{"id":8890,"date":"2023-09-13T09:32:44","date_gmt":"2023-09-13T07:32:44","guid":{"rendered":"https:\/\/musikunrat.de\/?p=3438"},"modified":"2023-09-13T09:32:44","modified_gmt":"2023-09-13T07:32:44","slug":"anton-webern-1983-kiew-kyjiv-kiev","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2023\/09\/anton-webern-1983-kiew-kyjiv-kiev\/","title":{"rendered":"Anton Webern 1983 \u2013 Kiew\/Kyj\u00efv\/Kiev"},"content":{"rendered":"<div class=\"shariff shariff-align-left shariff-widget-align-left\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Anton%20Webern%201983%20%E2%80%93%20Kiew%2FKyj%C3%AFv%2FKiev https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2023%2F09%2Fanton-webern-1983-kiew-kyjiv-kiev%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Die Orchesterwerke von Anton Webern. Zweisprachig (aber im Prinzip sogar mindestens viersprachig: ukrainisch, russisch, italienisch und deutsch. Gedruckt in Kiew 1983. Sicherlich nicht lizenziert durch die Universal Edition.<\/p>\n<p>War f\u00fcr mich eine ganz feine Sache. Und der erste Moment in dem ich lernte, dass es einen Sprachunterschied zwischen ukrainisch und russisch gibt. F\u00fcr mich ist die Partitur heute aber auch ein Sinnbild f\u00fcr eine Zeit, in der man sich zumindest in dieser Partitur gegenseitig Respekt erwiesen hat.<\/p>\n<figure id=\"attachment_3440\" aria-describedby=\"caption-attachment-3440\" style=\"width: 768px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.kritische-masse.de\/logbuch\/2023\/09\/13\/anton-webern-1983-kiew-kyjiv-kiev\/webern02\/\" rel=\"attachment wp-att-3440\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"3440\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/attachment-postmoderne-der-postmoderne-foto-hufner\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/03\/home-office.jpg?fit=1600%2C1200&amp;ssl=1\" data-orig-size=\"1600,1200\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;2.5&quot;,&quot;credit&quot;:&quot;Dr. Martin Hufner&quot;,&quot;camera&quot;:&quot;E-P5&quot;,&quot;caption&quot;:&quot;OLYMPUS DIGITAL CAMERA&quot;,&quot;created_timestamp&quot;:&quot;1426443923&quot;,&quot;copyright&quot;:&quot;Martin Hufner&quot;,&quot;focal_length&quot;:&quot;14&quot;,&quot;iso&quot;:&quot;1000&quot;,&quot;shutter_speed&quot;:&quot;0.0125&quot;,&quot;title&quot;:&quot;OLYMPUS DIGITAL CAMERA&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Postmoderne der Postmoderne. Foto: Hufner\" data-image-description=\"&lt;p&gt;Postmoderne der Postmoderne. Foto: Hufner&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Postmoderne der Postmoderne. Foto: Hufner&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/03\/home-office.jpg?fit=1024%2C768&amp;ssl=1\" class=\"size-large wp-image-3440\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2023\/09\/webern02.jpg?resize=768%2C1024&#038;ssl=1\" alt=\"Anton Webern: Orchesterwerke\" width=\"768\" height=\"1024\" \/><\/a><figcaption id=\"caption-attachment-3440\" class=\"wp-caption-text\">Anton Webern: Orchesterwerke<\/figcaption><\/figure>\n<div class=\"shariff shariff-align-left shariff-widget-align-left\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Anton%20Webern%201983%20%E2%80%93%20Kiew%2FKyj%C3%AFv%2FKiev https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2023%2F09%2Fanton-webern-1983-kiew-kyjiv-kiev%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Die Orchesterwerke von Anton Webern. Zweisprachig (aber im Prinzip sogar mindestens viersprachig: ukrainisch, russisch, italienisch und deutsch. Gedruckt in Kiew 1983. Sicherlich nicht lizenziert durch die Universal Edition. War f\u00fcr mich eine ganz feine Sache. 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