{"id":9209,"date":"2024-02-16T12:44:58","date_gmt":"2024-02-16T11:44:58","guid":{"rendered":"https:\/\/www.kritische-masse.de\/logbuch\/?p=9209"},"modified":"2024-02-16T12:44:58","modified_gmt":"2024-02-16T11:44:58","slug":"kulturradio-rahmenbruch-gefahr-willkommen-in-der-grauzone","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2024\/02\/kulturradio-rahmenbruch-gefahr-willkommen-in-der-grauzone\/","title":{"rendered":"Kulturradio \/ Rahmenbruch-Gefahr? \/ Willkommen in der Grauzone"},"content":{"rendered":"<p>Es geht aufs Wochenende zu. Und die Woche schlie\u00dft sich langsam. Tendenz: Es bleibt ungut. Gerade noch das <strong>Altpapier<\/strong> <a href=\"https:\/\/www.mdr.de\/altpapier\/das-altpapier-3532.html\" target=\"_blank\" rel=\"noopener\">gelesen<\/a> zu einem erfolgreichen Podcast von <strong>\u201eHoss &amp; Hopf\u201c<\/strong>. Dieser Podcast erreicht offenbar Menschen in einem Stadium, bevor sie selbst\u00e4ndig \u00fcber Informationen nachdenken k\u00f6nnen. Hier sind es junge Jugendliche, die dann irren Vorstellungen auf den Leim gehen. Das Modell der Verbreitung ihres Podcasts ist ziemlich genial. So rein marketingtechnisch. Ein Lehrst\u00fcck \u00fcber die Verf\u00fchrbarkeit von Menschen.<\/p>\n<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_86 ez-toc-wrap-center counter-hierarchy ez-toc-counter ez-toc-light-blue ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Inhalt<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/www.kritische-masse.de\/logbuch\/2024\/02\/kulturradio-rahmenbruch-gefahr-willkommen-in-der-grauzone\/#Rahmenbruch\" >Rahmenbruch<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/www.kritische-masse.de\/logbuch\/2024\/02\/kulturradio-rahmenbruch-gefahr-willkommen-in-der-grauzone\/#Salat\" >Salat<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/www.kritische-masse.de\/logbuch\/2024\/02\/kulturradio-rahmenbruch-gefahr-willkommen-in-der-grauzone\/#Kulturradio_ade\" >Kulturradio ad\u00e9<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/www.kritische-masse.de\/logbuch\/2024\/02\/kulturradio-rahmenbruch-gefahr-willkommen-in-der-grauzone\/#Musikhoeren_mit_Gabriel_Yoran\" >Musikh\u00f6ren mit Gabriel Yoran<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/www.kritische-masse.de\/logbuch\/2024\/02\/kulturradio-rahmenbruch-gefahr-willkommen-in-der-grauzone\/#Willkommen_Grauzone\" >Willkommen Grauzone<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/www.kritische-masse.de\/logbuch\/2024\/02\/kulturradio-rahmenbruch-gefahr-willkommen-in-der-grauzone\/#Und_sonst_so\" >Und sonst so<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/www.kritische-masse.de\/logbuch\/2024\/02\/kulturradio-rahmenbruch-gefahr-willkommen-in-der-grauzone\/#Am_16_Februar_im_Allgemeinen\" >Am 16. Februar im Allgemeinen<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"https:\/\/www.kritische-masse.de\/logbuch\/2024\/02\/kulturradio-rahmenbruch-gefahr-willkommen-in-der-grauzone\/#Fotoarchiv\" >Fotoarchiv<\/a><\/li><\/ul><\/li><\/ul><\/nav><\/div>\n<h2><span class=\"ez-toc-section\" id=\"Rahmenbruch\"><\/span>Rahmenbruch<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>Gestern informiert mich mein Lastenrad-Hersteller Babboe aus den Niederlanden dar\u00fcber, dass es wohl eine R\u00fcckrufaktion f\u00fcr seine Lastenr\u00e4der geben werde. Ferner werde aktuell der <a href=\"https:\/\/www.babboe.de\/\" target=\"_blank\" rel=\"noopener\">Verkauf der R\u00e4der komplett eingestellt, vorr\u00fcbergehend<\/a>. Ich habe mein Rad aus dritter Hand und frage mich, wie geht das jetzt wohl weiter? Denn bislang hatte ich viel Spa\u00df mit dem Teil, habe es au\u00dferdem mit Gep\u00e4cktr\u00e4ger und gefederter Sattelst\u00fctze aufgepimpt. Weierfahren bis der Rahmen bricht, oder darauf hoffen, dass nicht?<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Salat\"><\/span>Salat<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>Gutes Abendessen gestern mit Quinoa, Petersilie, Chicor\u00e9e, Tomate, Gurke, Oliven-\u00d6l, Zitronensaft, Kidneybohnen, Zwiebel und veganem Schafk\u00e4se. Halt ein bisschen Resteessen, aber ganz mein Fall als Salat-Junkie.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Kulturradio_ade\"><\/span>Kulturradio ad\u00e9<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>Gestern habe ich kurz \u00fcber das <strong>Ende von rbb-kultur<\/strong> <a href=\"https:\/\/www.kritische-masse.de\/logbuch\/2024\/02\/das-stille-paradox-vergessenwerdenwollen-tschuess-durchhoerbarkeit\/\">gefl\u00f6tet<\/a>. Ein bisschen in das neue Progamm hat Arno L\u00fccker im <strong>Bad Blog Of Musick<\/strong> geschaut:<\/p>\n<p><a href=\"https:\/\/blogs.nmz.de\/badblog\/2024\/02\/15\/die-abschaffung-des-kulturradios-folge-10-was-passiert-ab-dem-2-april-oder-klassiksender-ohne-klassik\/?pk_campaign=feed&amp;pk_kwd=die-abschaffung-des-kulturradios-folge-10-was-passiert-ab-dem-2-april-oder-klassiksender-ohne-klassik\" target=\"_blank\" rel=\"noopener\">Die Abschaffung des Kulturradios \u2013 Folge 10<br \/>\nWas passiert ab dem 2. April? Oder: Klassiksender ohne Klassik<\/a><\/p>\n<blockquote><p>Arno L\u00fccker \u2013 \u201e\u2026 Jetzt scheint sich aber doch zu bewahrheiten, was ich von Anfang an \u2013 allein im Titel dieser Blog-Serie \u2013 angedeutet hatte: Das Kulturradio des Rundfunk Berlin-Brandenburgs steht kurz vor der Abschaffung. Beziehungsweise vor der Fusionierung mit radioeins, dem coolen Popsender des rbb. \u2026\u201c<\/p><\/blockquote>\n<h2><span class=\"ez-toc-section\" id=\"Musikhoeren_mit_Gabriel_Yoran\"><\/span>Musikh\u00f6ren mit Gabriel Yoran<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><strong>Der Teufel ist nicht totzukriegen<\/strong>. Gabriel Yoran hat sich ein Paganini\/Lutos\u0142awski vorgenommen in seinem Newsletter \u201eSchleichwege zur Klassik \u2013 Klassische Musik verstehen und genie\u00dfen\u201c. Ich schenke noch einen drauf. Andere Geschichte: Die Paganini-Variationen von Boris Blacher.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/l8GVvL-wW8c?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=de-DE&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<h2><span class=\"ez-toc-section\" id=\"Willkommen_Grauzone\"><\/span>Willkommen Grauzone<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><strong>Mathis Ubben<\/strong> begr\u00fc\u00dft die <a href=\"https:\/\/service.conbrio.de\/service\/newsletter-4\/newsletter-archiv-2\/?email_id=1797\" target=\"_blank\" rel=\"noopener\">Grauzone in dem Newsletter<\/a> der nmz. Er verweist auf einen Text von Constanze Wimmer, die <a href=\"https:\/\/www.nmz.de\/bildung-praxis\/paedagogik-vermittlung\/nachdenken-ueber-das-europaeische-konzertleben\" target=\"_blank\" rel=\"noopener\">f\u00fcr die nmz auf beim Symposium \u201eThe Future of the Classical Concert\u201c<\/a> war und erg\u00e4nzt:<\/p>\n<blockquote><p>\u201eEs ging aber prim\u00e4r um die Fragen, warum Leute \u00fcberhaupt ins Konzert gehen und was sie in verschiedenen Konzertformaten erleben. Der Artikel ist ein Lehrst\u00fcck nach der Suche nach schwarz-wei\u00dfer Sicherheit und den etwas entt\u00e4uschten Blicken beim Erreichen der Grau-Zone.<\/p>\n<p>Sind wir schon da?<\/p>\n<p>Ja \u2013 Grauzone \u2013 wir haben das Ziel erreicht.\u201c<\/p><\/blockquote>\n<hr \/>\n<h2><span class=\"ez-toc-section\" id=\"Und_sonst_so\"><\/span>Und sonst so<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<hr \/>\n<h3><span class=\"ez-toc-section\" id=\"Am_16_Februar_im_Allgemeinen\"><\/span>Am 16. Februar im Allgemeinen<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<ul>\n<li>1497: <a title=\"Philipp Melanchthon\" href=\"https:\/\/de.wikipedia.org\/wiki\/Philipp_Melanchthon\" target=\"_blank\" rel=\"noopener\">Philipp Melanchthon<\/a>, deutscher Reformator, Theologe, Philologe, Philosoph, Humanist, Lehrbuchautor und Dichter (geboren)<\/li>\n<li>1974: Die Urauff\u00fchrung der Oper <i><a title=\"Einstein (Oper)\" href=\"https:\/\/de.wikipedia.org\/wiki\/Einstein_(Oper)\" target=\"_blank\" rel=\"noopener\">Einstein<\/a><\/i> von <a title=\"Paul Dessau\" href=\"https:\/\/de.wikipedia.org\/wiki\/Paul_Dessau\" target=\"_blank\" rel=\"noopener\">Paul Dessau<\/a> mit dem Text von <a title=\"Karl Mickel\" href=\"https:\/\/de.wikipedia.org\/wiki\/Karl_Mickel\" target=\"_blank\" rel=\"noopener\">Karl Mickel<\/a> findet in der Inszenierung von <a title=\"Ruth Berghaus\" href=\"https:\/\/de.wikipedia.org\/wiki\/Ruth_Berghaus\" target=\"_blank\" rel=\"noopener\">Ruth Berghaus<\/a> an der <a title=\"Deutsche Oper Berlin\" href=\"https:\/\/de.wikipedia.org\/wiki\/Deutsche_Oper_Berlin\" target=\"_blank\" rel=\"noopener\">Deutschen Oper Berlin<\/a> statt.<\/li>\n<li>1985: An der <a title=\"Semperoper\" href=\"https:\/\/de.wikipedia.org\/wiki\/Semperoper\" target=\"_blank\" rel=\"noopener\">Dresdner Staatsoper<\/a> erfolgt die Urauff\u00fchrung der Oper <i><a title=\"Die Weise von Liebe und Tod des Cornets Christoph Rilke\" href=\"https:\/\/de.wikipedia.org\/wiki\/Die_Weise_von_Liebe_und_Tod_des_Cornets_Christoph_Rilke\" target=\"_blank\" rel=\"noopener\">Die Weise von Liebe und Tod des Cornets Christoph Rilke<\/a><\/i> von <a title=\"Siegfried Matthus\" href=\"https:\/\/de.wikipedia.org\/wiki\/Siegfried_Matthus\" target=\"_blank\" rel=\"noopener\">Siegfried Matthus<\/a> nach dem gleichnamigen Werk von <a title=\"Rainer Maria Rilke\" href=\"https:\/\/de.wikipedia.org\/wiki\/Rainer_Maria_Rilke\" target=\"_blank\" rel=\"noopener\">Rainer Maria Rilke<\/a>.<\/li>\n<\/ul>\n<h3><span class=\"ez-toc-section\" id=\"Fotoarchiv\"><\/span>Fotoarchiv<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Gefunden an diesem Tag auf Facebook.<\/p>\n<figure id=\"attachment_9211\" aria-describedby=\"caption-attachment-9211\" style=\"width: 678px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_16_hans_well.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"9211\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/2024\/02\/kulturradio-rahmenbruch-gefahr-willkommen-in-der-grauzone\/02_16_hans_well\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_16_hans_well.jpg?fit=1060%2C1600&amp;ssl=1\" data-orig-size=\"1060,1600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Hans Well 2012. Foto: Hufner\" data-image-description=\"&lt;p&gt;Hans Well 2012. Foto: Hufner&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Hans Well 2012. Foto: Hufner&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_16_hans_well.jpg?fit=678%2C1024&amp;ssl=1\" class=\"size-large wp-image-9211\" title=\"Hans Well 2012. Foto: Hufner\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_16_hans_well.jpg?resize=678%2C1024&#038;ssl=1\" alt=\"Hans Well 2012. Foto: Hufner\" width=\"678\" height=\"1024\" srcset=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_16_hans_well.jpg?resize=678%2C1024&amp;ssl=1 678w, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_16_hans_well.jpg?resize=199%2C300&amp;ssl=1 199w, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_16_hans_well.jpg?resize=768%2C1159&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_16_hans_well.jpg?resize=1018%2C1536&amp;ssl=1 1018w, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_16_hans_well.jpg?w=1060&amp;ssl=1 1060w\" sizes=\"auto, (max-width: 678px) 100vw, 678px\" \/><\/a><figcaption id=\"caption-attachment-9211\" class=\"wp-caption-text\">Hans Well 2012. Foto: Hufner<\/figcaption><\/figure>\n<figure id=\"attachment_9210\" aria-describedby=\"caption-attachment-9210\" style=\"width: 960px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_16_fund.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"9210\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/2024\/02\/kulturradio-rahmenbruch-gefahr-willkommen-in-der-grauzone\/02_16_fund\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_16_fund.jpg?fit=960%2C960&amp;ssl=1\" data-orig-size=\"960,960\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Fund in Brandenburg. Foto: Hufner\" data-image-description=\"&lt;p&gt;Fund in Brandenburg. Foto: Hufner&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Fund in Brandenburg. Foto: Hufner&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_16_fund.jpg?fit=960%2C960&amp;ssl=1\" class=\"size-full wp-image-9210\" title=\"Fund in Brandenburg. Foto: Hufner\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_16_fund.jpg?resize=960%2C960&#038;ssl=1\" alt=\"Fund in Brandenburg. Foto: Hufner\" width=\"960\" height=\"960\" srcset=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_16_fund.jpg?w=960&amp;ssl=1 960w, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_16_fund.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_16_fund.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_16_fund.jpg?resize=768%2C768&amp;ssl=1 768w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/a><figcaption id=\"caption-attachment-9210\" class=\"wp-caption-text\">Fund in Brandenburg. Foto: Hufner<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Kulturradio%20%2F%20Rahmenbruch-Gefahr%3F%20%2F%20Willkommen%20in%20der%20Grauzone https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2024%2F02%2Fkulturradio-rahmenbruch-gefahr-willkommen-in-der-grauzone%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Kulturradio%20%2F%20Rahmenbruch-Gefahr%3F%20%2F%20Willkommen%20in%20der%20Grauzone https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2024%2F02%2Fkulturradio-rahmenbruch-gefahr-willkommen-in-der-grauzone%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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huflaikhan","date":"22. Juni 2026","format":false,"excerpt":"Die Sache ist ja: Wenn die Kultur und mit ihr die sogenannte klassische Musikwelt sich weiter in Richtung, H\u00fclsenkultur, reflexionsarmer Marketing-Sprecherei entwickelt, tut sie ihrem Gegenstand \u2013 der Welt der musikalischen K\u00fcnste\u00a0\u2013 keinen Gefallen. Im Gegenteil: Sie schadet damit aktiv den K\u00fcnsten und der Kultur. Was man hier liest, sind\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1692,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/04\/das-podcast-dingens\/","url_meta":{"origin":9209,"position":1},"title":"Das Podcast-Dingens","author":"huflaikhan","date":"20. April 2006","format":false,"excerpt":"Radio und Podcast a la Santa Monica. Von Janko. Lesenswert!","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":11604,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2025\/11\/musik-unserer-zeit-vor-dem-aus\/","url_meta":{"origin":9209,"position":2},"title":"\u201eMusik unserer Zeit\u201c vor dem Aus?","author":"der huflaikhan","date":"9. November 2025","format":false,"excerpt":"Der Raum f\u00fcr Musik unserer Zeit im Radio wird immer kleiner. Wird die Sendung \"Musik unserer Zeit\" auf SRF 2 Kultur aus dem Programm gekippt? Auch bei ARD und ORF stehen die Zeichen auf Eindampfradio.","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":10505,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2024\/12\/kunst-und-ueberleben-abmann-bekommt-abmahn-das-muss-nicht-sein\/","url_meta":{"origin":9209,"position":3},"title":"Kunst und \u00dcberleben \u2013 Abmann bekommt Abmahn (das muss nicht sein!)","author":"der huflaikhan","date":"18. Dezember 2024","format":false,"excerpt":"Kunst im finanziellen Aufl\u00f6sungszwang und das Scheitern von Kulturpolitik im Land Berlin (aber nicht nur dort) +++ BackstageClassical wird abgemahnt \u2013 dahinter steht aber nicht die Frage nach Korrektheit von Recherchen, sondern es scheint mir deutlich eine Machtdemonstration zu sein mit Mitteln finanziert, die den Steuerzahlenden geh\u00f6ren. Das muss aufh\u00f6ren!\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Eher eine Bu\u00dfhaltestelle. MH","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/12\/Eher-eine-Busshaltestelle.-MH.jpg?fit=960%2C618&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/12\/Eher-eine-Busshaltestelle.-MH.jpg?fit=960%2C618&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/12\/Eher-eine-Busshaltestelle.-MH.jpg?fit=960%2C618&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/12\/Eher-eine-Busshaltestelle.-MH.jpg?fit=960%2C618&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":8930,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2024\/02\/facebook-ausraeumen-die-chlorreichen-sieben\/","url_meta":{"origin":9209,"position":4},"title":"Facebook ausr\u00e4umen \/ Die chlorreichen Sieben","author":"der huflaikhan","date":"5. Februar 2024","format":false,"excerpt":"Facebook ist zu r\u00e4umen nach allen Formen, die sich da ergeben. Aber auch alte Pr\u00e4senzen sind aufzugeben. In den letzten Jahren habe unter anderem podcastle.info schlecht gepflegt \u2013 sollte man eine \u00dcbersicht zu den Podcasts aus dem Bereich der \u201eernsten\u201c Musik werden, also jenseits der ganzen Gesch\u00fctze der Kulturindustrie. podcastle.info\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Die chorreichen Sieben. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_05_vor7_die_chlorreichen_sieben.jpg?fit=1200%2C675&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_05_vor7_die_chlorreichen_sieben.jpg?fit=1200%2C675&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_05_vor7_die_chlorreichen_sieben.jpg?fit=1200%2C675&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_05_vor7_die_chlorreichen_sieben.jpg?fit=1200%2C675&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_05_vor7_die_chlorreichen_sieben.jpg?fit=1200%2C675&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":11659,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2025\/11\/kulturverluste-doblinger-in-wien-jazzradio-in-berlin\/","url_meta":{"origin":9209,"position":5},"title":"Kulturverluste: Doblinger in Wien, JazzRadio in Berlin","author":"der huflaikhan","date":"26. November 2025","format":false,"excerpt":"Das Musikhaus Doblinger in Wien steht vor der Schlie\u00dfung seines Standorts in der Dorotheergasse und sucht nach einem neuen Platz und Unterst\u00fctzern, da die Umzugskosten die Betriebsm\u00f6glichkeiten \u00fcbersteigen. Zudem verliert Jazzradio Berlin seine UKW-Lizenz, w\u00e4hrend jazz fm ein neues Jazz-Programm startet und ByteFM auf UKW in Berlin verf\u00fcgbar wird.","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"public_identification_id":"8c21b7b036b84a50b5aac77fbe92aaf8","private_identification_id":"05b0ee51da5a476aac06e6a0edebd94c","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/9209","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=9209"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/9209\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media\/9210"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=9209"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=9209"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=9209"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}