{"id":929,"date":"2004-11-30T23:02:00","date_gmt":"2004-11-30T22:02:00","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/kalenderblatt-dezember-2004\/"},"modified":"2023-12-18T08:49:29","modified_gmt":"2023-12-18T07:49:29","slug":"kalenderblatt-dezember-2004","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/11\/kalenderblatt-dezember-2004\/","title":{"rendered":"Kalenderblatt Dezember 2004"},"content":{"rendered":"Beim Durchforsten alter Digitalkamera-Sachen auf CD, dieses niedliche Dokument der Zeit gefunden.<\/p>\n
Ist doch gr\u00fcn, oder?<\/p>\n","protected":false},"excerpt":{"rendered":"
Beim Durchforsten alter Digitalkamera-Sachen auf CD, dieses niedliche Dokument der Zeit gefunden. Ist doch gr\u00fcn, oder?<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","osh_disable_topbar_sticky":"default","osh_disable_header_sticky":"default","osh_sticky_header_style":"default","osh_sticky_header_effect":"","osh_custom_sticky_logo":0,"osh_custom_retina_sticky_logo":0,"osh_custom_sticky_logo_height":0,"osh_background_color":"","osh_links_color":"","osh_links_hover_color":"","osh_links_active_color":"","osh_links_bg_color":"","osh_links_hover_bg_color":"","osh_links_active_bg_color":"","osh_menu_social_links_color":"","osh_menu_social_hover_links_color":"","_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_metis_text_type":"","_metis_text_length":118,"_post_count":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":4,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[],"tags":[],"class_list":["post-929","post","type-post","status-publish","format-standard","hentry","entry"],"desktop_mode_lock":null,"desktop_mode_contributors":[],"desktop_mode_attached_media":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","categories_names":[],"post_class":[["post-929","post","type-post","status-publish","format-standard","hentry","entry"]],"author_avatar":["
"],"featured_video":null,"jetpack-related-posts":[{"id":755,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/09\/meta-magic-music-some-quiet-stars\/","url_meta":{"origin":929,"position":0},"title":"Meta Magic Music – Some Quiet Stars","author":"huflaikhan","date":"16. September 2004","format":false,"excerpt":"Meta Music bringen von ihrer ersten CD an exzellente Musik auf den digitalen Tontr\u00e4ger. Das kleine Label, welches momentan in Berlin seine Heimat gefunden hat, machte sich die M\u00fche, eine Art Querschnitt durch ihr Programm zu kompilieren. 11 verschiedene St\u00fccke, das Spektrum reicht von Alter Musik (wundersch\u00f6n die \u201eMusic For\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":359,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/02\/kalenderblatt-maerz-email-von-1836\/","url_meta":{"origin":929,"position":1},"title":"Kalenderblatt: M\u00e4rz – Email von 1836","author":"huflaikhan","date":"29. Februar 2004","format":false,"excerpt":"Irgendwie fand ichs doch nicht so \u00fcberraschend: Die Email wurde 1836 in der Deutschen Demokratischen Republik erfunden. Man musste nur mal unter den Schreibtisch schauen. Ein auch bald schon 13 Jahre alter Eimer, gekauft bei den Gebr\u00fcdern Kube in der Tauroggenerstra\u00dfe in Berlin Charlottenburg. Diente einstens zur Sammlung von Asche\u2026","rel":"","context":"In \"Berlin\"","block_context":{"text":"Berlin","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/berlin\/"},"img":{"alt_text":"Email seit 1836","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/02\/20040228-email.jpg?fit=450%2C237&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":569,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/07\/songs-zemlinsky-haselboeck-henschel\/","url_meta":{"origin":929,"position":2},"title":"Songs by Zemlinsky – Haselb\u00f6ck, Henschel","author":"huflaikhan","date":"19. Juli 2004","format":false,"excerpt":"Wie soll man das Werk Alexander Zemlinskys (1871-1942) einordnen? Er ist der Schwellenkomponist schlechthin. Er steht zwischen der alten Moderne eines Brahms und Wagner und der bald schon wieder veraltet wirkenden Moderne eines Sch\u00f6nberg und Berg. Dazwischen hat er \u201ceinen\u201d Platz und fand noch weitere Schwellen mit seinem \u201cKreidekreis\u201d beispielsweise.\u2026","rel":"","context":"In \"Alexander von Zemlinsky\"","block_context":{"text":"Alexander von Zemlinsky","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/alexandervonzemlinsky\/"},"img":{"alt_text":"Songs by Zemlinsky","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/07\/20040719-cd-zemlinsky.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1379,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/08\/wahlpruefsteine-des-deutschen-kulturrates\/","url_meta":{"origin":929,"position":3},"title":"Wahlpr\u00fcfsteine des Deutschen Kulturrates","author":"huflaikhan","date":"24. August 2005","format":false,"excerpt":"Heute sind die Wahlpr\u00fcfsteine des Deutschen Kulturrates ver\u00f6ffentlicht worden \u2014 mit Pressekonferenz und gro\u00dfem Tamtam in Berlin. Eben gab es sogar in DLF ein Interview mit dessen Pr\u00e4sidenten Vorsitzendem, Max Fuchs. Zun\u00e4chst will ich nur auf das Dokument hinweisen. Man kann es im Zeitungsformat (Berliner Format) auf gut 24 Seiten\u2026","rel":"","context":"In "Angriff auf \u2026"","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":972,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/12\/musikverlegerverband-begruesst-deutsch-quote\/","url_meta":{"origin":929,"position":4},"title":"Musikverlegerverband begr\u00fc\u00dft Deutsch-Quote","author":"huflaikhan","date":"20. Dezember 2004","format":false,"excerpt":"Was sollen die auch anders machen. Sie findens gut, weil dann mehr Musik aus Deutschland gespielt wird. \u0084Wer aufmerksam das CD-Angebot aus Deutschland verfolgt, wird sehr schnell feststellen, dass das Angebot der gro\u00dfen und kleinen Firmen so vielf\u00e4ltig ist, dass ein entsprechendes Programm der Sender kein Problem sein d\u00fcrfte. Und\u2026","rel":"","context":"Mit 4 Kommentaren","block_context":{"text":"Mit 4 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/12\/musikverlegerverband-begruesst-deutsch-quote\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8930,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2024\/02\/facebook-ausraeumen-die-chlorreichen-sieben\/","url_meta":{"origin":929,"position":5},"title":"Facebook ausr\u00e4umen \/ Die chlorreichen Sieben","author":"der huflaikhan","date":"5. Februar 2024","format":false,"excerpt":"Facebook ist zu r\u00e4umen nach allen Formen, die sich da ergeben. Aber auch alte Pr\u00e4senzen sind aufzugeben. In den letzten Jahren habe unter anderem podcastle.info schlecht gepflegt \u2013 sollte man eine \u00dcbersicht zu den Podcasts aus dem Bereich der \u201eernsten\u201c Musik werden, also jenseits der ganzen Gesch\u00fctze der Kulturindustrie. podcastle.info\u2026","rel":"","context":"In "Angriff auf \u2026"","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Die chorreichen Sieben. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_05_vor7_die_chlorreichen_sieben.jpg?fit=1200%2C675&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_05_vor7_die_chlorreichen_sieben.jpg?fit=1200%2C675&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_05_vor7_die_chlorreichen_sieben.jpg?fit=1200%2C675&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_05_vor7_die_chlorreichen_sieben.jpg?fit=1200%2C675&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_05_vor7_die_chlorreichen_sieben.jpg?fit=1200%2C675&ssl=1&resize=1050%2C600 3x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/929","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=929"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/929\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=929"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=929"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=929"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}