{"id":908,"date":"2004-11-21T18:20:05","date_gmt":"2004-11-21T17:20:05","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/musik-der-ungerechtigkeit\/"},"modified":"2023-12-18T08:49:29","modified_gmt":"2023-12-18T07:49:29","slug":"musik-der-ungerechtigkeit","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/musik-der-ungerechtigkeit\/","title":{"rendered":"Musik der Ungerechtigkeit"},"content":{"rendered":"<p>Wenn ich nicht wenigstens gelegentlich noch in die newsgroup de.rec.musik.klassik hineinschauen w\u00fcrde, w\u00e4re mir entgangen, dass die alte Fregatte Condoleeezzza Rice eben mal mit Yo-Yo Ma eine Brahms-Violinsonate gespielt h\u00e4tte. Das ist zwar nun auch schon alter Tobak, n\u00e4mlich von 2002, aber man fragt sich doch, wie das zusammen geht.<br \/>\n<cite>With President Bush looking on, his National Security Advisor Condoleezza Rice performed Brahms&#8217; Violin Sonata in D minor with cellist Yo-Yo Ma, Monday at Constitution Hall in Washington, D.C.<\/cite><\/p>\n<div class=\"rightbox\"><%image(20041121-rice.jpg|203|152|Rice with Ma)%><\/div>\n<p>Es geht n\u00e4mlich zusammen. Da k\u00f6nnen die Musiklobbyisten noch so sehr st\u00f6hnen, dass Musik intelligent mache. Denn es gibt nat\u00fcrlich auch eine milit\u00e4rische oder eine taktische Intelligenz. Fritz der Gro\u00dfe war auch kein gerade kleines musikalisches Licht. Auch so mancher Folterer auf dieser Welt l\u00e4sst es sich abends dann wohlergehen mit einem Chopin-Nocturne. Alt-Bundespianist Helmut Schmidt geh\u00f6rt auch zu so einem musikalischen Taktiker vor dem Herrn. Gentleman, k\u00fchl. Musik hilft eben nichts, wenn sie in die falschen H\u00e4nde ger\u00e4t.<\/p>\n<p>Was mich aber doch wundert, warum spielt der Cellist Yo-Yo Ma eine Violinsonate. Der Brahms hatte doch auch ein wenig f\u00fcr Cello komponiert. Vielleicht ist die Nachricht ja auch absoluter Fake wie das Foddo oben.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Musik%20der%20Ungerechtigkeit https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fmusik-der-ungerechtigkeit%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Musik%20der%20Ungerechtigkeit https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fmusik-der-ungerechtigkeit%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Das ist zwar nun auch schon alter Tobak, n\u00e4mlich von 2002, aber man fragt sich doch, wie das zusammen geht. With President Bush looking on, [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Musik%20der%20Ungerechtigkeit https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fmusik-der-ungerechtigkeit%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop 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September 2004","format":false,"excerpt":"In der aktuellen Pressemeldung des Bundesverbandes der phonographischen Wirtschaft darf man lesen: Dar\u00fcber hinaus konnten wir demonstrieren, dass die Musikfirmen trotz schwieriger wirtschaftlicher Situation nach wie vor der st\u00e4rkste Investor in musikalische Kreativit\u00e4t sind. Da haben die dem Kanzler gegen\u00fcber demonstrieren k\u00f6nnen. Entweder das ist ma\u00dflos \u00fcbertrieben oder der Kanzler\u2026","rel":"","context":"Mit 3 Kommentaren","block_context":{"text":"Mit 3 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/einbildung-ist-auch-eine-bildung\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":6775,"url":"https:\/\/www.kritische-masse.de\/logbuch\/das-trennende-die-vielfalt-die-verhaertung\/","url_meta":{"origin":908,"position":1},"title":"Das Trennende, die Vielfalt, die Verh\u00e4rtung","author":"der huflaikhan","date":"12. 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November 2014","format":false,"excerpt":"An sich habe ich ja professionell mit Musik zu tun. Das hei\u00dft, ich besch\u00e4ftige mich auf die eine oder andere Art mit ihr. Fr\u00fcher auch durch Selbermusizieren und -komponieren, jetzt mehr theoretisch und eher mit den Rahmenbedingungen. Aber ich bin sehr fr\u00fch zum Musikerleben gekommen: Geschwister und Eltern haben Musik\u2026","rel":"","context":"In &quot;die Urteilskraft&quot;","block_context":{"text":"die Urteilskraft","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/dieurteilskraft\/"},"img":{"alt_text":"Schmuck!","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/01\/20060106-WOB.jpg?fit=500%2C358&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2835,"url":"https:\/\/www.kritische-masse.de\/logbuch\/tunneblick-der-gef-hle\/","url_meta":{"origin":908,"position":3},"title":"Tunnelblick der Gef\u00fchle","author":"huflaikhan","date":"29. November 2014","format":false,"excerpt":"Nun gibt es da eine sehr merkw\u00fcrdige Erscheinung. So wie ich beim Fernsehen, wenn jemand in schwindelerrregender H\u00f6he steht, ganz tief in meinem K\u00f6rper eine Art Zuckung sp\u00fcre, die mich beklemmt, so kommen bei bestimmten Musikst\u00fccken eigenartige Gef\u00fchle auf. So gestern abend. Zur Dienstarbeit habe ich meine Musikbbliothek durchforstet. Bruckner\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"Tunnelblick der Gef\u00fchle. 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Mai 1999","format":false,"excerpt":"Eigene Konzertreihe im Konzerthaus, Ideen zur Hochschulausbildung: das Vogler Quartett setzt AkzenteAls sich die Musik-Biennale 1999 um die Musik der 80er Jahre bem\u00fcht hat, lag es auf der Hand, auch eines der extremsten Werke aus dieser Zeit zur Auff\u00fchrung zu bringen: Morton Feldmans 1983 komponiertes Zweites Streichquartett. Es ist mit\u2026","rel":"","context":"In &quot;nmz&quot;","block_context":{"text":"nmz","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/texte\/nmz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":170,"url":"https:\/\/www.kritische-masse.de\/logbuch\/ein-portraet-des-leipziger-iturriaga-quartetts\/","url_meta":{"origin":908,"position":5},"title":"Ein Portr\u00e4t des Leipziger Iturriaga Quartetts","author":"huflaikhan","date":"12. Mai 2003","format":false,"excerpt":"Unverstellte Ann\u00e4herung von vorn an unverbrauchte Musik Zusammengez\u00e4hlt sind sie gerade mal etwas mehr als hundert Jahre alt, die vier Streicher des Iturriaga Quartetts. Damit d\u00fcrften sie gegenw\u00e4rtig eines der j\u00fcngsten Quartett-Ensembles \u00fcberhaupt sein. Zum Teil stecken sie sogar im Moment noch im Hochschulpr\u00fcfungsstress. 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