{"id":9366,"date":"2024-03-07T14:21:58","date_gmt":"2024-03-07T13:21:58","guid":{"rendered":"https:\/\/www.kritische-masse.de\/logbuch\/?p=9366"},"modified":"2024-03-07T14:21:58","modified_gmt":"2024-03-07T13:21:58","slug":"schnurrige-idee-reinhard-schulz-das-sogenannte-ewige-in-der-kunst","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2024\/03\/schnurrige-idee-reinhard-schulz-das-sogenannte-ewige-in-der-kunst\/","title":{"rendered":"Schnurrige Idee \/ Reinhard Schulz \/ Das sogenannte Ewige in der Kunst"},"content":{"rendered":"<div class=\"shariff shariff-align-left shariff-widget-align-left\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Schnurrige%20Idee%20%2F%20Reinhard%20Schulz%20%2F%20Das%20sogenannte%20Ewige%20in%20der%20Kunst https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2024%2F03%2Fschnurrige-idee-reinhard-schulz-das-sogenannte-ewige-in-der-kunst%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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background-color:#3b5998; color:#3b5998\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#3b5998\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 32\"><path fill=\"#3b5998\" d=\"M17.1 0.2v4.7h-2.8q-1.5 0-2.1 0.6t-0.5 1.9v3.4h5.2l-0.7 5.3h-4.5v13.6h-5.5v-13.6h-4.5v-5.3h4.5v-3.9q0-3.3 1.9-5.2t5-1.8q2.6 0 4.1 0.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#3b5998\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button info shariff-nocustomcolor\" style=\"background-color:#a8a8a8\"><a href=\"http:\/\/ct.de\/-2467514\" title=\"Weitere Informationen\" aria-label=\"Weitere Informationen\" role=\"button\" rel=\"noopener \" class=\"shariff-link\" style=\"; background-color:#999; color:#999\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 11 32\"><path fill=\"#999\" d=\"M11.4 24v2.3q0 0.5-0.3 0.8t-0.8 0.4h-9.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h1.1v-6.8h-1.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h6.8q0.5 0 0.8 0.4t0.4 0.8v10.3h1.1q0.5 0 0.8 0.4t0.3 0.8zM9.2 3.4v3.4q0 0.5-0.4 0.8t-0.8 0.4h-4.6q-0.4 0-0.8-0.4t-0.4-0.8v-3.4q0-0.4 0.4-0.8t0.8-0.4h4.6q0.5 0 0.8 0.4t0.4 0.8z\"\/><\/svg><\/span><\/a><\/li><\/ul><\/div><p>Heute fast keinen Eintrag \u2013 au\u00dfer, daran zu denken, dass der gute Freund und Kollege Reinhard Schulz normalerweise seinen 74. Geburtstag h\u00e4tten feiern k\u00f6nnen, wenn ihn nicht 2009 der Krebs dahingerafft h\u00e4tte.<\/p>\n<figure id=\"attachment_9368\" aria-describedby=\"caption-attachment-9368\" style=\"width: 840px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/03\/03_07_andersch.jpg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"9368\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/2024\/03\/schnurrige-idee-reinhard-schulz-das-sogenannte-ewige-in-der-kunst\/03_07_andersch\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/03\/03_07_andersch.jpg?fit=1080%2C565&amp;ssl=1\" data-orig-size=\"1080,565\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Alfred Andersch: Die Rote. M\u00fcnchen 1963, S. 15.\" data-image-description=\"&lt;p&gt;Alfred Andersch: Die Rote. M\u00fcnchen 1963, S. 15.&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Alfred Andersch: Die Rote. M\u00fcnchen 1963, S. 15.&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/03\/03_07_andersch.jpg?fit=1024%2C536&amp;ssl=1\" class=\"size-large wp-image-9368\" title=\"Alfred Andersch: Die Rote. M\u00fcnchen 1963, S. 15.\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/03\/03_07_andersch.jpg?resize=840%2C440&#038;ssl=1\" alt=\"03 07 andersch\" width=\"840\" height=\"440\" srcset=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/03\/03_07_andersch.jpg?resize=1024%2C536&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/03\/03_07_andersch.jpg?resize=300%2C157&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/03\/03_07_andersch.jpg?resize=768%2C402&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/03\/03_07_andersch.jpg?w=1080&amp;ssl=1 1080w\" sizes=\"auto, (max-width: 840px) 100vw, 840px\" \/><\/a><figcaption id=\"caption-attachment-9368\" class=\"wp-caption-text\">Alfred Andersch: Die Rote. 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Geburtstag h\u00e4tten feiern k\u00f6nnen, wenn ihn nicht 2009 der Krebs dahingerafft h\u00e4tte. &nbsp;<\/p>\n<div class=\"shariff shariff-align-left shariff-widget-align-left\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Schnurrige%20Idee%20%2F%20Reinhard%20Schulz%20%2F%20Das%20sogenannte%20Ewige%20in%20der%20Kunst https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2024%2F03%2Fschnurrige-idee-reinhard-schulz-das-sogenannte-ewige-in-der-kunst%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path 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Juli 2014","format":false,"excerpt":"Wie immer man zu Gergiev stehen mag, hier gibt es nicht viel zu deuteln. Aufzeichnung des Brahms'schen Requiems beim Gedenkkonzert des BR zur Ehren Lorin Maazels. Zu erinnern ist aber auch an Reinhard Schulz, unseren langj\u00e4hrigen Mitarbeiter und Freund, der vor f\u00fcnf Jahren nach langer Krankheit verstorben ist.\u00a0 Wir erinnern\u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/diemusik\/"},"img":{"alt_text":"Reinhard Schulz. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2014\/07\/schulz-kontur-150x150.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":11099,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2025\/07\/schulzi-bis-2009\/","url_meta":{"origin":9366,"position":1},"title":"Schulzi (bis 2009)","author":"der huflaikhan","date":"24. Juli 2025","format":false,"excerpt":"Heute im Jahr 2009 starb einer meiner besten Freunde. Ich erinnere daran. Gestern wurde in Darmstadt der Reinhard-Schulz-Preis f\u00fcr zeitgen\u00f6ssische Musikpublizistik an Patrick Becker verliehen. Eine exzellente Wahl!","rel":"","context":"In &quot;Ich&quot;","block_context":{"text":"Ich","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/privates\/ich\/"},"img":{"alt_text":"schulzi spricht u\u0308ber das internet","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/07\/schulzi-spricht-ueber-das-internet.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/07\/schulzi-spricht-ueber-das-internet.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/07\/schulzi-spricht-ueber-das-internet.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/07\/schulzi-spricht-ueber-das-internet.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/07\/schulzi-spricht-ueber-das-internet.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/07\/schulzi-spricht-ueber-das-internet.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":8469,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/08\/ohne-musikkritik-kein-konzertleben\/","url_meta":{"origin":9366,"position":2},"title":"Ohne Musikkritik, kein Konzertleben?","author":"der huflaikhan","date":"26. 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Mit einem wunderbaren Text von Redunzel Semmelmann \u201eDie Musik ist tot.\u201c Ferner Janko R\u00f6ttgers \u00fcber \u201eJournalismus kills music\u201c. 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