25. Juni 2004","format":false,"excerpt":"Man hat sie schon fast vergessen, die Musikverlage und -verleger. Anl\u00e4sslich der Jahresversammlung ihres Verbandes. Musikverleger schlagen Alarm: Erst die CD, jetzt die Noten - Millionen von Musikst\u00fccken werden illegal kopiert und heruntergeladen! W\u00e4hrend Musikst\u00fccke h\u00e4ufig illegal gebrannt bzw. aus dem Internet heruntergeladen werden, kopieren viele Ch\u00f6re und Orchester ihre\u2026","rel":"","context":"Mit 3 Kommentaren","block_context":{"text":"Mit 3 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/06\/musikverlage-jammern-wieder\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8246,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/06\/musikverlage-jammern-wieder-2\/","url_meta":{"origin":8890,"position":5},"title":"Musikverlage jammern wieder","author":"der huflaikhan","date":"25. Juni 2004","format":false,"excerpt":"Man hat sie schon fast vergessen, die Musikverlage und -verleger. Anl\u00e4sslich der Jahresversammlung ihres Verbandes. Musikverleger schlagen Alarm: Erst die CD, jetzt die Noten - Millionen von Musikst\u00fccken werden illegal kopiert und heruntergeladen! W\u00e4hrend Musikst\u00fccke h\u00e4ufig illegal gebrannt bzw. aus dem Internet heruntergeladen werden, kopieren viele Ch\u00f6re und Orchester ihre\u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/diemusik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8890","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=8890"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/8890\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media\/3440"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=8890"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=8890"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=8890"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}