{"id":938,"date":"2004-12-04T14:29:11","date_gmt":"2004-12-04T13:29:11","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/kinder-horror-musik-schau-i-unsre-welt\/"},"modified":"2023-12-18T08:49:29","modified_gmt":"2023-12-18T07:49:29","slug":"kinder-horror-musik-schau-i-unsre-welt","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/kinder-horror-musik-schau-i-unsre-welt\/","title":{"rendered":"Kinder-Horror-Musik-Schau I \u0096 Unsre Welt"},"content":{"rendered":"<p>Weil ich bei der pepa von den Ehren des Kommentars zu einem <a href=\"http:\/\/infragelb.de\/pepa\/index.php?p=192\" target=\"_blank\" rel=\"noopener\">selbst\u00e4ndigen Beitrag<\/a> gekommen bin, will ich mal nachlegen mit den obskuren musikalischen Verkrampfungen der sogenannten Kindermusik. <\/p>\n<p> <strong>Auf Platz 1<\/strong> der Hitparade steht da das St\u00fcckerl \u201eUnsere Welt\u201c, gesungen von einer armen gequ\u00e4lten Gesine auf der Platte \u201eDie RTL-Kinderhitparade\u201c (Komposition: Sarenberg, Text: B. Schwartzer-Siegel \u2014 BMG-Ariola).<\/p>\n<p><!--break--><\/p>\n<p>Da bekommt die Aussage: \u201eDie Phonowirtschaft ist der wichtigste Investor in inl\u00e4ndische musikalische Kreativit\u00e4t. Von der Ertragsf\u00e4higkeit der inl\u00e4ndischen Tontr\u00e4gerunternehmen h\u00e4ngt deshalb die Lebens- [besser w\u00e4re wohl: Leidens-] und Entwicklungsf\u00e4higkeit der inl\u00e4ndischen Musikszenen ab\u201c noch einen besonders perfiden Beigeschmack.<\/p>\n<p><cite><a href=\"\/masse\/sound\/unsere-welt.mp3\" target=\"_blank\" rel=\"noopener\">H\u00f6ren<\/a>, aber es tut wirklich weh<\/cite><\/p>\n<p>Wie kann man einem Menschen das nur antun? Die wird ihr Leben lang nicht mehr froh. Erst legt man ihr einen angeblich artgerechten Text in den Mund und l\u00e4sst sie dann vor dem professionellen Background-Sound mit Plingel-Gitarre \u00e4u\u00dferst brutal verhungern. Da stimmt gar nichts, aber die Omma quittiert dies im besten Falle mit einem \u201eJuhu. Mei, kann das Kind sch\u00f6n singen und so klug ist es dazu \u2014 h\u00e4\u00e4?\u201c<\/p>\n<p><cite>Stellt euch vor, die Sonne scheint nie mehr in unsere Welt.<br \/> Ich sag euch, das w\u00e4r nicht gut, wir brauchen alle Licht.<br \/> Ich sag euch, auch Taschenlampen werden langweilik.<br \/> Und darum helfen wir auch mit, dass unsre Welt total in Ordnung bleibt.<br \/> Denn was zerst\u00f6rt ist, das ist weg, f\u00fcr dich und mich bis in die Ewigkeit, f\u00fcr alle Zeit.<\/cite><\/p>\n<p>Vollkommen deprimierend dieses St\u00fcck mit Bezug auf die \u00f6kologische Katastrophe. So geht es doch nicht. Das Mord an der Musik und an dem armen Kind (was muss das f\u00fcr Eltern haben, die das gestatten), welches man geradezu zu einer Hit-Prostituierten macht.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Kinder-Horror-Musik-Schau%20I%20%C2%96%20Unsre%20Welt https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fkinder-horror-musik-schau-i-unsre-welt%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Kinder-Horror-Musik-Schau%20I%20%C2%96%20Unsre%20Welt https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fkinder-horror-musik-schau-i-unsre-welt%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Auf Platz 1 der Hitparade steht da das St\u00fcckerl \u201eUnsere Welt\u201c, gesungen von einer armen gequ\u00e4lten Gesine auf der Platte \u201eDie RTL-Kinderhitparade\u201c (Komposition: Sarenberg, Text: B. Schwartzer-Siegel [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Kinder-Horror-Musik-Schau%20I%20%C2%96%20Unsre%20Welt https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fkinder-horror-musik-schau-i-unsre-welt%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":989,"url":"https:\/\/www.kritische-masse.de\/logbuch\/kulturpolitischer-rueckblick\/","url_meta":{"origin":938,"position":0},"title":"Kulturpolitischer R\u00fcckblick","author":"huflaikhan","date":"31. Dezember 2004","format":false,"excerpt":"Ebenfalls in der neuen musikzeitung gibts einen R\u00fcckblick auf das Jahr 2004, mit Ausweichungen nach 2003. Hier ein Ausschnitt: Man darf sich aber dann doch fragen, wie stand es denn um diese gro\u00dfe Familie der Musiker oder an Musikinteressierten? Alles nur Waschlappen und Elendsbeschw\u00f6rer? Nein, wir sind gut und haben\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":427,"url":"https:\/\/www.kritische-masse.de\/logbuch\/phonowirtschaft-wichtigster-investor-musikalische-kreativitaet\/","url_meta":{"origin":938,"position":1},"title":"Phonowirtschaft wichtigster Investor in musikalische Kreativit\u00e4t?","author":"huflaikhan","date":"4. Mai 2004","format":false,"excerpt":"Gestern fand in Berlin die Anh\u00f6rung zum Fragenkatalog der \u0084Enquete-Komission Kultur in Deutschland\u0093 statt. Aus einer Stellungnahme darf ich wohl zitieren: Dr. Thorsten BRAUN (Syndicus des Bundesverbandes der Phonographischen Wirtschaft e.V.) Antworten auf den Fragenkatalog der Enquete-Kommission \u0084Kultur in Deutschland\u0093 f\u00fcr die \u00d6ffentliche Anh\u00f6rung am 3. Mai 2004 zum Thema\u2026","rel":"","context":"Mit 4 Kommentaren","block_context":{"text":"Mit 4 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/phonowirtschaft-wichtigster-investor-musikalische-kreativitaet\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":65,"url":"https:\/\/www.kritische-masse.de\/logbuch\/aelterwerden-mit-musik\/","url_meta":{"origin":938,"position":2},"title":"\u00c4lterwerden mit Musik","author":"huflaikhan","date":"30. November 2001","format":false,"excerpt":"Sprecher 1: Wo man heute auch hinsieht oder hinh\u00f6rt: Die Jugend und die kaufkr\u00e4ftigen 20 bis 30-j\u00e4hrigen stehen im Mittelpunkt unseres Fit-Forever-Kulturlebens, auch in der Musik: RTL-Popstars, Konzerte f\u00fcr Kinder, Studien \u00fcber die m\u00f6glichen Effekte einer fr\u00fchen musikalischen F\u00f6rderung von Kindern und Jugendlichen. Bisweilen springt man musikalisch sogar bis in\u2026","rel":"","context":"In \"Musik im Alter\"","block_context":{"text":"Musik im Alter","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/musikimalter\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":461,"url":"https:\/\/www.kritische-masse.de\/logbuch\/taktlos-77-neue-musik-fuer-kinder\/","url_meta":{"origin":938,"position":3},"title":"taktlos 77: Neue Musik f\u00fcr Kinder","author":"huflaikhan","date":"30. Mai 2004","format":false,"excerpt":"Neue Musik f\u00fcr KinderMusik: Charles Ives: Three Places in New England Nr. 3 The Housatonic at Stockbridge von Anfang, unter dem Text lassenAutor: \u0084Elfj\u00e4hrige sind \u0096 was den Musikgeschmack betrifft \u0096 erstaunlich fertig. Die entscheidenden pr\u00e4genden Erfahrungen sind heute, st\u00e4rker als in der Vergangenheit, bereits in der Kindheit zu suchen\u0093,\u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/diemusik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":253,"url":"https:\/\/www.kritische-masse.de\/logbuch\/adornos-klaviermusik\/","url_meta":{"origin":938,"position":4},"title":"Adornos Klaviermusik","author":"huflaikhan","date":"17. September 2003","format":false,"excerpt":"Da ist dieses \u0084Adagietto \u0096 Hommage an Bizet\u0093 (1927) und die Kindersuite P.K.B. Wer bisher Adorno nur zutraute mit schmerzhaften Dissonanzen zu komponieren, wird im Adagietto eines ganz anderen belehrt. Diese musikalische Wendung \u0096 auch nach Klang und Melodik eher in Richtung Ravel und Bizet gehend \u0096 zeigt auch an,\u2026","rel":"","context":"In &quot;Rezension&quot;","block_context":{"text":"Rezension","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/texte\/rezension\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8583,"url":"https:\/\/www.kritische-masse.de\/logbuch\/anonyme-orffianer-und-der-wahre-gipfel-des-kagelismus\/","url_meta":{"origin":938,"position":5},"title":"Anonyme Orffianer und der wahre Gipfel des Kagelismus","author":"der huflaikhan","date":"18. August 2015","format":false,"excerpt":"Wir m\u00fcssen \u00fcber ein ernstes Problem in unserem Musikleben sprechen: Die musikalische Sozialisation. Es gibt ja immer noch Gehirnforscher, die meinen, mit Musik lebe es sich besser. Musik sei wirklich gut und wichtig, st\u00e4rke dies und st\u00e4rke das. Sport, Tanzen, Malen und Dichten geh\u00f6rten auch dahin. Wohin es aber kommen\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/QPYB5hwcQ6Q\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/938","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=938"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/938\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=938"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=938"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=938"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}