{"id":9366,"date":"2024-03-07T14:21:58","date_gmt":"2024-03-07T13:21:58","guid":{"rendered":"https:\/\/www.kritische-masse.de\/logbuch\/?p=9366"},"modified":"2024-03-07T14:21:58","modified_gmt":"2024-03-07T13:21:58","slug":"schnurrige-idee-reinhard-schulz-das-sogenannte-ewige-in-der-kunst","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2024\/03\/schnurrige-idee-reinhard-schulz-das-sogenannte-ewige-in-der-kunst\/","title":{"rendered":"Schnurrige Idee \/ Reinhard Schulz \/ Das sogenannte Ewige in der Kunst"},"content":{"rendered":"<p>Heute fast keinen Eintrag \u2013 au\u00dfer, daran zu denken, dass der gute Freund und Kollege Reinhard Schulz normalerweise seinen 74. Geburtstag h\u00e4tten feiern k\u00f6nnen, wenn ihn nicht 2009 der Krebs dahingerafft h\u00e4tte.<\/p>\n<figure id=\"attachment_9368\" aria-describedby=\"caption-attachment-9368\" style=\"width: 840px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/03\/03_07_andersch.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"9368\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/2024\/03\/schnurrige-idee-reinhard-schulz-das-sogenannte-ewige-in-der-kunst\/03_07_andersch\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/03\/03_07_andersch.jpg?fit=1080%2C565&amp;ssl=1\" data-orig-size=\"1080,565\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Alfred Andersch: Die Rote. M\u00fcnchen 1963, S. 15.\" data-image-description=\"&lt;p&gt;Alfred Andersch: Die Rote. M\u00fcnchen 1963, S. 15.&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Alfred Andersch: Die Rote. M\u00fcnchen 1963, S. 15.&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/03\/03_07_andersch.jpg?fit=1024%2C536&amp;ssl=1\" class=\"size-large wp-image-9368\" title=\"Alfred Andersch: Die Rote. M\u00fcnchen 1963, S. 15.\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/03\/03_07_andersch.jpg?resize=840%2C440&#038;ssl=1\" alt=\"03 07 andersch\" width=\"840\" height=\"440\" srcset=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/03\/03_07_andersch.jpg?resize=1024%2C536&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/03\/03_07_andersch.jpg?resize=300%2C157&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/03\/03_07_andersch.jpg?resize=768%2C402&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/03\/03_07_andersch.jpg?w=1080&amp;ssl=1 1080w\" sizes=\"auto, (max-width: 840px) 100vw, 840px\" \/><\/a><figcaption id=\"caption-attachment-9368\" class=\"wp-caption-text\">Alfred Andersch: Die Rote. 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Geburtstag h\u00e4tten feiern k\u00f6nnen, wenn ihn nicht 2009 der Krebs dahingerafft h\u00e4tte. &nbsp;<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Schnurrige%20Idee%20%2F%20Reinhard%20Schulz%20%2F%20Das%20sogenannte%20Ewige%20in%20der%20Kunst https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2024%2F03%2Fschnurrige-idee-reinhard-schulz-das-sogenannte-ewige-in-der-kunst%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/c23aee426d58e69f14ef471114d4cac215eec702ee1bc331e2a62ea77e96ed60?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/c23aee426d58e69f14ef471114d4cac215eec702ee1bc331e2a62ea77e96ed60?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":8452,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/07\/der-tod-und-sein-widerspruch-und-der-humor\/","url_meta":{"origin":9366,"position":0},"title":"Der Tod und sein Widerspruch \u2013 Und der Humor","author":"der huflaikhan","date":"24. Juli 2014","format":false,"excerpt":"Wie immer man zu Gergiev stehen mag, hier gibt es nicht viel zu deuteln. Aufzeichnung des Brahms'schen Requiems beim Gedenkkonzert des BR zur Ehren Lorin Maazels. Zu erinnern ist aber auch an Reinhard Schulz, unseren langj\u00e4hrigen Mitarbeiter und Freund, der vor f\u00fcnf Jahren nach langer Krankheit verstorben ist.\u00a0 Wir erinnern\u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/diemusik\/"},"img":{"alt_text":"Reinhard Schulz. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2014\/07\/schulz-kontur-150x150.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":11099,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2025\/07\/schulzi-bis-2009\/","url_meta":{"origin":9366,"position":1},"title":"Schulzi (bis 2009)","author":"der huflaikhan","date":"24. Juli 2025","format":false,"excerpt":"Heute im Jahr 2009 starb einer meiner besten Freunde. Ich erinnere daran. Gestern wurde in Darmstadt der Reinhard-Schulz-Preis f\u00fcr zeitgen\u00f6ssische Musikpublizistik an Patrick Becker verliehen. Eine exzellente Wahl!","rel":"","context":"In &quot;Privates&quot;","block_context":{"text":"Privates","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/privates\/"},"img":{"alt_text":"schulzi spricht u\u0308ber das internet","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/07\/schulzi-spricht-ueber-das-internet.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/07\/schulzi-spricht-ueber-das-internet.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/07\/schulzi-spricht-ueber-das-internet.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/07\/schulzi-spricht-ueber-das-internet.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/07\/schulzi-spricht-ueber-das-internet.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/07\/schulzi-spricht-ueber-das-internet.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":8469,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/08\/ohne-musikkritik-kein-konzertleben\/","url_meta":{"origin":9366,"position":2},"title":"Ohne Musikkritik, kein Konzertleben?","author":"der huflaikhan","date":"26. August 2014","format":false,"excerpt":"Auf diese Pointe l\u00e4uft die These hinaus, die Peter Hagmann, Musikkritiker der Neuen Z\u00fcrcher Zeitung, in seiner Laudatio auf Benedikt Le\u00dfmann anl\u00e4sslich der Verleihung des Reinhard-Schulz-Preises f\u00fcr zeitgen\u00f6ssische Musikpublizistik abhob. Allein, wenn es aus ist mit der Konzertkritik, dann verl\u00f6scht auch das Licht im Konzertsaal. Ohne Kritik keine Musik, es\u2026","rel":"","context":"In &quot;die Kultur&quot;","block_context":{"text":"die Kultur","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kultur\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8463,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/08\/fotobombing-mit-johannes-kreidler\/","url_meta":{"origin":9366,"position":3},"title":"Fotobombing mit Johannes Kreidler","author":"der huflaikhan","date":"18. August 2014","format":false,"excerpt":"Als wir uns zur Berichterstattung \u00fcber den Reinhard-Schulz-Preis f\u00fcr zeitgen\u00f6ssische Musikpublizistik nach Darmstadt begeben hatten, konnten wir noch nicht ahnen, wessen Geistes diese Veranstaltung sein sollte. Ein Blick in Johannes Kreidlers \u201eBlog\u201c h\u00e4tte unmittelbar Aufschluss geben k\u00f6nnen. Kreidler \u00fcberall. Da hilft nur Photoshop. Hier die Original-Bilder von der Veranstaltung. \u00a0","rel":"","context":"In &quot;die Kultur&quot;","block_context":{"text":"die Kultur","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kultur\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1493,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/11\/waehrend-der-wartezeit\/","url_meta":{"origin":9366,"position":4},"title":"W\u00e4hrend der Wartezeit","author":"huflaikhan","date":"1. November 2005","format":false,"excerpt":"bitte schauen Sie vorwurfsvoll in die aktuelle nmz. Geballte Informationen aus dem Musikleben. Mit einem wunderbaren Text von Redunzel Semmelmann \u201eDie Musik ist tot.\u201c Ferner Janko R\u00f6ttgers \u00fcber \u201eJournalismus kills music\u201c. Aber auch Frau Gabriele Schulz: Steinbr\u00fcck ante portas - Gefahr durch Subventionsbericht des Kieler Instituts f\u00fcr Weltwirtschaft?. bitte schauen\u2026","rel":"","context":"Mit 4 Kommentaren","block_context":{"text":"Mit 4 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/11\/waehrend-der-wartezeit\/#comments"},"img":{"alt_text":"das ist taktlos 94","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/11\/20051101-taktlos_24_10_druck.jpg?fit=500%2C360&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3147,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2012\/10\/stille-wars-und-wird-es-sein\/","url_meta":{"origin":9366,"position":5},"title":"Stille wars und wird es sein","author":"huflaikhan","date":"1. Oktober 2012","format":false,"excerpt":"Die letzten Tage keine Zeit f\u00fcrs Netz. Zuerst auf dem Bundeskongress Musikunterricht, dann das Riedl-Buch zuende gebracht. Dem Chef attestiert beim twittern aus Mainz, Riedl-Buch-Werbung, Oper & Tanz ins Netz, Theater- und Fototermin. ... Und so geht es weiter. nmz zuzzeln, taktlos-texten, dann nach Graz zum Reinhard-Schulz-Kritikerpreis mit Rundfunkauftrag ...\u00a0Die\u2026","rel":"","context":"In \"Leben\"","block_context":{"text":"Leben","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/leben\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/9366","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=9366"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/9366\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media\/9367"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=9366"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=9366"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=9366"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}